Film ten of the festival and Pawel Pawlikowski's Fatherland is the one. Thomas Mann, his daughter Erika, a road trip through a country trying to forget what it did, and Sandra Hüller doing things on screen we still cannot fully explain. Our highest score of Cannes so far. Day three dispatch from the Croisette.

Film ten of the festival and Pawel Pawlikowski's Fatherland is the one. Thomas Mann, his daughter Erika, a road trip through a country trying to forget what it did, and Sandra Hüller doing things on screen we still cannot fully explain. Our highest score of Cannes so far. Day three dispatch from the Croisette.

Film ten of the festival and Pawel Pawlikowski's&nbsp;Fatherland&nbsp;is the one. Thomas Mann, his daughter Erika, a road trip through a country trying to forget what it did, and Sandra Hüller doing things on screen we still cannot fully explain. Our highest score of Cannes so far. Day three dispatch from the Croisette.

Cannes Day Three: This Is What We Came For

Lights. Camera. Action. is your go-to podcast for everything film and television. From box office blockbusters to hidden indie gems, we break down the stories, themes, and filmmaking behind what you watch. Expect honest reviews, sharp analysis, and lively conversations that celebrate cinema in all its forms. Whether you're a casual viewer or a die-hard cinephile, this is where great screen stories come to life.

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Cannes Day Three: This Is What We Came For

Cannes Day Three: This Is What We Came For

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