For the second episode of Ray Harryhausen month (a topic requested by Patron Gavin McDowell), Tim and Brennan break down the 1969 film THE VALLEY OF GWANGI. The pair discuss its stop motion effects (naturally), how it functions within the realm of dinosaur pictures and Westerns, and where the hell this movie came from, a good 10 years after anyone would have wanted something like it.   Love the Podcast? Leave us a review! Follow Alternate Ending on <a href= "https://twitter.com/AlternateEndng">Twitter</a> and <a href= "https://www.instagram.com/alternateendingpod">Instagram</a>  Follow Brennan on <a href= "https://twitter.com/itsrainingbrens">Twitter</a>, <a href= "https://www.instagram.com/theburningclem/">Instagram</a>, and <a href= "https://letterboxd.com/theburningclem/">Letterboxd</a> Follow Tim on <a href= "https://letterboxd.com/timbrayton/">Letterboxd</a> Support Alternate Ending and check out our member perks, including voting for the films we cover on this program, via the <a href="https://www.patreon.com/alternateending">Alternate Ending Patreon page</a>!

For the second episode of Ray Harryhausen month (a topic requested by Patron Gavin McDowell), Tim and Brennan break down the 1969 film THE VALLEY OF GWANGI. The pair discuss its stop motion effects (naturally), how it functions within the realm of dinosaur pictures and Westerns, and where the hell this movie came from, a good 10 years after anyone would have wanted something like it. Love the Podcast? Leave us a review! Follow Alternate Ending on Twitter and Instagram Follow Brennan on Twitter, Instagram, and Letterboxd Follow Tim on Letterboxd Support Alternate Ending and check out our member perks, including voting for the films we cover on this program, via the Alternate Ending Patreon page!

For the second episode of Ray Harryhausen month (a topic requested by Patron Gavin McDowell), Tim and Brennan break down the 1969 film THE VALLEY OF GWANGI. The pair discuss its stop motion effects (naturally), how it functions within the realm of dinosaur pictures and Westerns, and where the hell this movie came from, a good 10 years after anyone would have wanted something like it. &nbsp; Love the Podcast? Leave us a review! Follow Alternate Ending on <a href="https://twitter.com/AlternateEndng" rel="noopener noreferrer">Twitter</a>&nbsp;and <a href="https://www.instagram.com/alternateendingpod" rel="noopener noreferrer">Instagram</a>&nbsp; Follow Brennan on <a href="https://twitter.com/itsrainingbrens" rel="noopener noreferrer">Twitter</a>, <a href="https://www.instagram.com/theburningclem/" rel="noopener noreferrer">Instagram</a>, and <a href="https://letterboxd.com/theburningclem/" rel="noopener noreferrer">Letterboxd</a> Follow Tim on <a href="https://letterboxd.com/timbrayton/" rel="noopener noreferrer">Letterboxd</a> Support Alternate Ending and check out our member perks, including voting for the films we cover on this program, via the <a href="https://www.patreon.com/alternateending" rel="noopener noreferrer">Alternate Ending Patreon page</a>!

Bride of AE - The Valley of Gwangi (1969)

Alternate Ending was formed when three friends realized they all shared a passion for movies.  Our goal is to save you time and money by sharing our thoughts and recommendations on which movies to race to theaters for, which to watch at home and those to actively avoid. 

What makes Alternate Ending different from other film podcasts? Well, we’re not 5 dudes in a room talking about our passion for Fight Club and Braveheart.  We’re two dudes, and a lady, of which our tastes are quite varied.  Rob, the film-school dropout, has seen an absurd amount of movies, and if we’re being honest, rounds out our Fight Club fan-base.  Tim Brayton, our seasoned film critic, shares a more critical view of film, an appreciation for vintage cinema and perhaps limited-release movies that we might otherwise miss. Carrie, our casual movie-goer, reminds us all that cinema is in fact supposed to be fun and entertaining and that sometimes, just sometimes, happy endings are good. 

Too many film sites cater to the same kind of audience, with one overwhelming voice in the writing, but what we treasure at Alternate Ending is diversity: diversity of opinion, diversity in belief about what film should do and how it should do it. We want to celebrate our different opinions, and celebrate yours as well. 

This isn't a podcast for people who just want to talk about the latest hot new movies in theaters right this minute. This is a place for people who can't get to the theater until the third week a film is out; a place for people who just want to find something great to stream online after the kids have gone to sleep, a place for people whose favorite pastime is to grab a bunch of classic films on DVD from the library and watch them all weekend. It's a place that believes that every great movie is a wonderful new treasure, whether you see it the night of its premiere or fifty years later. It's a site about discovering good movies... one bad movie at a time.

Join us for our weekly review of movies worth seeing, worth avoiding and our Top 5 lists – and don’t forget to play along at www.alternateending.com.

TV & Film

Film Reviews

Alternate Ending was formed when three friends realized they all shared a passion for movies. Our goal is to save you time and money by sharing our thoughts and recommendations on which movies to race to theaters for, which to watch at home and those to actively avoid. What makes Alternate Ending different from other film podcasts? Well, we’re not 5 dudes in a room talking about our passion for Fight Club and Braveheart. We’re two dudes, and a lady, of which our tastes are quite varied. Rob, the film-school dropout, has seen an absurd amount of movies, and if we’re being honest, rounds out our Fight Club fan-base. Tim Brayton, our seasoned film critic, shares a more critical view of film, an appreciation for vintage cinema and perhaps limited-release movies that we might otherwise miss. Carrie, our casual movie-goer, reminds us all that cinema is in fact supposed to be fun and entertaining and that sometimes, just sometimes, happy endings are good. Too many film sites cater to the same kind of audience, with one overwhelming voice in the writing, but what we treasure at Alternate Ending is diversity: diversity of opinion, diversity in belief about what film should do and how it should do it. We want to celebrate our different opinions, and celebrate yours as well. This isn't a podcast for people who just want to talk about the latest hot new movies in theaters right this minute. This is a place for people who can't get to the theater until the third week a film is out; a place for people who just want to find something great to stream online after the kids have gone to sleep, a place for people whose favorite pastime is to grab a bunch of classic films on DVD from the library and watch them all weekend. It's a place that believes that every great movie is a wonderful new treasure, whether you see it the night of its premiere or fifty years later. It's a site about discovering good movies... one bad movie at a time. Join us for our weekly review of movies worth seeing, worth avoiding and our Top 5 lists – and don’t forget to play along at www.alternateending.com.

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Bride of AE - The Valley of Gwangi (1969)

Bride of AE - The Valley of Gwangi (1969)

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