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Gable finishes telling their story at the reference desk, head swirling with thoughts about The Sovereign and the empty throne, they decide to visit Aravetti's church. They spend some time contemplating the complex legacy of the church before meeting Aravetti himself and having an unexpected reunion with Orimar.

CONTENT NOTE

Main Show: Religious trauma, complex intersections of community and harmful ideology

Dear Uhuru: Our son is sick with magical goop eyes and he won't see the doctor

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Jonnit decides to chance to bringing Bayless to The Uhuru to explain the situation to the crew. With what he has learned there is a very real existential threat to everyone living around Sorrow's End. If there is no intervention everyone could die. Still, all ventures call for a vote. Jonnit and Bayless must convince the crew that things are dire enough to risk exposing The Uhuru by interfering.

CONTENT NOTE

Main Show: an oppressed person having to advocate for himself.

Dear Uhuru: Difficult conditions for refugees

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Bayless has a moment where he is forced to question what he believes about the Ralé people. Jonnit works to form a plan about what he can do to protect the Ralé and the debtors from both the Red Feathers and The Butcher. But even in the light of all that, trust is everything.

CONTENT NOTE

Mains Show: Colonial terror

Dear Uhuru: Difficult conditions for refugees

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Summary

CONTENT NOTE

Mains Show: Colonial terror

Dear Uhuru: Difficult conditions for refugees

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Jonnit and Bayless find themselves in a village of the Ralé people. Thanks to Jonnit's tattoos, they are being treated as though they are diplomats, but they have to overcome a language barrier in order to be understood. With people dead and tensions high, they will have to think of something quick.

CONTENT NOTE

Main Show: Colonial paranoia, unintentional appropriation, colonizer pretending he knows more about indigenous people than he does, our sweet child worrying about being treated differently because of his eye

Dear Uhuru: Refugees struggling in an area that doesn't have the right infrastructure, drowning and deep water imagery

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Jonnit and Bayless find themselves in a very tense situation, surrounded by armed people who don't speak their language. Despite Bayless being from the area, Jonnit finds his expertise somewhat lacking. Thankfully, as fate would have it, Jonnit has all the tools he needs to de-escalate the situation.

CONTENT NOTE

Main Show: Colonial paranoia, colonizer not understanding and vilifying indigenous groups

Dear Uhuru: Mention of refugees flocking to an area that doesn't have the resources to support them properly

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Jonnit tries to prepare Bayless for what could be a very tense situation. Orimar tries to bite back the rising tide of killing intent after his meeting with Truss. However, his anger burns attracting unwanted attention. He soon finds himself face-to-face with The Butcher.

Main Show: Colonial tensions, capitalist nightmare scenarios, psychic parasites, implied human butchery

Dear Uhuru: Queer sex, consent without explicit communication, hint of tragedy

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Jonnit and Bayless try to follow Arielle's trail to one of the collection sites at the edge of Red Feather Territory. They find a chaotic scene as workers are already gathered reacting to the disappearance of someone else. While Jonnit worries about The Butcher, the workers worry about the Ralé people.

CONTENT NOTE

Main Show: Colonial paranoia, displaced people, dead bodies

Dear Uhuru: Still sad, but gay now

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In an effort to secure some extremely sensitive information from The Reference Desk, Gable offers an extremely sensitive story of their own. Jonnit realizes he has to duck out of the mission to infiltrate the pigment factory, leaving Carlos to invite Carmen for one of their classic adventures. However, there are unintended consequences.

CONTENT NOTE

Main Show: Character death

Dear Uhuru: Prison, disease, loneliness, look- it's another sad one but I promise there are more parts to this story

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Jonnit Kessler decides to use his eye to track down latent killing intent within Sorrow's End in hopes of finding likely targets for The Butcher. His search leads him back to the Bar where he meets Bayless Gell, a debtor who is very concerned for Arielle.

CONTENT NOTE

Main Show: Mild references to violence, Sorrow's End is just a really nasty place

Dear Uhuru: This one is mostly just references and puns, Nathan is absolutely on fire for this one

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