Bringin' it Backwards

We had the pleasure of interviewing Great Good Fine Ok over Zoom video! LA-via-Brooklyn synth-pop sensation Great Good Fine Ok has unveiled their latest musical endeavor, EXIST EP, via Nettwerk. The EP features the new single/music video "Led Me To You," propelled by an infectious groove and soaring vocals. The EXIST EP features a collection of colorful, groove-laden tracks that establishes Great Good Fine Ok's innovative blend of synth-pop, showcasing their ability to create upbeat melodies and compelling lyrics. A sprawling voyage that transcends sonic boundaries and explores the multifaceted aspects of existence, the EP is another testament to the duo's growth as artists and their commitment to pushing the boundaries of the genre, while balancing both introspective and uplifting material. The latest single "Led Me To You," is driven by catchy hooks and dynamic production. With "Led Me To You," the snappy groove uplifts another towering display of vocal fireworks. The track explores themes of resilience and finding love in unexpected places, as explained by lead single Jon Sandler, "To a degree, everyone experiences trauma. Most people do find happiness in relationships, so it's a healthy way to look at it, 'Hardship led me to you'." "Breathing" is a sonic journey through pulsating basslines, simmering drums, and wah-wah groans, all set against a neon-hued backdrop. The track encapsulates the band's signature blend of groovy yet sonically dynamic elements, creating an immersive and infectious musical experience. Paired with "Breathing" is a stunning music video directed by Zebulon Griffin (Jonah Kagen, UPSAHL) and the team at Columinati Films (Griffin, Cory Messer, Robyn Griffin). The visuals explore the surreal scenario of people continuing with mundane tasks amidst a crumbling world. A satirical portrayal of human indifference, the clip invites viewers to consider the possibility of alternate realities through vibrant neon portals. "Will We Make It?" demonstrates a revitalized soundscape of Great Good Fine Ok, blending warbling vocals with bass-y synths that are sure to entice listeners. Behind the lush and otherworldly production is multi-instrumentalist Luke Moellman, whose spacey production adds depth and dimension transporting listeners to a sonic realm where emotion and music collide in new and enthralling ways. The track features hypnotic high register gliding over a bridge that sets the stage for Sandler's emotionally charged plea, "I really need to know right now, will we make it?" This lyrical exclamation delves into the uncertainty that often accompanies today's complex world of relationships and connections with a relatable perspective. With "Blame," a soft piano underscores breathy verses only for the momentum to turn on a dime into a funkified, falsetto-powered hook backed by steady handclaps, strutting guitars, boisterous horns, and a disco beat practically tailormade for Studio 54 (as re-conceived in the metaverse). The tender finale "Make This Moment Last" sees the duo lace a head-nodding bounce with raw vulnerability. "It's about losing someone and being nostalgic," shares Sandler. "If you had more time, you feel like you'd appreciate it more. We want to hear from you! Please email [email protected] www.BringinitBackwards.com #podcast #interview #bringinbackpod #GreatGoodFineOk #IGGFO #NewMusic #Zoom Listen & Subscribe to BiB https://www.bringinitbackwards.com/follow Follow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpod Become a supporter of this podcast: https://www.spreaker.com/podcast/bringin-it-backwards--4972373/support. https://bringinitbackwards.com/

We had the pleasure of interviewing MISSIO over Zoom video! Personally, MISSIO is the union of two longtime friends and creative kindred spirits. Musically, MISSIO is a living and breathing entity with a mind of its own. Communally, MISSIO is a movement of fans worldwide attached to the sentient artistry of those creators. The acclaimed Austin, TX duo—Matthew Brue and David Butler—fearlessly break the rules as they fuse elements of rock, electronic, indie, and hip-hop into an unmatched and uncompromising hybrid. They tie seemingly disparate threads together with honest and heartfelt lyrics meant to both provoke and inspire. Following the 2023-2024 Cinco EP series, the pair present their most definitive and dynamic vision yet