“Cross”, the eight-episode crime thriller currently available on Amazon Prime, was filmed in Toronto but is set in Washington,  DC. The assignment for Production Designer Elisa Sauvé was to venture outside the stereotypical Capitol Hill locations and really give the city it’s due. From the Georgetown neighborhood to Ben’s Chili Bowl, Elisa and her team made sure that DC’s unique vibrancy was an integral part of the series.

“Dune: Prophecy”, which airs its sixth episode and season finale tonight (!), is the latest example of HBO Max’s commitment to prestige television. This short but ambitious series required an all-hands-on-deck approach, and Film Editors Sarah Reeves and Mark Martzell are here to share the collaborative details. We talk about doing a prequel to the movies, the challenge of the strikes on production, and - spoiler alert - we break down some specific scenes. Insights and laughs guaranteed, or your money back.

Can “Rumours”, the 2024 comedy horror film written and directed by Guy Maddin, Evan Johnson and Galen Johnson, be both an absurdist take on international politics AND the most accurate depiction of a G7 meeting ever? Cinematographer Stefan Ciupek collaborated with this team of three (!) directors to navigate a tightrope production between farce and truth. While every film project is a challenge, the need to accommodate an ensemble cast of nine (led by Cate Blanchett) while filming in Hungary on an independent film budget definitely spawned some transcendental experiences. This provocative and entertaining film teases both insights and laughs, and it was a lot of fun to talk about. In summary: yes, that’s a giant brain, and yes, it really is on fire.

“Wicked”, the Jon Chu theatrical adaptation of the stage musical, is currently in theaters and continues to dominate at the box office. Choreographer Christopher Scott and Film Editor Myron Kerstein share the challenges of bringing the extensive dance numbers from script to screen, with deep dives into “What Is This Feeling?” (bo staffs!), “Dancing Through Life” (tornado wheels!), and “No One Mourns the Wicked” (tulips!). Chris, Myron and Jon Chu previously worked together on “In the Heights”, and the strength of their collaboration is evident with this movie as well. 

Wait, what? You haven’t finished watching “The Penguin”, even though all episodes are now available on HBO Max? Please catch up, because today we’re hosting Hair Department Head Brian Badie, and we’re going heavy on the spoilers. Plus: fellow Batman fan Gianni Damaia returns as co-host! 

“Landman”, the new Taylor Sheridan drama starring Billy Bob Thornton, debuted just last week on Paramount+. Film Editor Chad Galster and Score Composer Andrew Lockington are both veterans of multiple Taylor projects and veterans of the podcast: with a warm welcome, I’m excited to have them make a joint appearance on the show. (Chad was also visiting set when they ran a tanker truck into an airplane parked on the highway - that was a practical stunt!)

UPDATED: Now with score snippets, to enhance your listening experience!

It’s easy to assume that working on “Rescue: HI-Surf”, the Hawaii-based action drama currently airing on Fox, would be akin to a vacation for the crew. Filming on the North Shore of O’ahu, however, is a difficult undertaking even before you mix in the challenge of the ocean itself.  Cinematographer Anka Malatynska and Water Unit Director of Photography Don King split the lensing duties at the waterline, and, together, they make this show work. Ready to go behind the scenes? Let’s ride this wave. 

This episode - in honor of Veterans Day - is about “84 Charlie MoPic”, the 1989 feature film about small unit operations during the Vietnam War, and our star-studded panel includes Director Patrick Duncan, Cinematographer Alan Caso and Producer Michael Nolin. Joining me as co-hosts are Jim Stayton and Al Gerloff, current friends and former colleagues from my pre-Hollywood days with Combat Camera. This conversation is one that my late father, himself a veteran of the Vietnam War, would have enjoyed very much, and it made for a really special episode. I hope you enjoy it.

Wes Anderson’s 1996 feature film debut, “Bottle Rocket,” introduced a larger audience to both Wes’s unique filmmaking style and the acting chops of brothers Owen and Luke Wilson. It’s fair to say that the careers of all three received a big assist from this film’s veteran assistant director team — Jim Goldthwait (1st AD), Heather Kritzer (Key 2nd AD) and Jimmy Flowers (2nd 2nd AD) — who helped shepherd this classic film from script to screen over then course of a 40-day shoot. I speak with the team about filming in 90’s Texas, teaching Set Protocols 101, and how the crew knew when the party room at the Hillsboro Days Inn was open for guests. 

Interested in the script, the shooting schedule, call sheets, or other materials from the film? The AD team has made all of that and a treasure trove of photos available here:

https://drive.google.com/drive/folders/1904r6Cgyv4dlhBis5wS9_uzB2uDOHVcu?usp=share_link

Costume Designer Helen Huang and Assistant Costume Designer Austin Wittick return to the podcast to discuss their work on “The Penguin”, the eight-episode series currently streaming on HBO/Max. The series is a spin-off and sequel to 2022’s “The Batman”, Director Matt Reeve’s take on the iconic superhero. While the Penguin was a supporting role in the film, played by an almost unrecognizable Colin Farrell, here he is the primary character for more than eight hours of television. Helen and Austin talk about the challenge of wardrobing for an entire series while remaining true to the original concepts.