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10.1.2 is out and Sam and I touch on it but so much more. 12 Core vs. 8 Core. Spatial Conform. Some new 10.1.2 features for pros. Also, Sam announces his new Keyboard mapping for Tangent Element Surfaces and FCPX, available exclusively thru FCP Works.

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Chris Fenwick – chrisfenwick.com – @chrisfenwick

Sam Mestman – fcpworks.com – @sammestman

 

10.1.2 is HERE, we briefly discuss it but also layout plans for all new producers of The Grill. We hear from a few listeners and there is a bit of a retraction from last show.

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Chris Fenwick – chrisfenwick.com – @chrisfenwick

Mentioned on Show

Logan  Highlan

Thomas Grove Carter – @thomasgcarter

StorEdge – Shortened SD Card for your portable

Plug-in Plugs… Pixel Film Studios and MotionVFX

Cedric Robinson FCPX Trainer in Melbourne

Alban Eggers – @eggermedia

Thunderbolt Bridging – same day edits

Brice LeCarre – cat3productions.com

Bullet Proof Red Giant Productions – XML folder structure right into FCPX

Eric Wise Cuts in Avid, Premiere FCP7 and FCPX, but now, his preferred edit platform, is FCPX.

Chris Fenwick – chrisfenwick.com – @chrisfenwick

Eric Wise – @splice_eric

 

Every Friday Thomas Leroux spends every friday sitting at a table in Patty Boland’s Pub in Ottawa. Somewhere along the way after listening to a few episodes of The Grill he decided to give FCPX a shot on one of his recurring projects. Listen in to see how successful he was. Also, we go into some good strategies about how to make your data secure and back it all up.

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Chris Fenwick – chrisfenwick.com – @chrisfenwick

Thomas Leroux – @WTL

Mentioned on Show

Patty Boland’s Irish Pub

It is with great sadness that I bring you this reprise episode of The Grill. If you haven’t heard this episode please enjoy it, If you have heard it please listen again.

Chris Fenwick – chrisfenwick.com – @chrisfenwick

 

What is a proxie? How can I actually use it? In this conversation, returning guest, Thomas Grove Carter and Chris go into detail about the workflow for cutting a long form commercial for Sony, and no, Thomas didn’t have to use Vegas. Thomas goes into great detail about how he managed 9 days of footage on the set including making rough cuts for the director daily. There is an interesting facet of this story in that on the set, the director and Thomas decided to basically totally rework the flow of the piece based on what they were seeing with the media. The end result was fantastic.

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Chris Fenwick – chrisfenwick.com – @chrisfenwick

Thomas Grove Carter – trimediting.com – @thomasgcarter

Mentioned on Show

Sony Commercial Directors Cut

or the Final Version can be seen here with new Michael Jackson music.

 

How do you streamline and focus on your core competency when we are inundated with the complexity of living on the 21st century? Long time friend and first guest of The Grill, Carl Olson and I log on and have a conversation about JUST THAT. I also talk at great length about how some of my own workflows are changing and encourage Carl to look at some new methods to cut on his latest passion project. It’s always fun to catch up with Carl and this episode is no exception.

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Chris Fenwick – chrisfenwick.com – @chrisfenwick

Carl Olson – @theCarlOlson

Red Giant Bullet Proof

If you’re trying to fund your movie you have to have an idea that connects with people. On an unrelated shoot Jason Aron discovered a bizarre subculture around the Back to Future Delorean Time Machine and decided to make a movie about a childhood memory. Jason tells us about the “kickstarter smiley face”. Hear all about how Jason made a film about the cultural impact of Back the Future told from the viewpoint of the Delorean Time Machine.

Learn how to manually make multicam clips to save time on long interviews.

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Chris Fenwick – chrisfenwick.com – @chrisfenwick

Jason Aron – facebook.com/BackInTimeFilm

Mentioned on Show

Kevin Pike on Back to the Future Opening Shot

Workflow logic is crucial and in FCPX there are so many ways to solve a problem. Returning guest David Fabelo and Chris walk thru a potential job he is applying for and we discuss some workflow ideas to make an episodic web series works smoothly in a shared work environment. We also learn about the Fabelo Rogue Marker Bug and hear how David came across that discovery. David discusses his logic of how he uses the Primary Storyline for his B-Roll and we talk about Markers in the browser or Markers in the timeline.

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Chris Fenwick – chrisfenwick.com – @chrisfenwick

David Fabelo – @David_Fabelo

 

Jesse’s got mad chops and a LONG history in this business. He is known in the Bay Area as a “fixer” when you are stumped trying to get your project out the door, Jesse is the guy you go to. This is a long episode but Jesse is an extremely interesting dude. I thought about cutting it down but couldn’t pick anything to drop. So forgive me for taking so much of your time but I think you’ll enjoy Jesse Spencer.

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Chris Fenwick – chrisfenwick.com – @chrisfenwick

Jesse Spencer

Mentioned on Show

Jesse’s 2013 Demo Reel cut in FCPX