with their full-length double-album, I Am Cinco [Nettwerk Music Group]. It collates five moods—I Am Sad, I Am High, I Am Awesome, I Am Angry and I Am Crazy—into one. Since 2015, MISSIO have painted this picture. It only became clearer as they served up projects such as Loner [2017], The Darker the Weather // The Better the Man [2019], Can You Feel The Sun [2020], and VILLAIN [2022]. Tallying over 1 billion streams, their catalog has notably resonated with the Gold-certified "Everybody Gets High" and staples, including "Twisted," "Bottom of the Deep Blue See," "Sing To Me," and "I See You." Between packing houses on tour, they appeared at festivals a la ACL and Lollapalooza and incited the applause of Atwood Magazine, Billboard, Rolling Stone, The Boston Globe, New Noise Magazine, and Substream Magazine. This ambitious season of music initially took shape in their headquarters of Austin only to be completed on a creative sojourn to Mexico City. Excited to share the music with the world, the group teased what would become I Am Cinco with 2023's I Am Sad, I Am High, and I Am Awesome. Everything just set the stage for them to finally release this body of work in its entirety as I Am Cinco. We want to hear from you! Please email [email protected] www.BringinitBackwards.com #podcast #interview #bringinbackpod #MISSIO #IAmCinco #NewMusic #Zoom Listen & Subscribe to BiB https://www.bringinitbackwards.com/follow Follow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpod Become a supporter of this podcast: https://www.spreaker.com/podcast/bringin-it-backwards--4972373/support. https://bringinitbackwards.com/

We had the pleasure of interviewing The Glorious Sons over Zoom video! The Glorious Sons, renowned for their chart-topping hits and captivating live performances, are poised to make an impact on the musical landscape once again with the release of their new album, 'Glory'. With a distinct roots rock feel, the 10-track project is out now via Warner Music Canada and ADA Worldwide. Best known for their twoBillboard Mainstream Rockchart-topping singles "S.O.S. (Sawed OffShotgun)" and "Panic Attack," as well as being nominated for the 2020 iHeart Media Best NewRock/Alternative Rock Artist, The Glorious Sons have consistently pushed boundaries and defied expectations. With their latest album, 'Glory', they delve even deeper into the human experience, exploring themes of perseverance, personal growth, and the tumultuous journey of self-acceptance. Lead singer Brett Emmons shares his perspective on the album's inspiration and themes: "When I listen back to this album, it kind of presents itself as one big inner struggle puked out for everyone to hear. Sometimes it actually embarrasses me quite a bit—but that's what was in there, so—life goes on, I guess."He attributes the album's themes to spending time alone and confronting his inner thoughts during the pandemic: "It kind of feels like the acknowledgment of that annoying pain of what it means to be human." The Glorious Sons' journey in the music industry has undeniably influenced the evolution of their sound.'Glory' showcases their growth, maintaining the emotional intensity they are known for while exploring new sonic territories. Emmons reflects,"'Glory' is just another chapter in what we're doing—I'm sure we'll be another band next album, it's kind of just the way our minds work."He emphasizes the album's departure from the immediate hit-seeking approach, instead focusing on creating a body of work that breathes and takes its time, allowing the band's personal taste to shine through. The album's lead single, "Mercy Mercy," set the tone for the introspective journey. The song combines elements of familiarity and innovation to showcase the band's distinct sonic style and poignant lyrics, while highlighting their anthemic and ambitious nature."Mercy Mercy" quickly became a contender, it was the most added track at rock radio formats for two consecutive weeks, reached #3 on Mediabase's Multiple Rock Formats in Canada, and continues to receive strong support from Triple A and Alternative stations in the US. "Glory" not only stands as the album's title but also embodies its essence, playing a pivotal role in the project's narrative. Emmons describes it as" a rally cry to the band," a reflection on their journey, a surrendering of emotions, and a reminder that success is not a guarantee. He notes, "I wanted people to know how good we had it, and remind them that this [success] doesn't last forever. It's not just something that's owed to us." We want to hear from you! Please email [email protected] www.BringinitBackwards.com #podcast #interview #bringinbackpod #TheGloriousSons #Glory #NewMusic #Zoom Listen & Subscribe to BiB https://www.bringinitbackwards.com/follow Follow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpod Become a supporter of this podcast: https://www.spreaker.com/podcast/bringin-it-backwards--4972373/support. https://bringinitbackwards.com/

