There are four types of discourse in language- descriptive, narrative, expository and argumentative. And it seems that all four of those are readily present in any niche interest group on the internet these days. Anything from the way a machine works (descriptive), the exact timeline of Tolkien's world building (narrative), someone breaking down the latest universe development in a comic-book based film (expository), and argumentative which that one goes without example. If you need one, go to twitter.

On the note of argumentative, some may disagree with this next statement, but the difference between good discourse and bad discourse depends on the presence of resources. Resources establish credibility in ones' opinion and or points. They inform subsequent works, and if you're bibliography and research nerd, they are excellent road maps to other sources of information that you can sink your teeth into. Really exciting stuff, I know. But, when those resources aren't made readily available, that's where discourse breaks down. Without them, there's a few formal problems, like credibility and the questioning of objectivity. Mainly, the problem- is without resources how were you able to effectively formulate your contribution to the discussion at hand, and why should others participate with you.

One of the key ways we talk about music with musicians, is by asking about their influences. Influences tell us so much about who we're speaking with and how they developed.They give us a way to describe an artist's sound. Influences tell the story of formative discovery. They give us a timeline of the kinds of music that shaped an artist in different eras. Influences allow us to argue what was ultimately important in flows of time and culture. See where I'm going with this? Musical influences are just one part, but a big one in terms of musical resources.

Artists don't owe us that information. We know that. "What are your influences?" Is a boring question and its asked in pretty much every interview. They can keep their secrets, but its nice when that door is open.

Which brings us to this episode's guests- The Boxmasters. The Boxmasters is made up of Bill Bob Thornton and JD Andrews. Thornton and Andrews in 2007 when Thornton brought in Andrews as a sound engineer for his 2007 record "Beautiful Door".  The two found that the had similar approaches and views of music and started playing together somewhat regularly. After some time, the two began recording and eventually created their band "The Boxmasters" the name comes from southern slang referring to a hotshot with echoes of Porter Wagoners "The Wagonmasters" which Thornton had previously played in for a time. Since 2007, the group has toured extensively with the likes of Willie Nelson and Ray Price, taking a break between 2010-2015 where they reconvened to make the record "Somewhere Down the Road". The released their latest album "Help Im Alive" in April of 2022 (when this interview was recorded).

The Boxmasters do not shy away from their influences and what the build their sound on. Pulling from groups like The Beatles, The Rolling Stone, Mott and the Hoople- the duo works to echo the sounds the personally loved from the 60's and 70's- whilst also giving it a somewhat more southern edge with original lyrics.. all topped off with classic Bakersfield like production. And neither Andrews or Thornton will shy away from telling you as such.

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