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This is the seventh bonus episode.
Among the errors in the assembly of the first printing of The Art of Fugue was the inclusion of an arrangement of fugue number 13 for two harpsichords. We look at the music, how it differs from the original 13th counterpoint (for one harpsichord) and how such an error could have been committed. It appears under the title, 'Alio Modo' ...another way. It contains a fourth, newly composed, non-imitative voice. And yes, since fugue 13 is a mirror fugue, Bach made two arrangements with two newly composed voices.
--
Follow me on instagram: I am heavy into posting the solo works for violin and cello on a daily basis: @wtfbach
Thank you, THANK YOU, for listening.
-evan
Support us:
https://www.patreon.com/wtfbach
https://www.paypal.me/wtfbach
https://venmo.com/wtfbach
https://cash.app/$wtfbach
By Evan Shinners4.9
5555 ratings
This is the seventh bonus episode.
Among the errors in the assembly of the first printing of The Art of Fugue was the inclusion of an arrangement of fugue number 13 for two harpsichords. We look at the music, how it differs from the original 13th counterpoint (for one harpsichord) and how such an error could have been committed. It appears under the title, 'Alio Modo' ...another way. It contains a fourth, newly composed, non-imitative voice. And yes, since fugue 13 is a mirror fugue, Bach made two arrangements with two newly composed voices.
--
Follow me on instagram: I am heavy into posting the solo works for violin and cello on a daily basis: @wtfbach
Thank you, THANK YOU, for listening.
-evan
Support us:
https://www.patreon.com/wtfbach
https://www.paypal.me/wtfbach
https://venmo.com/wtfbach
https://cash.app/$wtfbach

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