We had the pleasure of interviewing Bobbi Storm over Zoom video! Inspirational R&B and Hip-Hop artist Bobbi Storm is one of the industry's top artists to watch in 2024. Starting her music career as a corporate wedding singer, Bobbi is poised for a promising future, highlighted by her top charting debut single "We Can't Forget Him" which hit 1 million views on YouTube in less than three weeks and rose to Number 1 on Billboard's Gospel chart. The remix features singer-songwriter and chart-topping producer Fridayy and New York Rapper, songwriter and actress, DreamDoll. Bobbi Storm had two features on Maverick City Music's Grammy Nominated "Maverick Way Complete" album and is preparing to release new music in 2024. She will make her National TV debut as a featured performer on the upcoming Urban One Honors, which will premiere Sunday, February 25th on TV One and simulcast on CLEO TV. Bobbi's musical influences are a blend of legends, from her hometown of Detroit's Motown heroes to Mariah Carey, Minnie Riperton, Alicia Keys, H.E.R., Pink, Whitney Houston, Destiny's Child, Marvin Gaye, Al Green and Michael Jackson. Bobbi is also inspired by Inspirational/Gospel artists such as Maverick City, Kierra Sheard, Todd Dulaney and many more. These influences have shaped her distinctive sound and style. Bobbi launched her unique #holymix series at the start of the pandemic in 2020. Posting her mixes on social media has attracted the ears of fans and music artists alike, garnering the attention of her now label home TRIBL Records. Led by the Holy Spirit, Bobbi found that popular radio hits could be transformed into songs that glorify the Kingdom of God. Notable mixes include inspirational adaptations of popular hits, like "Hrs and Hrs" by Muni Long and "Wait For You" by Drake and Future. Most recently she did Holy mixes for Miley Cyrus's "Flowers" and "Snooze" by SZA, as well as the current viral track "Made For Me" by Muni Long. We want to hear from you! Please email [email protected] www.BringinitBackwards.com #podcast #interview #bringinbackpod #BobbiStorm #NewMusic #Zoom Listen & Subscribe to BiB https://www.bringinitbackwards.com/follow Follow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpod Become a supporter of this podcast: https://www.spreaker.com/podcast/bringin-it-backwards--4972373/support. https://bringinitbackwards.com/

We had the pleasure of interviewing Gossip over Zoom video! Indie-pop rebels Gossip have made a triumphant return with their highly anticipated Album, Real Power, marking their first album in over a decade. Alongside the album comes focus track "Give It Up For Love," via Ultra Records/Sony Music Entertainment. The album marks a reunion with acclaimed producer Rick Rubin, who helmed the band's pivotal 2009 album Music For Men. At the coaxing of Rubin, the band started recording in 2019 after completing a tour for the ten-year anniversary of Music For Men. Recorded at Rubin's home studio in Kauai, the process was temporarily halted by the pandemic and resumed when restrictions lifted. The result is an 11-track testament to the galvanizing might of music, the liberating joy of creative expression, and the profound power of chosen family amidst collective and personal upheavals. "Real Power" not only marks a new chapter of maturity and purpose for the trio but also showcases Gossip's characteristic blend of sonic diversity, spanning from propulsive rock to jubilant disco, and delving into a rich tapestry of emotions that encompass the full spectrum of the human experience. Highlights on Real Power include the invigorating "Real Power," lauded by Billboard for its "infectious melodies and stratospheric vocals," along with the first single and blissful pop classic "Crazy Again," praised by Consequence for its "dazzling production and radiant