Welcome to a special new podcast episode from The Film Stage. Here at the site we’ve long been fans of the work of Bill Morrison, who you may best know from his astounding 2016 archival documentary Dawson City: Frozen Time. The New York-based filmmaker received his first-ever Oscar nomination this year for his short film Incident, which reconstructs a 2018 police shooting in Chicago, reassembling the event and its immediate aftermath from a variety of sources, including surveillance, CCTV, dashboard, and body-worn cameras, as a synchronized split-screen montage.

With the film now available to watch for free at The New Yorker, The Film Stage co-founder and host of The B-Side podcast, Dan Mecca, spoke with Morrison about the nomination, the Rashomon-influenced inception of the project, how we grasp memory over time as a series of images, and much more. Enjoy the conversation.

Watch Incident here: https://www.newyorker.com/culture/the-new-yorker-documentary/incident-shows-how-officers-react-when-a-police-killing-is-caught-on-tape