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Writer, researcher, and fellow podcaster John Semley joins the program to discuss Buffalo '66, directed, written by, and starring the ever-controversial Vincent Gallo and co-starring Christina Ricci, Anjelica Huston, and Ben Gazzara. It's a film of profound beauty, humor and humanity, and although Gallo claims the movie is non-autobiographical, it nonetheless draws from deep reservoirs of personal experience in its depiction of alienation and the grace that can bring broken people back from the precipice.
We discuss the career of Vincent Gallo and his status as perpetual provocateur, often exchanging barbs with fellow flimmakers and critics alike, including a notorious saga with the late Roger Ebert. Then, we talk about the film's depthful exploration of its thoroughly unlikable character as portrayed by Gallo, and how he manages to make Billy Brown a remarkably captivating misanthrope through his particular manner and distinctive speaking cadence. Finally, we discuss Gallo's recent foray into the MAGA movement and adjacent vestiges of the right, and why his work's portrayal of ecstatic revelation feels antithetical to the politics of resentment that defines the modern conservative movement.
Follow John Semley on Twitter.
Read John's piece on Gallo's work with The Daily Wire, "Can Conservatices Make a Real Movie?" at The New Republic.
Watch Vincent Gallo's infamous 2003 interview with Hikari Takano.
Watch Vincent Gallo confront critics on a 1998 episode of Sky TV's Movietalk.
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Our theme song is "Mirror" by Chris Fish.
By Hit Factory4.3
7272 ratings
Get access to this entire episode as well as all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.
Writer, researcher, and fellow podcaster John Semley joins the program to discuss Buffalo '66, directed, written by, and starring the ever-controversial Vincent Gallo and co-starring Christina Ricci, Anjelica Huston, and Ben Gazzara. It's a film of profound beauty, humor and humanity, and although Gallo claims the movie is non-autobiographical, it nonetheless draws from deep reservoirs of personal experience in its depiction of alienation and the grace that can bring broken people back from the precipice.
We discuss the career of Vincent Gallo and his status as perpetual provocateur, often exchanging barbs with fellow flimmakers and critics alike, including a notorious saga with the late Roger Ebert. Then, we talk about the film's depthful exploration of its thoroughly unlikable character as portrayed by Gallo, and how he manages to make Billy Brown a remarkably captivating misanthrope through his particular manner and distinctive speaking cadence. Finally, we discuss Gallo's recent foray into the MAGA movement and adjacent vestiges of the right, and why his work's portrayal of ecstatic revelation feels antithetical to the politics of resentment that defines the modern conservative movement.
Follow John Semley on Twitter.
Read John's piece on Gallo's work with The Daily Wire, "Can Conservatices Make a Real Movie?" at The New Republic.
Watch Vincent Gallo's infamous 2003 interview with Hikari Takano.
Watch Vincent Gallo confront critics on a 1998 episode of Sky TV's Movietalk.
.
.
.
.
Our theme song is "Mirror" by Chris Fish.

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