This Book is an excerpt from a scholarly book exploring the concept of "experimental" writing and its relationship to knowledge production in American literature. It examines how experimental writers engage with science, technology, and social issues. The work discusses various epistemic virtues, such as flash, precision, objectivity, and contact, and how these virtues intersect with historical and cultural contexts. The author investigates experimentalism through figures like Gertrude Stein, Marianne Moore, and William Carlos Williams, while touching on themes of race, gender, and power. It also considers how experimental writing interacts with institutional forces like academia, popular culture, and state violence. Ultimately, the book offers a complex understanding of the historical, political, and aesthetic dimensions of American experimental literature.
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