Bassist, composer, and improviser Steuart Liebig talks about quitting Les McCann's band in 1979, founding the avant-pop group BLOC with Nels Cline, joining Julius Hemphill's JAH Band, auditioning for Oingo Boingo, and why he won't hire drummers younger than 37.

Engineer, photographer, and musician Devin O'Brien has been at the center of BIG EGO from the very beginning. For the last few years Devin balanced his time playing in Cherry Glazerr with jumping into dozens of sessions; documenting both sight and sound with a unique, unified vision.

Alicia Walter sold her belongings, bought a car, and left New York to record her newest album with a live band of musicians she'd never met in California. In this conversation she talks about the transformative nature of art, fighting perfectionist tendencies, and the ruthlessness of pop music.

Jerry David DeCicca on his preferred BLT composition, producing Will Beeley's first album in 40 years, the singularity of "the voice that fell from outer space," computers hiding humanness, and working security at a Rush concert.

Equally at home leading a slow dance or a blazing honky-tonk, Katie Jo talks about living out of her van during the pandemic, shooting a video at her childhood roller rink in Wichita, and the dual journeys that lead to the release of her album, "Pawn Shop Queen".

Drummer and percussionist Danny Frankel on growing up in Cleveland, playing CBGB's with Urban Verbs in the late 70's, recording demos with Brian Eno, working with producers Steve Lillywhite and Hal Willner, and what retirement means for a musician.

Singer / songwriter Alisha Westerman on the recording studio as a holy space, group flow state, paranoia, processing trauma, and the spiritual visitation from Ikey Owens that led to the making of her album "Ego Trip".

Bassist, composer, and bandleader Anthony Shadduck talks about why Charlie Haden sitting in with the Minutemen was a pivotal moment, shouldering the burden of the song, discovering music in the 21st Century, and the loss of artist mythology via social media.

Jeremiah Lloyd Harmon on the euphoria and ambition of recording his debut album Namesake, how "Almost Heaven" died and came back to life, why an artist sings a song, and escaping the star-maker machinery of American Idol.