Black on Black Cinema | Black Movie Reviews

Black on Black Cinema | Black Movie Reviews

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Black on Black Cinema | Black Movie Reviews episodes

  • What Livestreaming the Execution of Nidal Hasan says about Trump's America
    Defense Secretary Pete Hegseth wanted the whole country to watch the military's Dec. 3 capital punishment of Fort Hood terrorist, Nidal Hasan, and the Pentagon confirmed it would be livestreamed. In this preview episode of Black on Black Cinema, we argue the plan is a sign of American increased barbarism under the Trump administration, and that you can believe Hasan should face his sentence and still believe broadcasting globally crosses a line a democracy shouldn't cross

    (Update: This episode was recorded Oct. 14. On Oct. 15, President Trump said the Pentagon will not livestream the event, though victims' immediate families may attend in person).


    Black on Black Cinema is a long-running podcast featuring in-depth Black movie reviews and frank conversations that matter to the Black community. We review Black films across every genre β€” from Black horror and Black sci-fi to indie dramas, comedies, and blockbuster action. Covering filmmakers like Spike Lee, Jordan Peele, Ryan Coogler, Ava DuVernay, and more. Hosted by Jay, Micah, Terrence, and T'ara. Featured on RogerEbert.com. A TNP Studios production. New episodes weekly on Spotify, Apple Podcasts, YouTube, and all major platforms. For more TNP Studios content, check out The Nerdpocalypse (movie & TV news), Look Forward (progressive politics), and Dense Pixels (video game news).




    38 min
  • Antwone Fisher (2002): Proper Therapy for the Black Experience
    Black on Black Cinema reviews "Antwone Fisher" (2002), Denzel Washington's feature directorial debut, based on the true story of Antwone Fisher, a young Navy sailor sent to a psychiatrist who must face his painful past and search for the family he never knew. Derek Luke makes his film debut in the title role, opposite Washington as Dr. Jerome Davenport, with Joy Bryant, Salli Richardson-Whitfield, and Viola Davis. Fisher wrote the screenplay himself, drawing on his memoir "Finding Fish." We break down Luke's breakout performance, Washington's choices as a first-time director, how the film portrays a Black man opening up in therapy, and whether it holds up more than two decades later.


    Black on Black Cinema is a long-running podcast featuring in-depth Black movie reviews and frank conversations that matter to the Black community. We review Black films across every genre β€” from Black horror and Black sci-fi to indie dramas, comedies, and blockbuster action. Covering filmmakers like Spike Lee, Jordan Peele, Ryan Coogler, Ava DuVernay, and more. Hosted by Jay, Micah, Terrence, and T'ara. Featured on RogerEbert.com. A TNP Studios production. New episodes weekly on Spotify, Apple Podcasts, YouTube, and all major platforms. For more TNP Studios content, check out The Nerdpocalypse (movie & TV news), Look Forward (progressive politics), and Dense Pixels (video game news).




    1 hr 26 min
  • Why Tesla's N-Word Defense is Beyond Stupid
    Tesla is on trial in California over claims it let a hostile, racist work environment run for years at its Fremont factory with KKK imagery, swastikas, and the N-word scrawled in bathrooms, Black workers reportedly paid and promoted less, one worker testifying he heard slurs up to 100 times a day. Tesla's defense? Attorney Tyree Jones (a Black man!!!!) argued in open court that the N-word can be a "term of respect and endearment," comparing white employees using it to how Black people interact with each other. We break down why that argument is beyond ridiculous, why it completely dodges the actual hostile workplace claims, and the real question underneath all of it: why do so many white people want permission to say that word so badly? Plus, we announce our next film: Antwone Fisher. The film follows a young navy man, who is forced to see a psychiatrist after a violent outburst against a fellow crewman. During the course of treatment a painful past is revealed and a new hope begins.