hooks." A multi-platinum selling band, Gossip have sold over 10 million records worldwide a nd are one of Indie Rock's most exciting acts from the early 21st century. Gossip consists of vocalist Beth Ditto, guitarist Nathan "Brace Paine" Howdeshell and drummer Hannah Blilie. The band's 2016 breakout studio album, Standing In The Way Of Control, reached #1 on UK Indie chart (certified Gold) and solidified the band as a dynamic force in the music scene. "Standing In The Way Of Control," the album's battle-cry title track, is a queer anthem written in response to U.S. government's proposition to define marriage and exclude homosexuals. The band achieved multiplatinum success with their follow up Music For Men, certified 2x platinum in Germany and France, 1x platinum in Australia and Switzerland with sales in excess of 1.5m copies. Gossip is renowned for their high energy live performances and have delivered incredible sets at some of the world's biggest festivals such as Glastonbury, Coachella, Pukkelpop Festival and most recently a triumphant headline set at BBC 6 Music Festival. The band's first U.S. festival performance following the release of Real Power will be at Just Like Heaven in Pasadena, CA on May 18th. For information on upcoming tour dates, visit: https://www.bethditto.com We want to hear from you! Please email [email protected] www.BringinitBackwards.com #podcast #interview #bringinbackpod #Gossip #BethDitto #NewMusic #Zoom Listen & Subscribe to BiB https://www.bringinitbackwards.com/follow Follow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpod Become a supporter of this podcast: https://www.spreaker.com/podcast/bringin-it-backwards--4972373/support. https://bringinitbackwards.com/

We had the pleasure of interviewing John Smith over Zoom video! Though he was dubbed the future of folk music by Pentangle's John Renbourn, singer-songwriter John Smith's unique synthesis of styles puts him halfway across the Atlantic. He once made an album driving round the Deep South, recording out of the boot of his car; but his new record The Living Kindis the real masterpiece in American atmospherics – a true musician's record, produced by Joe Henry, the man responsible for some of the subtlest Americana of recent times. At the start of 2022 they cooked up the idea for an intimate record together – "an acoustic album that sounded like Spirit of Eden", Smith explains, referencing Talk Talk's 1988 classic. Along with John Martyn's Solid Air and Joni Mitchell's electro-acoustic odyssey Hejira, it was one of the three creative inspirations for The Living Kind. Like Hejira, the new album is a cohesive song-cycle that seems to be cast in one rich tone-colour, one powerful mood. At the start of the Covid pandemic, Smith's family suffered a cluster of personal crises in the space of three months. His mother began radiotherapy for breast cancer, his father was diagnosed with Alzheimer's and his wife lost a pregnancy which also endangered her life. The couple, who have a young daughter, sold their house in Sussex and relocated his parents from Spain to a new home, for treatment. After that, as he sings in his first single The World Turns, Smith had to "find a new way to feel". Most of the songs were written in the space of just two months over Christmas last year: The Living Kind is an album made after, not in the midst, of a period of personal turmoil. It gets you right in the chest – the opener,Candle, captures the overwhelming strain of his father's diagnosis – but in its self-possession and curious positivity it feels like the culmination of many personal evolutions. The Living Kind owes much of its precision and confidence to its unique recording circumstances: it was cut over just four days in February 2023, in Joe Henry's remote home in Harpswell, Maine. With temperatures dropping to -25 outside, the band – a tight trio consisting of Henry's son Levon and bassist Ross Gallagher – didn't leave the house at all. You can hear the closeness, darkness and warmth in the new songs – the hunkeredness, the cocoon. It was the first live recording made in Joe's new "music room", a space above the garage, and cutting a record there was a leap of faith as it was completely un-soundproofed: "if a truck came by, you'd have to stop recording". But Henry's organic and spontaneous way of working has revolutionized Smith's own. Writing on his 1963 Martin