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To Nicholas Bernard, form is everything. Nick stretches clay to make canvases for decoration. Texture, pattern and color are successful additions when the shapes are impeccable. My inspirations are many, from the classic forms of antiquity to the simple, graceful pots made by indigenous peoples and the work of modern studio potters. Nick's current body of work deals mostly with simple clean form. Handles and other flourishes are being added again after a four year hiatus. Dramatic color and subtle texture accentuate what Nick hopes is a mastery of the traditional vessel form.
Nick makes earthenware, with layers of textured slip, colored slips and oxides. Multiple gas or electric firings in oxidation to cone 03 or approximately 2000F.
By Paul Blais4.9
527527 ratings
To Nicholas Bernard, form is everything. Nick stretches clay to make canvases for decoration. Texture, pattern and color are successful additions when the shapes are impeccable. My inspirations are many, from the classic forms of antiquity to the simple, graceful pots made by indigenous peoples and the work of modern studio potters. Nick's current body of work deals mostly with simple clean form. Handles and other flourishes are being added again after a four year hiatus. Dramatic color and subtle texture accentuate what Nick hopes is a mastery of the traditional vessel form.
Nick makes earthenware, with layers of textured slip, colored slips and oxides. Multiple gas or electric firings in oxidation to cone 03 or approximately 2000F.

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