We invited writer Sherman Alexie on to weigh in on recent cultural trends in blue cities. 

 Alexie has long been recognized as one of the country’s most talented, interesting – and funny – literary figures. The author of two dozen books, including The Absolutely True Diary of a Part-Time Indian (2007), which won the National Book Award for Young People’s Literature, along with many short stories, essays and poems, Sherman has spent his life, and much of his writing, negotiating the boundaries between vastly different cultural communities: after growing up on the Spokane Indian Reservation, the child of alcoholic parents, he went on to become an “urban Indian” in cosmopolitan Seattle as his highly lauded body of work catapulted him into the rarefied ranks of the  literary elite. 

Much of Alexie’s recent writing has been on Substack, where he has a large and devoted following. That work touches, in layered and nuanced ways, on the beliefs and the failings of blue city urban cultural, intellectual and activist elites. Alexie, sometimes subtly and obliquely and sometimes more directly, questions the assumptions of the self-righteous, puncturing the sense of certitude and moral perfection that has gripped much of the educated left. 

In our conversation, Alexie tells us why, drawing on a terrifying youthful encounter with a budding murderer-in-training on the reservation, he felt compelled to question the abolitionist pieties of Ivy League academics, why he now has a complicated relationship with leftist politics, and why he describes himself as “artistically a libertarian” and has come to believe that “every writer is an individual who owes loyalty to nobody.”

Our editor is Quinn Waller.

About Blue City Blues: 

Twenty years ago, Dan Savage encouraged progressives to move to blue cities to escape the reactionary politics of red places. And he got his wish. Over the last two decades, rural places have gotten redder and urban areas much bluer.  
 America’s bluest cities developed their own distinctive culture, politics and governance. They became the leading edge of a cultural transformation that reshaped progressivism, redefined urbanism and remade the Democratic Party.
But as blue cities went their own way, as they thrived as economically and culturally vibrant trend-setters, these urban cosmopolitan islands also developed their own distinctive set of problems. Inequality soared, and affordability tanked. And the conversation about those problems stagnated, relegated to the narrowly provincial local section of regional newspapers or local NPR programming. 
Blue City Blues aims to pick up where Savage’s Urban Archipelago idea left off, with a national perspective on the present and the future of urban America. We will consider blue cities as a collective whole. What unites them? What troubles them? What defines them?

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