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Recorded on Tuesday 27 February at 7pm in the National Library, Kildare Street, Dublin 2
In Ireland in the revolutionary period, cinema was the latest form of mass entertainment. Previously ignored as a pernicious working class fad both by the British authorities and by their nationalist opponents, its propaganda potential was quickly recognised; in 1916 the British government sponsored the production of the documentary, The Battle of the Somme, which played in cinemas across Ireland; in 1917, within hours of the event, the Bohemian Cinema in Phibsborough screened footage of Thomas Ashe’s funeral. What effect, if any, did such interventions have on public opinion? How did both sides use the new medium?
To discuss these and related matters History Ireland editor, Tommy Graham, was joined by Kevin Rockett, Ciara Chambers, Denis Condon and Joanne Carroll.
By History Ireland4.4
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Recorded on Tuesday 27 February at 7pm in the National Library, Kildare Street, Dublin 2
In Ireland in the revolutionary period, cinema was the latest form of mass entertainment. Previously ignored as a pernicious working class fad both by the British authorities and by their nationalist opponents, its propaganda potential was quickly recognised; in 1916 the British government sponsored the production of the documentary, The Battle of the Somme, which played in cinemas across Ireland; in 1917, within hours of the event, the Bohemian Cinema in Phibsborough screened footage of Thomas Ashe’s funeral. What effect, if any, did such interventions have on public opinion? How did both sides use the new medium?
To discuss these and related matters History Ireland editor, Tommy Graham, was joined by Kevin Rockett, Ciara Chambers, Denis Condon and Joanne Carroll.

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