“If you're not exploring, if you're not really kind of pushing limits, then you really have to ask yourself, well, what am I doing here? Like, this isn't accounting, you know what I mean? It's creative writing.” —Matthew Sullivan 

Matthew Sullivan is the author of Midnight at the Bright Ideas Bookstore, an Indie Next Pick, B&N Discover pick, a GoodReads Choice Award finalist, and winner of the Colorado Book Award. He received his MFA from the University of Idaho and has been a resident writer at Yaddo, Centrum, and the Vermont Studio Center. His short stories have been awarded the Robert Olen Butler Fiction Prize and the Florida Review Editors' Award for Fiction. His writing has been featured in the New York Times Modern Love column and The Daily Beast, amongst others. 

Among other things, Matthew and Carter discuss alcohol and writing, writing weird and unconventional novels, and how the unpredictability of success as an author makes you a better writer. At the end of their conversation, they make up a menacing story using a line from Abbott Kahler’s Where You End.

“Writer’s block is a myth. It’s your brain lying to you. Chefs don’t have chef’s block.” —Tod Goldberg 

Tod Goldberg is a New York Times bestselling author of sixteen books, including the Gangsterland quartet, which have won/been a finalist for the Hammett Prize, the International Thriller of the Year and many more. His short fiction and essays appear widely and have been selected in Best American Mystery & Suspense and Best American Essays. He is a Professor of Creative Writing at the University of California, Riverside where he founded and directs the Low Residency MFA in Creative Writing & Writing for the Performing Arts. 

Among other things, Tod and Carter discuss coming from a family of writers, observations from running a MFA program, and writing from a place of absurdity rather than darkness. At the end of their conversation, they make up a hilarious story using a line from Stephen King’s Everything’s Eventual.

“I’ve just always been drawn to dark stuff. I’m really fascinated by why people do the things that they do—particularly bad things.” —Jennifer Fawcett 

Jennifer Fawcett is an author, actor, and playwright. She grew up in Canada and spent many years in theatre there before moving to the US. She has an MFA from the Iowa Playwrights Workshop and was a founding member of Working Group Theatre. Her work has been produced in regional theaters across the US and UK. Her play Apples in Winter won the National New Play Network Smith Prize and the Susan Glaspell Award. She has written two novels, including Beneath the Stairs and Keep This for Me.

Among other things, Jennifer and Carter discuss making professional connections with other authors, maintaining a relationship with your editor, and advocating for yourself to your publishing team. At the end of their conversation, they make up a descriptive story using a line from Audrey Lee’s The Mechanics of Memory. 

“The idea that you could be at the whim of something as mercurial as a muse doesn’t work if you also have to show up for a job and a family and kids.” —Danielle Girard 

Danielle Girard is the USA Today and Amazon #1 bestselling author of sixteen novels. Her books have won the Barry Award, the Romantic Times Reviewers’ Choice Award, and more. In addition, two of her titles have been optioned for screen. Her next thriller, Pinky Swear, will be on February 24, 2026. Danielle is also the creator and host of the Killer Women podcast, where she interviews the women who write today’s best crime fiction. 

Among other things, Danielle and Carter discuss writing first-person present tense, Danielle going back to get her MFA after four published books, and the challenge with writing characters who are demographically different from you. At the end of their conversation, they make up a mysterious story using a line from Wendy Walker’s Blade. 

“You're really investing in yourself. And when I actually do get a check, I'm like—wait, I got paid for this one?” —Courtney Psak 

Courtney Psak is the author of two novels, and her third, The Hostess, is being released in April 2026. She graduated with a degree in Communications and Journalism with a master’s degree in Publishing. She is a member of the Crime Writers' Association, International Thriller Writers, Sisters in Crime and a board member for the Mystery Writers of America.

Among other things, Courtney and Carter discuss Courtney’s detailed outlining and writing process, having a UK publisher, and how mother-in-laws make great unreliable narrators. At the end of their conversation, they make up a gripping story using a line from Chris Pavone’s The Doorman. 