and a new Mulecaster steel guitar, Smith tends to be led where his instrument takes him. He's always played acoustic guitars with pickups inside, and enhances the rich, three-dimensional sounds with an EBow: a vibrating magnet held above a guitar string, which produces a theremin-like wail. The Living Kind is an album from someone lucky enough to have the gift of music to help put life's greatest challenges into some kind of perspective: "I do feel without my guitar and without song-writing I would have lost my mind, many times" Smith says. Henry detected something new in his singing, a lack of self-consciousness, closer to live performance than he had ever heard him in the studio. We want to hear from you! Please email [email protected] www.BringinitBackwards.com #podcast #interview #bringinbackpod #SHAED #NewMusic #Zoom Listen & Subscribe to BiB https://www.bringinitbackwards.com/follow Follow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpod Become a supporter of this podcast: https://www.spreaker.com/podcast/bringin-it-backwards--4972373/support. https://bringinitbackwards.com/

We had the pleasure of interviewing SHAED over Zoom video! Genre-defying band SHAED announces their new album Spinning Out out June 7th via BMG. Pre-save the album HERE. The band also released their new single "Rocket in the Sky." The album comprises eleven songs exploring themes of family, love, and growth. Over years of writing, recording, and producing, Spinning Out cohered as a collection of snapshots and vignettes, reflecting on love and belonging from all different angles. "Rocket in the Sky" follows "Everybody Knows I'm High" as the second single from Spinning Out. "Rocket in the Sky," while originally written about Chelsea and Spencer's daughter June, perfectly captures the feeling of loving someone so much that you can't even do the simplest of tasks. The creation of "Rocket in the Sky" was entirely organic and "super emotional." Spencer and Chelsea started the song on the guitar, Max reimagined the chords on the piano, and all three finished it and tracked it in the living room. On the production, SHAED shared, "We produced it out in a bunch of different ways in LA, including a disco version, think 'Staying Alive,' 'Dancing Queen' energy. When we got back to DC, we listened back to the original demo and just felt that it had this unrestrained emotional performance by Chelsea that couldn't be replicated. So we kept the original demo, layered in a few elements to build the energy of the tune, and printed it." About SHAED: SHAED weren't immune to spinning out. The trio of Chelsea Lee and twin brothers Max and Spencer Ernst had been living in a whirlwind for a long time — a long, circuitous, sometimes stop-start arc that included meeting as teenagers playing around D.C., living and writing at home together, and a surprise breakout hit in 2018's "Trampoline." The runaway ascension of "Trampoline" led the band through an array of dream scenario milestones — soundtracking a MacBook Air commercial, two billion streams, and accolades from pop culture monoliths like iHeart and Billboard. But SHAED also experienced the pitfalls of following that unexpected success. Seeking a reset, the trio emerged from tumultuous times equally defined by existential crises and beautiful life changes to craft a sophomore album that was as true a statement of their identity as anything they had made thus far. There was only one name for it: Spinning Out. Spinning Out is the sound of SHAED's core ethos, their connection as family and musicians. Inspired by new love and parenthood, the album cohered as a collection of snapshots and vignettes, reflecting on belonging and connection from all different angles. While aided by collaborators like POWERS' Mike Del Rio, the bulk of Spinning Out was built on SHAED, as always, writing and recording at home together, chasing a more organic and lived-in atmosphere. Across moving ballads and graceful bops alike — including the emotionally bare title track, the soaring "Rocket In The Sky," and the hazy earworm of lead single "Everybody Knows I'm High" (debuted in SHAED's February Kimmel performance) — the band catalogs all the trials, euphoria, confusion, and hope that ran through a messy few years. Once upon a time Spinning Out might've been born from fragmentation, but it became the story of SHAED doing what they've always done best — getting in a room and chasing the answer together." Everybody Knows I'm High" was SHAED's follow up to their 2021 album High Dive. We want to hear from you! Please email [email protected] www.BringinitBackwards.com #podcast #interview #bringinbackpod #SHAED #NewMusic #Zoom Listen & Subscribe to BiB https://www.bringinitbackwards.com/follow Follow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpod Become a supporter of this podcast: https://www.spreaker.com/podcast/bringin-it-backwards--4972373/support. https://bringinitbackwards.com/

