The older Welsh myth of Arthur is often overshadowed, both by the obsession with the chivalric Arthur of medieval Europe, and then more recently by the search for the historical Arthur.

These subjects can be interesting in their own right, but they rarely ask the important questions: how did a Welsh figure become the centrepiece of an elaborate and profound mythology that’s still popular across the globe? What does this older Arthur embody? What ancient Celtic beliefs are preserved in his myth?

The Arthur of the Welsh: https://celticsource.online/courses/the-arthur-of-the-welsh/

https://celticsource.online/courses/the-native-tales-of-the-mabinogion/

Taliesin Origins: https://celticsource.online/courses/taliesin-origins/

Taliesin Origins is also a book that you can purchase here: https://celticsource.online/taliesin-origins-2/

A wide rangeing conversation with singer Genevieve Andersen about the role of the bard in Welsh culture, past and present, and the ethics of being inspired by other people’s traditions.

In her most recent collection of poems, Charlotte Hussey has drawn on the fairytale of Tam Lin as found in a 16th century ballad from the Scottish Borders. In this interview we look at some of the poems and how they echo both the myth and Hussey's own history, and how the weaving of several perspectives and stories breaths new life in to this most mysterious of folk ballads. Those of you familiar with Celtic myth will hear the echoes and resonances, and spot the familiar archetypes and concepts.

Many modern poets have found the awen in Taliesin's myth, not just in Wales but also beyond. Simon Lilly and Chris Martin are two such wordsmiths who have thrown themselves willingly into the cauldron. In this wide rangeing discussion we hear them read their own Taliesin-inspired poetry, and talk through some of the more powerful visions we find in this eternally abundant myth.

If you want to find out more about these two brilliant poets, you can find them online at https://simonhlilly.com and https://www.chrismartinpoet.com

More free materials, lectures, videos and podcasts at https://celticsource.online

Trioedd Ynys Prydein, the medieval Welsh storytriads, can tell us a few different things about other sources of Welsh myth, particularly the Mabinogi.

What do we mean when we say that Celtic goddesses like Rhiannon and Macha are medieval variations of an older, original horse goddess? What are we missing out in that apparently simple statement?

The Táin Bó Cuailnge, often simply called the Táin, is one of the most important Irish myths, and perhaps even one of the most important in Europe, with some claiming that it’s the earliest surviving epic in Western vernacular literature.

Why is Taliesin a suitable guide to the world of Welsh myth? Here's a few reasons why.

This is a new podcast my wife and I will be making over the next few months. If you want to hear more, please search for the Myth Mountain podcast on your favourite platform and subscribe. You can find us on Spotify here.

This podcast explores many of the ideas behind the Myth Mountain programme that you can find here.

"Join Lucy and Gwilym as they unpack why we are compelled by myths, what role they play in enriching our lives, why we are drawn to the myths of our ancestral lands and how this gives us a sense of the sacred. Sharing personal stories and their experience of being in the wild, vision quest and connection to place."

There have been several decades of speculation about the relationship between these two mysterious mythic mothers who both founded divine lineages in Celtic myth. But what is their relationship? Are they the same or different?