“Don’t wait for chapter five to be good. Be good immediately.” —Chris Pavone 

Chris Pavone is an international thriller author whose novels include THE EXPATS, winner of both the Edgar and Anthony Awards; the instant bestseller TWO NIGHTS IN LISBON; and THE DOORMAN, a New York Times Notable Book of 2025. His novels have appeared on all the major bestseller lists and have won or been shortlisted for Edgar, Anthony, Strand, Macavity, and ThrillerFest awards, among others. Chris worked in publishing for nearly two decades and ghost-wrote a couple of nonfiction books. 

Among other things, Chris and Carter discuss working in publishing in New York City in the early 90s, why the first page of your manuscript is so important, and how a move to Luxembourg inspired Chris’s first novel. At the end of their conversation, they make up an emotional story using a line from Jeffrey Konvitz’s The Circus of Satan. 

“(The CIA) redacted my height and weight. I kid you not—they redacted the color of the sky.” —I.S. Berry 

I.S. Berry spent six years as an operations officer for the CIA, serving in wartime Baghdad and elsewhere. She has lived and worked throughout Europe and the Middle East, including two years in Bahrain during the Arab Spring. I.S. Berry is a member of the Mystery Writers of America, International Thriller Writers, International Association of Crime Writers, and the Association of Former Intelligence Officers. 

Among other things, Carter and I.S. discuss I.S. 's experiences with foreign affairs and her path to the CIA, writing a memoir to make sense of her experiences, and playing around with pacing and action in your novels. At the end of their conversation, they make up a suspenseful story using a line from Wendy Walker’s Blade. 

“He’s psychotic, you know. That really messed me up… but I think it was good to do—to delve into what is the point of view of someone who’s psychotic.” – Kika Dorsey 

Kika Dorsey is an author and an English lecturer at the University of Colorado, Boulder. While finishing her Ph.D. in Comparative Literature, she performed her poetry with musicians and artists. She currently writes and publishes fiction and ghostwrites fiction and nonfiction books and articles. Her poems have been published in The Denver Quarterly and The Columbia Review, among numerous others. She is the author of four poetry collections and has won the Colorado Authors’ League Award. 

Among other things, Kika and Carter discuss the reality of making money as an author, writing unreliable narrators, and why it can be so challenging to get an agent nowadays. At the end of their conversation, they make up a beautiful story using a line from Angie Kim’s Happiness Falls. 

“I wrote the first book to try and give my mother comfort and closure. But halfway through, I realized—I wasn't just telling her story anymore. I was telling mine.” – Casey Sherman 

Casey Sherman is a New York Times Bestselling Author of 13 books including The Finest Hours (now a major motion picture starring Casey Affleck & Chris Pine), Boston Strong (the basis for the film Patriots Day starring Mark Wahlberg), Animal & Hunting Whitey. Sherman is a contributing writer for TIME, Esquire, Washington Post, Boston Herald and Boston Magazine and has appeared as a guest an analyst on more than 100 television news programs. 

Among other things, Casey and Carter discuss Casey’s personal inspiration behind his decades-long investigation into the Boston Strangler case, his approach to investigative journalism for his non-fiction works, and his involvement in Peacock’s recent documentary on the Boston Strangler. At the end of their conversation, they make up a fascinating story using a line from Ben Macintyre’s Operation Mincemeat. 

“Is it a good idea that I write in both horror and spy thrillers? No. I think it’s a crap idea. But Hollywood really loves the spy stories.” —Alma Katsu 

Alma Katsu is a NYT bestselling author whose books have been nominated for and won multiple awards including the Stoker, Goodreads Readers Choice, and International Thriller Writers, among others, and appeared on numerous Best Books lists. She has over 30 years’ experience as an intelligence professional at CIA and NSA, and has written two spy novels. The Hunger was named one of NPR’s 100 favorite horror stories and was on numerous Best Books of the Year lists. Her first book, The Taker, was named one of the top ten debut novels of 2011 by Booklist. 

Among other things, Alma and Carter discuss the pre-publication review process within the CIA, writing in two different genres, and having your book optioned for film/TV. At the end of their conversation, they make up a fast-paced story using a line from Carlene O’Connor’s You Have Gone Too Far.