    Black on Black Cinema is a long-running podcast featuring in-depth Black movie reviews and frank conversations that matter to the Black community. We review Black films across every genre β€” from Black horror and Black sci-fi to indie dramas, comedies, and blockbuster action. Covering filmmakers like Spike Lee, Jordan Peele, Ryan Coogler, Ava DuVernay, and more. Hosted by Jay, Micah, Terrence, and T'ara. Featured on RogerEbert.com. A TNP Studios production. New episodes weekly on Spotify, Apple Podcasts, YouTube, and all major platforms. For more TNP Studios content, check out The Nerdpocalypse (movie & TV news), Look Forward (progressive politics), and Dense Pixels (video game news).




    20 min
  • I Love Boosters (2026): Style Over Substance?
    This week on Black on Black Cinema, the crew returns to discuss the 2026 Boots Riley film, "I Love Boosters." The film follows a group of shoplifters (aka boosters) who take aim at a cutthroat fashion maven by stealing her clothes and reselling them at a lower price, what they call "fashion-forward philanthropy." Narrative overtones of anti-capitalism, push back on the moderate political establishment, the fashion industries exploitation of both its customer base but also the worker creating the products in far off nations for pennies on the dollar. Does Boots Riley's film balance his unique style, in this case, extremely bright colors and an almost anime like aesthetic with a story worth its two hour runtime? The film stars Keke Palmer, Lakeith Stansfield, Naomi Ackie, Taylor Paige, Will Poulter, and Demi Moore.

    Black on Black Cinema is a long-running podcast featuring in-depth Black movie reviews and frank conversations that matter to the Black community. We review Black films across every genre β€” from Black horror and Black sci-fi to indie dramas, comedies, and blockbuster action. Covering filmmakers like Spike Lee, Jordan Peele, Ryan Coogler, Ava DuVernay, and more. Hosted by Jay, Micah, Terrence, and T'ara. Featured on RogerEbert.com. A TNP Studios production. New episodes weekly on Spotify, Apple Podcasts, YouTube, and all major platforms. For more TNP Studios content, check out The Nerdpocalypse (movie & TV news), Look Forward (progressive politics), and Dense Pixels (video game news).




    1 hr 35 min
  • Trump Can't Build Anything, So He's Destroying Everything Instead
    Black on Black Cinema tackles Trump's ongoing assault on American landmarks. The East Wing of the White House was abruptly demolished last October, sparking legal battles over the approval process. Now the Kennedy Center is facing demolition threats over his childish desire to have his name on the building. The historic East Potomac cherry blossom grove; a 1912 gift from Japan is at real risk as Trump terminates a 50-year lease to build a "championship" golf course, with debris from the demolished East Wing literally dumped on the same site. The Lincoln Memorial's Reflecting Pool sits in disarray after a botched, unbid renovation.

    We ask the harder question: why does this president's legacy consistently manifest as destruction rather than creation? And as Black people, we sit with the real complexity here, many of these landmarks were built by enslaved people, monuments to a history that never fully included us. Is preservation even our fight? We land somewhere honest: this is still our country, our history, our capital, and watching it get torn down for spite and a golf handicap isn't something we're willing to be apathetic about, however complicated our relationship to these buildings really is.

    The next film to be review will be "I Love Boosters," written and directed by Boots Riley. The film follows a group of shoplifters who take aim at a cutthroat fashion maven by stealing her clothes and reselling them at a lower price, what they call "fashion-forward philanthropy."


    Black on Black Cinema is a long-running podcast featuring in-depth Black movie reviews and frank conversations that matter to the Black community. We review Black films across every genre β€” from Black horror and Black sci-fi to indie dramas, comedies, and blockbuster action. Covering filmmakers like Spike Lee, Jordan Peele, Ryan Coogler, Ava DuVernay, and more. Hosted by Jay, Micah, Terrence, and T'ara. Featured on RogerEbert.com. A TNP Studios production. New episodes weekly on Spotify, Apple Podcasts, YouTube, and all major platforms. For more TNP Studios content, check out The Nerdpocalypse (movie & TV news), Look Forward (progressive politics), and Dense Pixels (video game news).




