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Daniel Johnston digs most of the materials he use to make and glaze his pots. Daniel's pots are fired in a large 850 cubic ft wood kiln. Daniel enjoys the hard work and it leaves no part of the process separated from him. He does not try to control his materials, rather Daniel tries to understand them. From digging the clay to firing the kiln, Daniel puts all his efforts into creating pots that have a powerful presence. It is important to Daniel to create pots that are timeless, but reflect the culture and times in which he lives.
By Paul Blais4.9
527527 ratings
Daniel Johnston digs most of the materials he use to make and glaze his pots. Daniel's pots are fired in a large 850 cubic ft wood kiln. Daniel enjoys the hard work and it leaves no part of the process separated from him. He does not try to control his materials, rather Daniel tries to understand them. From digging the clay to firing the kiln, Daniel puts all his efforts into creating pots that have a powerful presence. It is important to Daniel to create pots that are timeless, but reflect the culture and times in which he lives.

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