We had the pleasure of interviewing Zach Hood. over Zoom video! Rising pop star, Zach Hood recently released his single, "how to change a tire". This single is like no other for Zach, it shares a vulnerable side in his songwriting. He shares his story on "how to change a tire" that "When I was 8 years old my dad left. It was my first heartbreak. When you're a kid and your parents divorce, it almost seems fake. It's all you're used too. As I grew up, I learned a lot of things. I learned how to treat women, and fend for myself without a dad in my corner. It's the hardest thing I've had to overcome. I learned a lot of things from the divorce, but I still miss the simple things that I didn't learn from my dad. The main reason I wrote this song is because of my brother. He told me a story about a year back and he said 'I was in Mobile, Alabama when my tire popped. I didn't know what to do cause I couldn't change it.' He sat there for about 30 minutes until someone pulled up behind him. It was our dad. Out of everyone in the city, it was him… The odds of that are insane and it broke my heart. With all of that being said, I've learned a lot from life, but I still can't change a tire." About Zach Hood: Born and raised in Daphne, Alabama, Hood went from tirelessly posting content on social media to signing a record deal with Arista, landing representation from William Morris Endeavor, and making his debut festival performance at Hangout Fest in his hometown of Alabama in May 2022, the only Alabama native on the bill. In addition, Hood released his debut EP BLOSSOM, which included previous hit singles: "when she was mine" "never knew a heart could break itself," and "lonely isn't the word for this. Variance noted that "BLOSSOM offers a glimpse of a future star." Hood now resides in Los Angeles and has about two million monthly listeners on Spotify, with well over 300 million streams across platforms. "I'm just a kid from Alabama who stayed true to himself," says Hood. "I never let anyone get in my way, I persevered, and I stayed on my path. I just absolutely had to make music." We want to hear from you! Please email [email protected] www.BringinitBackwards.com #podcast #interview #bringinbackpod #ZachHood #NewMusic #Zoom Listen & Subscribe to BiB https://www.bringinitbackwards.com/follow Follow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpod Become a supporter of this podcast: https://www.spreaker.com/podcast/bringin-it-backwards--4972373/support. https://bringinitbackwards.com/

We had the pleasure of interviewing L.A.B. over Zoom video! New Zealand reggae band L.A.B. recently released their brand new album, L.A.B VI. After a steady schedule of releasing their first five albums within a five year span, L.A.B VI arrives after an almost two year-long period of writing, recording, tweaking & finessing what is possibly their strongest album to date. Recorded with frequent collaborator Lee Prebble at Wellington's Surgery Studios, the album was written amongst a heavy touring schedule which saw the band perform sold-out shows across NZ, Australia, the United States, the UK & Europe over the past two years. Whittled down from nearly 30 total tracks, the 11 songs featured on L.A.B. VI are a welcome addition to an already beloved catalogue. Featuring the singles "Take It Away," "Casanova," "Oh No (Pt. 2)" and "Ocean Demon," the album shows off all the different sides of the L.A.B sound — combining reggae/roots & soul with funk & elements of rock. L.A.B. has established themselves as one of the hardest-working bands in New Zealand with their relentless touring & recording schedule. They have also achieved multiple chart topping singles, 17 multi-Platinum singles, 11 Gold singles and over 500 million streams across all DSPs. While L.A.B VI represents the longest time the band have taken between albums, it also represents the most complete album in their catalogue. The album confirms their place as one of the key acts in the New Zealand music scene, while setting their sights on growing their audience globally. We want to hear from you! Please email [email protected] www.BringinitBackwards.com #podcast #interview #bringinbackpod #L.A.B. #LAB #NewMusic #Zoom Listen & Subscribe to BiB https://www.bringinitbackwards.com/follow Follow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpod Become a supporter of this podcast: https://www.spreaker.com/podcast/bringin-it-backwards--4972373/support. https://bringinitbackwards.com/

