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Kate Molleson speaks to the Canadian soprano and conductor Barbara Hannigan about a new scheme to help support young artists share the stage with the world’s leading soloists, and grant young professional conductors opportunities to lead an orchestra during rehearsals. We also hear another instalment from our ‘Musicians in our time’ series, and are joined this week by guitarist Sean Shibe who shares his reflections about the impact of the pandemic on his life plans, the way he plays, and why he’s choosing alternative repertoire. The rock critic Paul Morley, who made his reputation in the 1970s and 1980s writing about Manchester punk, post-punk and New Pop, tells Kate what happened when he set out to rewrite the entire history of classical music. And Music Matters joins the sitar player Baluji Shrivastav and musicians from his Inner Vision Orchestra - the UK’s only professional ensemble of blind and visually impaired musicians – who describe how the mechanics of hearing and their experiences of making music have changed during lockdown.
By BBC Radio 33.7
1414 ratings
Kate Molleson speaks to the Canadian soprano and conductor Barbara Hannigan about a new scheme to help support young artists share the stage with the world’s leading soloists, and grant young professional conductors opportunities to lead an orchestra during rehearsals. We also hear another instalment from our ‘Musicians in our time’ series, and are joined this week by guitarist Sean Shibe who shares his reflections about the impact of the pandemic on his life plans, the way he plays, and why he’s choosing alternative repertoire. The rock critic Paul Morley, who made his reputation in the 1970s and 1980s writing about Manchester punk, post-punk and New Pop, tells Kate what happened when he set out to rewrite the entire history of classical music. And Music Matters joins the sitar player Baluji Shrivastav and musicians from his Inner Vision Orchestra - the UK’s only professional ensemble of blind and visually impaired musicians – who describe how the mechanics of hearing and their experiences of making music have changed during lockdown.

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