CD Burners

This week on CD Burners, we’re diving into Avril Lavigne’s The Best Damn Thing with special guest Scheana Marie, who grew up obsessed with Avril and credits her as one of her earliest musical inspirations. We break down the album’s bratty, cheerleader-fueled pop-punk energy, why “Girlfriend” might be the ultimate Avril song, and how an album full of “you suck, I’m hot, I’ll be fine” breakup anthems somehow still makes room for some of her most vulnerable moments. Scheana talks about channeling Avril into her own music, performing “Girlfriend” at Emo Nite, and why the album reminds her of reality TV with every emotion turned all the way up. Plus, we get into Travis Barker playing on the record, “Girlfriend” allegedly being written in two minutes, Avril’s wildest rumors, Scheana’s Jonas Brothers era, and plenty of Vanderpump Rules lore along the way.

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This week on CD Burners, we’re diving into mgk's Tickets to My Downfall with special guest Huddy, who has a pretty wild connection to the album: after listening to it every day and using it as inspiration to pursue alternative music himself, MGK randomly DMed him and cast him in Downfalls High. We get into why Tickets to My Downfall became one of the most polarizing pop-punk albums of its era, whether MGK deserves more credit for what he brought to the genre, and why Huddy thinks the record was misunderstood from the beginning. Plus, Huddy takes us behind the scenes of making Downfalls High, reveals an unexpected moment with Sydney Sweeney, talks about finding his own sound through MGK's influence, and opens up about leaving the major-label system to independently release his new music.

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This week on CD Burners, we’re diving into Scary Kids Scaring Kids’ The City Sleeps in Flames with special guest Ray Hawthorne. We break down why this album feels like a time capsule of 2005 post-hardcore, how Scary Kids seamlessly worked synths into their sound before seemingly every band had a keyboard player, and why discovering them at the right age could completely change your taste in music. Ray tells us how Scary Kids became one of his first introductions to post-hardcore, inspired his high-school band to literally get a synth player, and eventually led to him making music with Scary Kids keyboardist Pouyan Afkary years later. Plus, we get into MySpace-era band names, LimeWire mishaps, the band's legacy after the tragic loss of Tyson Stevens, Ray almost walking away from music, and how some of his biggest songs were recorded in a makeshift vocal booth built inside his Burbank bathroom.

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This week on CD Burners, we’re diving into Radiohead’s In Rainbows with special guest Kyle Soto of Seahaven. From the bizarre 5/4 groove of “15 Step” and the hypnotic guitars of “Weird Fishes” to the stripped-back emotion of “All I Need,” we break down why In Rainbows might be Radiohead’s most accessible album while still being absolute music-nerd heaven. We also get into the band’s industry-shaking decision to release the album with a pay-what-you-want model, Nigel Godrich forcing Radiohead to finally commit to songs they had been obsessing over for years, the incredible From the Basement performances, and why the production still sounds ridiculously good nearly two decades later. Plus, Kyle explains how he absolutely hated Radiohead the first time a friend played them for him, only for In Rainbows to eventually become the album he listened to on repeat and his gateway into the band.

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This week on CD Burners, we’re joined by Kami Kehoe to dive into Cage the Elephant’s Tell Me I’m Pretty, the Grammy-winning album that has followed her through different chapters of her life. Kami explains why songs like “Trouble” connected with her from a young age, how the record became something she returns to whenever she’s going through it, and why its lyrics and sound still give her a rare sense of peace. We also get into Dan Auerbach’s production, Matt Shultz’s undeniable weirdness, and what makes Tell Me I’m Pretty stand out in Cage the Elephant’s catalog. Plus, Kami talks about growing up playing drums in a band with her sisters, going viral overnight, making the return to rock music, and the new album and arena tour that are taking her career to another level.

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This week on CD Burners, we’re diving into Lady Gaga’s The Fame Monster with special guest DeathbyRomy, who calls it one of the most influential records on her life and career, and the first CD she ever owned. Romy shares how seeing Gaga’s Monster Ball as a kid, briefly meeting her backstage, and watching her turn pop music into a complete visual world helped shape the artist she would eventually become. We break down “Bad Romance,” “Telephone,” and “Alejandro,” Gaga’s fearless approach to art and controversy, the tour that never happened, and why The Fame Monster still feels like a moment when a pop star could genuinely shock and change culture. Plus, Romy talks about building her own visual universe on independent-artist budgets, betting on herself, touring with Limp Bizkit, and the Gaga philosophy she still carries with her today: sometimes you have to lie to yourself until the dream becomes real.

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Live from Vans Warped Tour Long Beach, CD Burners sits down with Bonnie Fraser of Stand Atlantic to talk about the band's next era and why they're deliberately pushing against what's trendy in alternative music. Bonnie gets into live tracking their new album, wanting music to feel human in an increasingly AI-driven world, and why Stand Atlantic would rather flip trends on their head than sound like everyone else. She also opens up about finally embracing writing love songs after avoiding them for over a decade, how “Velcro” became one of her favorite songs they've ever written, and what success looks like after years of making music for a living. Plus, we get into Olivia Rodrigo, Sabrina Carpenter, Charli XCX, Australian horror movies, her least favorite Stand Atlantic song to play live, and the important question of whether Australia is actually the furthest place on Earth.

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Live from Vans Warped Tour Long Beach, CD Burners sits down with Derek Sanders of Mayday Parade to look back on 20 years of the band and their long history with Warped Tour. Derek takes us back to the days of following the tour in a van and selling CDs to kids in the crowd, talks about the awkward early shows that helped shape Mayday Parade, and reveals what it's like returning to Warped Tour two decades later. We also get into the band's massive Sweet, Sad, Sugar trilogy, the challenge of writing a Warped Tour setlist after 20 years of music, the heavier bands Derek wishes Mayday Parade could tour with, his hilariously named first bands, and whether making music still feels the same after all these years. Plus, the Warped Tour crowd gets to ask Derek a few questions of their own.

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before Three Cheers and The Black Parade, there was I Brought You My Bullets, You Brought Me Your Love—the chaotic, emotional debut that introduced the world to My Chemical Romance. this week on CD Burners, we're joined by Sydney Roten of Diva Bleach to dive into the raw production, Gerard Way's storytelling, the band's New Jersey roots, recording the album in just a week, and why Bullets remains one of the most important emo records ever made. we also talk about how MCR became Sydney's gateway into heavier music, the influence the band still has on artists today, and plenty of wild tangents along the way. listen now!

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on this episode of CD Burners, we're joined by Bailey Spinn to dive into Pierce the Veil's Selfish Machines—the album that helped redefine post-hardcore for an entire generation. We break down Vic Fuentes' poetic songwriting, Mike Green's iconic production, why every instrument on the record feels alive, and how Selfish Machines somehow sounds even more influential today than it did in 2010. Bailey also shares how Pierce the Veil became her gateway into heavy music, what it was like working with the album's producer, why the band's fans are so fiercely protective, and how songs from this era continue to find new life through a whole new generation of listeners. If you've ever wondered what makes Pierce the Veil one of the few scene bands whose legacy only keeps growing, this episode is for you.

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