We had the pleasure of interviewing Kill The Lights over Zoom video! Certain bonds cross any and all borders and boundaries. Kill The Lights harbor this kind of connection between them. Even though you've got Michael "Moose" Thomas [drums] and Jason "Jay" James [bass] in Bridgend, Wales, James Clark [vocals] in Minneapolis, MN, Jordan Whelan [guitar] in Grand Rapids, MI, and Travis Montgomery [guitar] in Dallas, TX, the musicians lock into an impenetrable groove that eclipses physical distance. Together, they rally around a tight, taut, and tough vision for heavy metal, manifesting in rafter-reaching anthems and pit-splitting riffs. After piling up millions of streams and earning acclaim from the likes of KERRANG! and Metal Hammer, a sense of unwavering unity drives their second full-length offering, Death Melodies [Fearless Records]. Of course, the musicians boast an incredible pedigree… Moose co-founded multiplatinum international heavyweights Bullet For My Valentine, while Jay also played in the band. James fronted Throw The Fight, and Jordan and Travis handled guitar duties for Still Remains and Threat Signal, respectively. Upon forming Kill The Lights, they uncovered uncontainable chemistry, releasing their debut LP The Sinner in the midst of the global pandemic. Among many highlights, "The Faceless" posted up 2 million-plus Spotify streams and counting followed by "Through The Night" and "Shed My Skin," which each crossed the 1 million mark. Metal Hammer rated it "4-out-of-5 stars" and proclaimed, "Kill The Lights nail the groove and the glory." Along the way, they wrote and recorded Death Melodies with sessions in Canada, Minneapolis, and across the pond in the UK with producers Chris Clancy and Colin Richardson. A complex theme coursed through the music. "Everybody struggles with different things," states James. "These are songs about acknowledging and sharing the struggle in life. You're acknowledging the world is a hard place. Hopefully, you can find some solace in it by knowing another person feels the same way." Fittingly, they bust through the door of the next era with the single "Broken Bones." On the track, galloping drums propel a thrashed-out riff at full speed towards a hummable hook, "You're dead inside, but still alive. There's nothing left but broken bones." "Much of the record centered around depression and dealing with anxiety," James goes on. "So, 'Broken Bones' is about battling your way through life, but sticking with it." Vulnerable acoustic guitar sets the tone for "Sleep With The Devil" as tension swells into an emotionally charged skyscraping refrain uplifted by a six-part choir harmony. "It's stuff you don't hear too much on a metal record," Jordan comments. "It stretches the places we can go." A sinewy guitar line snakes through the understated trudge of "Bleeding," which is about "living a recurring nightmare and never being able to break the chain." Then, there's "From Ashes." Guitar swings like a wrecking ball from melodic verses towards a magnetic refrain. The ride concludes on the transfixing closer "Drowning" as distortion submerges an ethereal chorus."It had a bit of a grungy vibe to it," Jordan goes on. "We added some different dynamics on the record that weren't there on the first one." In the end, Kill The Lights invite everyone to partake in their bond now. We want to hear from you! Please email [email protected] www.BringinitBackwards.com #podcast #interview #bringinbackpod #KillTheLights #NewMusic #Zoom Listen & Subscribe to BiB https://www.bringinitbackwards.com/follow Follow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpod Become a supporter of this podcast: https://www.spreaker.com/podcast/bringin-it-backwards--4972373/support. https://bringinitbackwards.com/