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Title: Put Out More Flags
Author: Evelyn Waugh
Narrator: Michael Maloney
Format: Unabridged
Length: 5 hrs and 59 mins
Language: English
Release date: 12-11-12
Publisher: Hachette Audio
Ratings: 4.5 of 5 out of 27 votes
Genres: Classics, British Literature
Publisher's Summary:
Put Out More Flags is Waugh's superb send-up of "smart" England, the bohemian crowd, as World War II approaches. Making a return appearance, Basil Seal this time insinuates himself into an odd but profitable role in the country's mobilization.
Basil's instincts for self-preservation come to the fore as he insinuates himself into the Ministry of Information and a little-known section of Military Security. With Europe frozen in the "phoney war", when will Basil's big chance to fight finally arrive?
Members Reviews:
Lifting The Fog Of Peace
War is ugly, costly, and dangerous to one's health. What about when it's necessary? Does a just war ennoble those who face it, or debase them further? Perhaps both?
Evelyn Waugh's "Put Out More Flags", published in 1942, may be one of his least known novels but is probably his bravest. It is at once a light comic farce and an acid morality play, mocking Great Britain's leadership, its war effort, and its smug culture at a time when Hitler's guns were pointed just a few miles off England's coast.
Waugh pulls in nearly every major figure from his previous five novels from the 1930s, led by Basil Seal of "Black Mischief" fame. He's still the conniving rascal of that earlier novel, using a spy scare to take advantage of an innocent with a nice apartment and a trio of vicious child refugees from bomb-threatened London as the snare for a lucrative extortion racket.
"Faultless timing," crows Basil at the outset. "That's always been Hitler's strong point."
Will Basil find redemption from his squalid state? Well, he sort of has to, given the time in which the novel is written. But Waugh holds off on that until nearly the end, and uses the background of the so-called "Phony War" to ask a lot of worthy questions about patriotism and honor, sending up principals as a way of backhandedly touting their value.
A homosexual leftist rejects the pieties of both sides and notes in China, educated scholars didn't care "a tinker's hoot" if their lands were invaded. Nothing means anything in the long run, not even Hitler, who he sees as a figure for a comic lampoon. A fusty old aristocrat sees ridiculously silver linings in every cloud. Are the Soviets aligned with Hitler? Good! That'll bring the Italians on our side.
Urging her son to enlist, a mother hastens to add: "The Army is very full just at present. Things will be much easier when we have some casualties."
Does Waugh pull all this on its head and show how brave a fight, how noble a battle, World War II really was? Well, I can't see him selling any war bonds, but he's not Lord Haw-Haw either. His interest is less on winning and losing than what the newness of the war reveals in a society on the verge of being distracted to death. "The fog lifts, the world sees us as we are, and worse still we see ourselves as we are."
But in his cold and reckless satire of the society games, love matches, and assorted sordid escapades of Seal and others, one gets a hint of something else, that only a free society can blow away such a fog and discover not only its flaws but things worth fighting for.
There's only a taste of combat near the end, a battlefield in Norway abstractly rendered.