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Blu & Exile | S4 Episode 36
My guests this week are California rapper-producers Blu & Exile. We spoke about recent hits like Everything Everywhere All At Once and Poor Things, hip-hop cinematic classics like Krush Groove, Breakin’, and Wild Style, how DMX and Common inspired Blu to rap, a look back at Blu’s Her Favorite Colo(u)r and Exile’s work on Mobb Deep’s “Pearly Gates,” the Blu Note edition of their 2007 classic Below The Heavens, and the creative process behind their latest album Love (the) Ominous World. Come fuck with us.
Love (the) Ominous World is available wherever music is sold, streamed, or stolen. Consider copping directly from their Bandcamp. Follow Blu on Instagram (@bluherfavcolor) and Twitter (@HerFavColor), Exile on Instagram (@ExileRadio), and Dirty Science Records on Instagram (@thedirtyscience) and Twitter (@dirtyscience).
Join the Reel Notes Patreon today starting at $5/month to get early access to episodes, our Discord server, exclusive bonus interviews and reviews, and more!
My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon.
Read my review of Ovrkast's last project, RESET!, over at Pitchfork.
Reel Notes stands in solidarity with the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Palestine Children's Relief Fund, The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. For information about contacting your representatives to demand a ceasefire, finding protests, and other tools, check out CeasefireToday!
Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), TikTok (@cinemasai), and Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped in to all things Dylan Green.
Support the show
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By Dylan ”CineMasai” Green
5
1919 ratings
My guests this week are California rapper-producers Blu & Exile. We spoke about recent hits like Everything Everywhere All At Once and Poor Things, hip-hop cinematic classics like Krush Groove, Breakin’, and Wild Style, how DMX and Common inspired Blu to rap, a look back at Blu’s Her Favorite Colo(u)r and Exile’s work on Mobb Deep’s “Pearly Gates,” the Blu Note edition of their 2007 classic Below The Heavens, and the creative process behind their latest album Love (the) Ominous World. Come fuck with us.
Love (the) Ominous World is available wherever music is sold, streamed, or stolen. Consider copping directly from their Bandcamp. Follow Blu on Instagram (@bluherfavcolor) and Twitter (@HerFavColor), Exile on Instagram (@ExileRadio), and Dirty Science Records on Instagram (@thedirtyscience) and Twitter (@dirtyscience).
Join the Reel Notes Patreon today starting at $5/month to get early access to episodes, our Discord server, exclusive bonus interviews and reviews, and more!
My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon.
Read my review of Ovrkast's last project, RESET!, over at Pitchfork.
Reel Notes stands in solidarity with the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Palestine Children's Relief Fund, The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. For information about contacting your representatives to demand a ceasefire, finding protests, and other tools, check out CeasefireToday!
Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), TikTok (@cinemasai), and Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped in to all things Dylan Green.
Support the show
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