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This interview was without a doubt the most fun I’ve ever had on The Grill. You may know him as The Cranky Editor, or Chairman Meow. James Miller has been using Final Cut Pro since Version 1 but avoided FCPX until January of this year. He has a very interesting story in which he claims the biggest motivation for jumping the FCPX was actually Premiere Pro. I promise you’ll love this episode.

Chris Fenwick – chrisfenwick.com – @chrisfenwick

James Miller – @thecrankyeditor

Mentioned on the show

Detective Mittens on YouTube

Ultimate Dog Tease on YouTube

Great quotes from the show.

Douglas Adams

“Anything that is in the world when you’re born is normal and ordinary and is just a natural part of the way the world works.

“Anything that’s invented between when you’re fifteen and thirty-five is new and exciting and revolutionary and you can probably get a career in it.

“Anything invented after you’re thirty-five is against the natural order of things.”

Chairman Meow

“You can’t polish a turd but you can roll it in glitter.”

Trim Editing is where Thomas Grove Carter works in East London. In the past year he has began to included FCPX in his workflow when it fits and has learned to really enjoy the application. We discuss our respective ways of watching, sorting, and organizing clips in our workflow.

Chris Fenwick – chrisfenwick.com – @chrisfenwick

Thomas Grove Carter – trimediting.com – @thomasgcarter

Thomas’ suite.

 

With a looming deadline and unending blue render bars, Charles knew he needed to move past Final Cut Classic and on to FCPX. Amazingly enough even though he had a huge job for an important client… he made the jump.

From early Flash development Charles developed a fascination with video as a communication medium. Originally Charles wasn’t sure that he had much to share with this audience but the history that we discuss about the origins of Flash as a web tool is a fun walk down the memory lane of the “information super highway”

Chris Fenwick – chrisfenwick.com – @chrisfenwick

Charles Silverman – @csilverman

The lack of “a recognition of prior learning” is one of the disadvantages of using FCPX and yet, on Alister Robbie’s first FCPX just 3 days into his edit he found himself 4 days ahead of schedule. Alister has PLENTY to say and shares his virtually pre-release experience with Final Cut Pro 1.0 back in 1999 all the way to FCPX.

Chris Fenwick – chrisfenwick.com – @chrisfenwick

Alister Robbie – @alisterrobbie – @thepostproject

Ken Burns on the Ken Burns Effect

Chris’ Multicam Trick

 

 

How do you work with remote audio and assistant editors? Listen in on my chat with Dustin Hoye as he explains how they produce The Next Bite sporting show with the help of non local talent.

Chris Fenwick – chrisfenwick.com – @chrisfenwick

Dustin Hoye – @DSquirrel

Dustin’s Tutorial on how to Swap Motion Template Effects.

 

The Library Model, XML, Resolve 10.1 & FCPX 10.1, Timeline Index, Markers, Pelican cases and even ancient web sites. We cover all that and MORE on this episode of FCPX Grill featuring Sam Mestman of FCPX Works.

Chris Fenwick – chrisfenwick.com – @chrisfenwick

Sam Mestman – @fcpworks

Chris’ FCPX Color Correction Walk-thru

Archive.org – The Wayback Machine

Trekpak.com

Trekpak on Facebook

Besides sharing some “Timeline KungFu” Richard and I also go off on a discussion about Grammar, and Internet decorum. We also go into some talk about Screenflow as a screen capture application. As well as the great debate about renaming your media in the Finder or not. We also share a product idea that some enterprising programmer could make for the FCPX community.

Chris Fenwick – chrisfenwick.com – @chrisfenwick

Richard Taylor – @RichardTaylorTV

Roots Rock Radio

Mentioned in the interview.

Chris uses Keynote as a Character Generator.

Making Animations in Keynote

Richard’s Suite

 

FCPX is more similar to FCP7 than you think. That is the message that Scott Hartman of Atlanta based, Jackson Spalding has to share. Scott shares with us about his broadcast news background and his journey from using traditional broadcast tools and workflows into a 21st Century IT based environment. “There’s a lot of US out there.”

Chris Fenwick – chrisfenwick.com – @chrisfenwick

Scott Hartman – @hartmanscott

jacksonspalding.com

Jackson Spalding on Vimeo

Scott’s Suite

Software Sleuth Alex Gollner returns to The Grill to fill us in on his observations of the 10.1 release. We get into some heavy discussion about the plug in architecture in FCPX 10.1 and Chris reveals his first foray into modifying a plugin that had been made available by David Walsh.

Chris Fenwick – chrisfenwick.com – @chrisfenwick

Alex Gollner – alex4d.com – @alex4d

Alex’s Grow/Shrink Plugin

Dave Walsh’s Luma Mask Plugin

Chris’ first attempt at modifying a plugin.

Is Premiere letting you down? You aren’t alone. When I heard that Paul Joy had moved back to FCPX after several years of working in Premiere, I thought it would be a good chat to have here on The Grill. We also discuss Smart Collections, the Multicam Clip Editor as well as After Effects RAM Preview.

Chris Fenwick – chrisfenwick.com – @chrisfenwick

Paul Joy – pauljoy.com – @pjoy

Chris’ Adobe After Effects RAM Preview Tutorial