In the second part of our conversation, I ask Carol about the role of the tuba in the brass section and also the orchestra, and how her interpretation changes when playing with the different brass instruments, and how she adapts for different styles.  Carol has premiered solo works by Michael Daugherty and Wynton Marsalis, both written for her,  so I ask her to take us through the process of working with two different composers and the give-and-take process of bringing a new work to life.

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