    20 min
  • Why Did I Get Married Again? (2026): A Lazy but Entertaining Sequel
    This week on Black on Black Cinema, the crew returns to break its one rule, NO MORE TYLER PERRY MOVIES. This decision came only because of "Why Did I Get Married Again?" is the final movie(?) in this Tyler Perry trilogy, and the other two in the series were previously reviewed (and we actually enjoyed the first one). So this film follows the children of the main characters in the series and as two of the kids are getting married. The film aims to show the character development of the cast that we've been following for almost 20 years. Does the movie succeed?

    Black on Black Cinema is a long-running podcast featuring in-depth Black movie reviews and frank conversations that matter to the Black community. We review Black films across every genre β€” from Black horror and Black sci-fi to indie dramas, comedies, and blockbuster action. Covering filmmakers like Spike Lee, Jordan Peele, Ryan Coogler, Ava DuVernay, and more. Hosted by Jay, Micah, Terrence, and T'ara. Featured on RogerEbert.com. A TNP Studios production. New episodes weekly on Spotify, Apple Podcasts, YouTube, and all major platforms. For more TNP Studios content, check out The Nerdpocalypse (movie & TV news), Look Forward (progressive politics), and Dense Pixels (video game news).




    2 hr 35 min
  • Why is Raven Symone Running Away from the Blackness of Her Show
    Black on Black Cinema breaks down Raven-Symone's resurfaced comments questioning whether her own iconic character, Raven Baxter from That's So Raven, was actually Black. On her podcast Tea Time, Raven told Kalen Allen, "Take away the color, make them green, and hear the words. What color are they?," challenging the idea that the show's Blackness was inherent rather than just visual.

    The internet had immediate and strong reactions. Fans pointed to the show's entire episode about racial profiling, Tonya's locs, Victor's soul food references, Cory's Black history paper storyline, and Della Reese's jazz singer character as clear, undeniable markers of Black identity woven directly into the writing, not just the casting.

    We break down both sides of this: is Raven making a nuanced point about Blackness not being monolithic, or is she minimizing a show that meant something real to a generation of Black kids who rarely saw themselves centered on Disney Channel?

    The next film to be reviewed is Tyler Perry's upcoming third movie in the "Why Did I Get Married trilogy." We will be breaking our promise about no more Tyler Perry films to review "Why Did I Get Married Again?" which reunites most of the original cast for one last wild time.


    Black on Black Cinema is a long-running podcast featuring in-depth Black movie reviews and frank conversations that matter to the Black community. We review Black films across every genre β€” from Black horror and Black sci-fi to indie dramas, comedies, and blockbuster action. Covering filmmakers like Spike Lee, Jordan Peele, Ryan Coogler, Ava DuVernay, and more. Hosted by Jay, Micah, Terrence, and T'ara. Featured on RogerEbert.com. A TNP Studios production. New episodes weekly on Spotify, Apple Podcasts, YouTube, and all major platforms. For more TNP Studios content, check out The Nerdpocalypse (movie & TV news), Look Forward (progressive politics), and Dense Pixels (video game news).




    28 min
  • Chameleon Street (1989): Ambitious, Flawed, Unforgettable
    Black on Black Cinema tackles Chameleon Street (1989), Wendell B. Harris Jr.'s astonishing writer-director-star debut based on the true story of Detroit con artist William Douglas Street Jr., who successfully impersonated reporters, lawyers, an Ivy League exchange student, and even a surgeon, performing over 30 real hysterectomies without any medical training. The film won the Grand Jury Prize at Sundance in 1990, beating out Reservoir Dogs, and then inexplicably went without distribution for over a year, effectively burying Harris's career before it started.

    The concept is genuinely brilliant, a razor-sharp satire about race, class, and identity performance in America, anchored by a magnetic, one-of-a-kind lead performance from Harris himself. But the execution is a different story. The film is tonally unpredictable, structurally chaotic, and at times narratively difficult to follow, swinging wildly between avant-garde experimentation and straightforward biopic beats without clear rhythm. We break down what makes Chameleon Street a genuine one-of-a-kind vision worth seeking out, where the filmmaking gets in its own way, and why this would be ripe for a modern remake with better structure and focus.


