Bros Before Shows

It's an adaptation with something for EVERYONE... well, by 1966 standards. This early Sondheim musical has everything - jump cuts! Cut jumps! Cross dressing! Kind of weird objectification! Boring love story! Are the Tiemstra Bros. pleased by this diversion? Or would we rather just stay home and order a sit down orgy for 14? Only listening can tell you the answer... Edited and co-hosted by Matthew Tiemstra (@ClockworkPlay) Co-hosted and produced by Robert Tiemstra (@The_Timestar)

So exciting the audience is close to tears... so delighting it will run for 50 years!

Well, so far it has been running for 17 years, and it's quite the film. Yes, this week is Moulin Rouge week on Bros Before Shows! Listen as Matt & Rob parse their mixed feelings on this delightful mess of a movie!

Next week: We're going to Rome. Something funny might happen on the way there...

CONTACT THE SHOW: [email protected]

Hosted by Matthew Tiemstra (@ClockworkPlay) and Robert Tiemstra (@The_Timestar)

Wilkomen, Bienvenue, Welkom, to Bros. Before Shows!

This week we dive into one of the most successful and dramatically adapted film musicals of all time! It's a twisted, sexy, lurid, tale told in the heart of 30s Germany... I do nazi what could go wrong! Next week we head a bit to the west to see what's going on in... lets say a...Red Mill?

Edited by Matthew Tiemstra (@ClockworkPlay) Co-hosted by Robert Tiemstra (@The_Timestar)

Tickets for Twisted: Twistednyc.com

Today the Tiemstra Brothers discuss their favorite fictionalized version of Shakespeare in SHAKESPEARE IN LOVE! How many different ways can we imply we simply want to be Joseph Fiennes' version of Will Shakespeare? Listen to the episode and find out!

CONTACT THE SHOW: [email protected]

Hosted by Robert Tiemstra (@The_Timestar) and Matthew Tiemstra (@ClockworkPlay)

Next week, we're going to visit a Cabaret somewhere...

Play it, Marilyn. Play "Bros Before Shows". Round up the usual suspects, for it's classic hollywood time! In this episode, we'll always have (to) par(i)se out our opinions on one of the greatest movies ever made? Or is it? You'll see- this could be a start of a beautiful viewership. Here's listening to you, kid. Edited and co-hosted by Matthew Tiemstra (@ClockworkPlay) Co-hosted and produced by Robert Tiemstra (@The_Timestar)

Credit taken by Jack Warner (@wbpictures) Matt's upcoming projects: Tickets for Enoptromancy: https://theatre80.wordpress.com/evening-crane-theatre-presents-enoptromancy-or-when-we-meet-as-one/ Info for Twisted: http://twistednyc.com

This week, the Tiemstra Brothers dive into some Arthurian Legend with Camelot, the corniest 1967 musical film you may or may not have heard of! This episode features a lot of digressions about when its okay for actors to be dubbed in musicals.

CONTACT THE SHOW: [email protected]

Hosted by Matthew Tiemstra (@ClockworkPlay) and Robert Tiemstra (@The_Timestar)

HAPPY EASTER! Here's the drugged-up version of 70s Sunday School you (maybe) wish you (maybe) never had! Is this as interesting as its contemporary Superstar? Or is it something completely different?

Edited and co-hosted by (Not Saint) Matthew Tiemstra (@ClockworkPlay)

Produced and co-hosted by Robert Tiemstra (@The_Timestar)

CW: Talk of and reference to a very specific hate crime. But other than that it's more interesting theater-talk with the Brothers Tiemstra! Will they make too much fun of Wyoming?! Does Wyoming deserve it?!?

Email the show at [email protected]

Edited and co-hosted by Matthew Tiemstra (@ClockworkPlay) Co-hosted and produced by Robert Tiemstra (@The_Timestar)

Content Warning: Extensive Swearing and Kevin Spacey.

This week, the Tiemstra Brothers discuss a play that could well be known as SALESMEN BANTER: THE MOTION PICTURE. Spoiler alert: We never quite figure out what the title means.

CONTACT THE SHOW: [email protected]

Hosted by Matthewe Tiemstra (@ClockworkPlay) and Robert Tiemstra (@The_Timestar)

Welcome to 21st Century Broadway! Here it's all glitz and glamour and... Hitler?! The Tiemstra Bros. talk Mel Brooks savage and oddly controversial take on fascism, as well as the subsequent musical adaptation and its film xerox copy. Of these three classics, which will come out on top as the *definitive* version of this screwball story? Co-hosted and Edited by Matthew Tiemstra (@ClockworkPlay)

Co-hosted and Produced by Robert Tiemstra (@The_Timestar)