Cinema of Meaning

Thomas Flight and Tom van der Linden discuss Denis Villeneuve's Dune: Part Two.

In Part 5 of our Gangster Cinema Series we move into the 2010s to discuss Martin Scorsese's The Irishman.

Welcome back to our series on Gangster Cinema through the decades, in which we discuss 5 different gangster movies from 5 different decades in order to get a better understanding of the deeper meanings and evolution of the genre; continuing today in the 2000s with Ridley Scott's American Gangster.

In Part 3 of the Gangster Series we move into the 90s to discuss Martin Scorsese's iconic masterpiece Goodfellas

In Part 2 of the Gangster Series we move from the sobering 70s into the neon-lit 80s and follow Al Pacino into yet another iconic gangster movie: Brian DePalma's Scarface.

We are excited to announce our new series on Gangster Cinema through the decades. Over the course of 5 episodes, we will discuss 5 different gangster movies from 5 different decades, in order to get a better understanding of the deeper meanings and evolution of the genre; starting in the 1970s with Francis Ford Coppola's The Godfather.

In this special 3-part series titled Cinema of Nuclear Dread, we explore cinema’s relation to the atomic bomb, and all the implications it represents, concluding today with an in-depth discussion of Christopher Nolan's Oppenheimer.

In this special 3-part series titled Cinema of Nuclear Dread, which we are hosting in honor of the release of Christopher Nolan’s Oppenheimer, we explore cinema’s relation to the atomic bomb, and all the implications it represents. Continuing today with how the fear of and trauma from the nuclear bomb gave birth to the complicated and continuously evolving movie monster Godzilla.

In this special 3-part series titled Cinema of Nuclear Dread, which we are hosting in honor of the upcoming release of Christopher Nolan’s Oppenheimer, we explore cinema’s relation to the atomic bomb, and all the implications it represents. Beginning today with the politics of the atomic bomb and the complicated philosophy of nuclear deterrence, in Stanley Kubrick’s classic satire Dr Strangelove or: How I learned to stop worrying and love the bomb.

Before Indiana Jones' final adventure, we revisit his previous final adventure and discuss the early wave of legacy sequels, the conflicted enjoyment found in treasure-hunting movies, and the evolution of the adventure genre, in The Kingdom of the Crystal Skull