On this Tuesday morning, we have the Stolen Markus Lüpertz Sculpture Edition. Our first category is Thefts, Possible Looting, and Fakery. Although Markus Lüpertz just had his first U.S. retrospective, at the Phillips Collection and the Hirshhorn Museum and Sculpture Garden simultaneously, he may not be the luckiest guy. Artnet News reports that, for the second time in two years, a work has been stolen from the German artist.

On this Friday morning, we have the Queen Elizabeth II Edition. Our first category is The Top Story. London dealer Anthony d’Offay has been accused of sexual harassment and inappropriate behavior by multiple women, the Guardian reports, and Tate and and the National Galleries Scotland have issued a statement saying that they will "suspend any further contact" with the retired London dealer until the allegations are resolved.

On this Friday morning, we have the Island of Porquerolles Edition. Our first category is A Large Monetary Reward. The board of the Isabella Stewart Gardner Museum in Boston has decided to extend its offer of $10 million for information that results in the return of the 13 works there were purloined from its building in 1990, in a theft that is considered "the world’s largest unsolved art heist," according to the New York Times.

On this Thursday morning, we have the Metaphysical Orozco Edition. Our first category is Repair. The artist and writer Molly Crabapple recently spent a week in Puerto Rico documenting grassroots efforts to rebuild after Hurricane Maria—and the Paris Review has excerpts from her sketchbook. William A.

On this Wednesday morning, we have the Weimaraner Puppy Edition. Our first category is Deaccessioning. La Salle University's decision to sell 46 artworks from its museum's collection to finance various academic initiatives has been criticized by several arts groups, but the president of the Philadelphia institution, Colleen Hanycz, is standing behind the decision. “No one likes to sell art,” she told Philadelphia magazine.

On this Tuesday morning, we have the Sanford Biggers Edition. Our first category is Remixed Art History. In next week’s issue of the New Yorker, Vinson Cunningham profiles Sanford Biggers, whose work braids together various artistic styles and strands of black history. “What I want to do is code-switch,” Biggers says.

On this Monday morning, we have the Museum of Ice Cream 'Sprinkle Plague' Edition. Our first category is Silver Anniversaries. Arthur Lubow at WSJ. magazine takes a look at David Zwirner's burgeoning gallery empire in its 25th year. Zwirner's first shop, a modest storefront on Greene Street in New York's SoHo, opened in 1993 with a bare-bones staff—and now, in 2018, he is set to have outposts on three continents and employ 165 people.

On this Friday morning, we have the Scary Google Earth Edition. Our first category is A Change in the Met's Admissions Policy. In a conversation published yesterday by the New York Times, Roberta Smith and Holland Cotter did not mince words when it came to their thoughts on the Metropolitan Museum of Art’s change in admissions policy, which now requires out-of-towners to pay a mandatory $25 fee and those who are eligible for discounts to show ID.

On this Thursday morning, we have the Tavi Gevinson Likes the Smiths Edition. Our first category is Feminisms. Radical women and climate change rank high on the list of “what to expect from the U.S. art world in 2018,” according to a preview of exhibitions and happenings in the Guardian.

On this Wednesday morning, we have the Leonardo Copies Edition. Our first category is The Opioid Epidemic. Photographer Nan Goldin writes, in the pages of Artforum, that she became addicted to OxyContin after a surgery in Berlin several years ago, but is now clean. She has started a group called P.A.I.N.