Cinesight

This week we take on reivews for Apollo 11, Jordan Peele's Us and the newest Pet Sematary remake.

This week Juan and Sami get together to discuss the month of love that

brings us Valentine’s Day and what kind of films show the many different

forms of love. We go into the differences in golden age cinema and modern

interpretations of love and we discuss the recent replacement of Romance

with the Rom-Com. Check out the discussion right here and let us know your

thoughts in the comments below.

It’s here once again. It’s our end of the film season and we get together to discuss our favorite films of 2018 and the films that we cannot wait to forget and pretend never happened. We also have a few other surprises in store for you all in this episode so tune in and find our all of the exciting new activity

This week we get together to discuss M. Night Shyamalan's newest film, Glass. This is the end of his superhero trilogy starting almost 20 years ago. Find out if we think this film completes the trilogy smoothly or if it shatters the whole series.

This week we discuss director Barry Jenkins' follow-up to his Best Picture-winning film Moonlight. Sam, Adrien, and Juan get together to swoon over the beauty that is If Beale Street Could Talk. Jenkins returns with composer Nicholas Britell and greets an excellent ensemble cast in this adaptation of the eponymous James Baldwin novel.

The crew gathers this week to check out Julian Schnabel’s (The Diving Bell and the Butterfly) At Eternity’s Gate starring Wilem Dafoe, Mads Mikkelsen, and Oscar Issac, in which Dutch painter Vincent Van Gogh imposes his own exile in Arles, France to develop the artistic style that would make him famous after his death. Pretty photography and incredible actors keep this boat afloat, but it seems a little lost at sea and leads the CineSight crew to wonder: are biopics bad?

The crew has assembled to see Adam McKay’s follow-up to The Big Short, and they’re split over whether the movie is even worth watching. Incredible acting is stunted by a shoddy script and questionable portrayals of real-life people.

Yorgos Lanthimos is back for his third film in three years with a dynamic cast and incredibly funny script. Emma Stone and Rachel Weisz go back and forth to win the affection of Olivia Colman in this sure shoe-in for the Oscar acting categories.

Welcome everyone! We start the week by discussing Alfonso Cuarón’s portrait of Cleo, the maid of a family in Mexico City in the early 1970s. We discuss the the vision Cuarón was aiming for and the representation of racial division in Mexico. Join us in the discussion and let us know what you thought of the film. Do you think it’s one of the best of the year or an over hyped Oscar snooze? Let us know in the comments below!

This week we get ready for the Holiday season and the Oscar season as we discuss Green Book starring Mahershala Ali and Viggo Mortensen. Set in the 60s, an Italian nightclub bouncer, Tony the Lip (Viggo Mortensen), is hired to escort classical pianist Dr. Don Shirley (Mahershala Ali) on a tour into the deep South. Little did they realize that it would be the start to a lifelong friendship. Check out our discussion right here and let us know your thoughts!