    Black on Black Cinema is a long-running podcast featuring in-depth Black movie reviews and frank conversations that matter to the Black community. We review Black films across every genre β€” from Black horror and Black sci-fi to indie dramas, comedies, and blockbuster action. Covering filmmakers like Spike Lee, Jordan Peele, Ryan Coogler, Ava DuVernay, and more. Hosted by Jay, Micah, Terrence, and T'ara. Featured on RogerEbert.com. A TNP Studios production. New episodes weekly on Spotify, Apple Podcasts, YouTube, and all major platforms. For more TNP Studios content, check out The Nerdpocalypse (movie & TV news), Look Forward (progressive politics), and Dense Pixels (video game news).




    1 hr 37 min
  • The NABJ Was Right to Drag Stephen A. Smith, Here's Why
    Black on Black Cinema breaks down the National Association of Black Journalists giving Stephen A. Smith its "Thumbs Down" award, reserved for commentary the organization considers especially insensitive, stereotypical, or at odds with NABJ's mission around fair representation of the Black community. NABJ's statement specifically cited Smith's recurring pattern of disparaging commentary toward prominent Black women across politics, sports, and media, saying it reinforces harmful narratives and undermines fair, respectful representation.

    We agree with NABJ here, and we break down exactly why. Smith has spent years building a media empire on saying whatever gets a reaction, and his commentary toward Black women specifically has followed a consistent, well documented pattern that deserves scrutiny; not just from critics online, but from an organization built to hold Black media figures accountable to Black communities. Smith's response was predictably combative, essentially promising retaliation on his platform. He even ran to Fox News' Sean Hannity to make his thoughts known. A curious platform if he is trying to reach Black people...hmmm. We discuss why that reaction proves NABJ's point more than it disproves it, what accountability from within the profession actually looks like, and why Smith's expanding political platform makes this moment even more significant.

    We also announce the next film to be reviewed which is the 1989 film "Chameleon Street" which follows a social chameleon who impersonates reporters, doctors and lawyers in order to make money. (Film is available to watch on Tubi for free).


    Black on Black Cinema is a long-running podcast featuring in-depth Black movie reviews and frank conversations that matter to the Black community. We review Black films across every genre β€” from Black horror and Black sci-fi to indie dramas, comedies, and blockbuster action. Covering filmmakers like Spike Lee, Jordan Peele, Ryan Coogler, Ava DuVernay, and more. Hosted by Jay, Micah, Terrence, and T'ara. Featured on RogerEbert.com. A TNP Studios production. New episodes weekly on Spotify, Apple Podcasts, YouTube, and all major platforms. For more TNP Studios content, check out The Nerdpocalypse (movie & TV news), Look Forward (progressive politics), and Dense Pixels (video game news).




    33 min
  • Stepfather (2026): Unhinged Dialogue and Recycled Storylines
    This week on Black on Black Cinema, the entire crew returns to discuss the 2026 film that was written and directed by Chris Stokes, "Stepfather." The film stars Taye Diggs as a desperate man who hunts for the perfect family, but when his new wife and daughters fear he may be deranged, escaping him will have deadly consequences.

    Black on Black Cinema is a long-running podcast featuring in-depth Black movie reviews and frank conversations that matter to the Black community. We review Black films across every genre β€” from Black horror and Black sci-fi to indie dramas, comedies, and blockbuster action. Covering filmmakers like Spike Lee, Jordan Peele, Ryan Coogler, Ava DuVernay, and more. Hosted by Jay, Micah, Terrence, and T'ara. Featured on RogerEbert.com. A TNP Studios production. New episodes weekly on Spotify, Apple Podcasts, YouTube, and all major platforms. For more TNP Studios content, check out The Nerdpocalypse (movie & TV news), Look Forward (progressive politics), and Dense Pixels (video game news).




    2 hr 2 min

About Black on Black Cinema | Black Movie Reviews

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Black on Black Cinema is a long-running podcast delivering in-depth reviews of Black films β€” from Oscar winners to hood classics, indie gems to blockbuster hits. Hosted by four Black men from…

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