Candyman 2020 was supposed to be coming out in theaters this week, but that obviously isn’t happening. To tide over your sweet tooth for Candyman, we’ll be reviewing the original this week. Also in this week’s episode of Horror Movie Talk, we discuss our new logo, play a new game, and read comments from social media from listeners like you.

The film follows grad student Helen Lyle as she researches for her thesis on urban legends. When she stumbles across the legend of Candyman, whose story seems to be alive and thriving in the poverty stricken projects of Chicago. The legend involves an African American, Bloody Mary-eque apparition that appears when his name is called in front of a mirror. Instead of the three “Bloody Mary’s”, you must say Candyman five times, in some sort of supernatural 3/5ths compromise.

When the skeptical Helen calls Candyman five times in her mirror, she seals her fate and is led through a terrifying journey to discover the reality of the film’ boogey man.

Candyman is impactful, and multifaceted. Tony Todd is an instant icon in horror with his unique silhouette and hypnotic disembodied baritone voice. 

There is an uneasy balance between Candyman being a sympathetic and seductive figure, and that of being the realization of some deep seated racist fears. While watching this, my wife pointed out that some of the racist connotations of the plot, and my knee jerk reaction was to defend the film and say she was grasping at straws.

But as time went on… there was actually a compelling argument to be made for it relying on long held racist stereotypes about the dangers of black men.

Regardless, it’s a compelling gothic horror tale told well with the backdrop of nineties urban Chicago. Candyman is an iconic monster, and is one of the best horror movies on the topic of an urban legend.

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8/10

This is definitely a nineites horror movie that is worth seeing. While it’s not perfect, it does create a great mythology and monster in Candyman.