Citations Needed

The COVID-19 pandemic is ravaging the globe, leaving immeasurable human suffering in its wake. Who is left behind, struggling to survive on the frontlines of precarity, is – as with all things – determined primarily by wealth, privilege, and access to resources and political capital. This fact has been starkly on display in recent days, as Congressional Democrats began debating their response to the crisis: corporations, wealthy investors and industry were prioritized, formal wage workers were given crumbs, and the undocumented and informal economy workers – such as domestic caregivers; undocumented workers; sex workers; and freelance, contract, and off-the-books workers – were ignored completely. On this week's episode, we analyze a 48-hour time period of coverage in The New York Times and The Washington Post when the discussion of who was going to be prioritized and aided – and who wasn't – cemented in popular discourse with little logic or meaningful debate. We are joined by Fahd Ahmed, Executive Director of Desis Rising Up and Moving (DRUM).

"According to the Bipartisan Policy Center," "a recent study by the Concord Coalition disagrees," "One review of your budget by the Committee for a Responsible Federal Budget says." We've seen these seemingly benign Official Sounding sources hundreds of times—from presidential debates to 60 Minutes to countless articles in The Washington Post and The New York Times.

But what the average person can't reasonably know is that these organizations—Bipartisan Policy Center, the Concord Coalition, Committee for a Responsible Federal Budget, and PR projects like "The Can Kicks Back" and "America Speaks"—are all veiled front groups for a single, far-right billionaire whose entire life mission was to privatize social security, medicare and other entitlement programs under the auspices of fighting a so-called "deficit timebomb." For decades, a web of Pete Peterson-backed front groups—often funded in concert with other like minded billionaires—has used the faux neutrality of think tanks, institutes, and academia to launder "anti-deficit" messaging for American pundits, reporters, and politicians, entirely capturing the narrative around deficits and their alleged pending destruction of society as we know it.

This week, we explore the origins of Pete Peterson's austerity propaganda machine, his web of influence, how he helped co-opt both conservative and liberal knowledge production, and how he and spent hundreds of millions of dollars to undermine what little liberal government the United States has left.

We are joined by David Dayen, executive editor of The American Prospect.

"Obama Warns Against 'Purity Tests' In Democratic Primary," Spectrum News reports. "Spare Me the Purity Racket," Maureen Dowd opines in The New York Times. "'Purity Tests' Divide Democrats," US News & World Report announces. "Political purity tests are for losers," bellows The Hill. We hear it all the time: progressives, leftists, radicals — and even liberals — are told they must not engage in the siren song of "purity politics." Don't let the perfect be the enemy of the good, we are told. We must be pragmatic, realistic, we must lay down our ideological arms and stop pining for Nirvana when so much is on the line in November. Evoking purity politics functions — more often than not — as a catch-all defense against any and all criticism of establishment Democrats. In 2016, Hillary Clinton partisans used it against Bernie Sanders supporters; in 2020, Bloomberg's flacks use it against Sanders again, and even Sanders partisans use it against leftist skeptics of electoralism. Put simply, purity politics is a Get Out Of Jail Free card, a perennial lesser of two evils narrative of an inherent impossibility of anything other than incremental change. At their core, charges of purity politics are ahistoric and anti-intellectual, pathologizing alternative theories of change that don't require political compromise as youthful vanity. Indeed, how to balance compromise and ideals has been, for centuries, the central question of the Left, everyone from French revolutionaries to Russian socialists, Black American radicals and Indigenous struggles in North America to Third World liberation movements around the globe have struggled to answer: when do we compromise and when do we not? But "purity politics" ignores this essential and rich question altogether, brushing aside morally fraught debates about political strategy and reducing anything short of the path of least resistance to unserious solipsism and juvenile stubbornness. On this episode, we discuss how demands that people drop "purity politics" only go in one direction; how moral urgency has historically been pathologized as youthful narcissism; and how our jaded, broken media elites routinely conflate preemptive defeatism with political savvy. Our guest is attorney and writer Malaika Jabali.

One of the most prized professional norms for journalists, particularly the United States, is the preservation of neutrality in reporting. While the concept of "objectivity" has fallen out of fashion among mainstream reportage in recent years, related concepts that convey a similar idea such as "impartiality" and "neutrality" have come to replace it. In their mission statements and codes of ethics, corporate and government owned outlets routinely proclaim the importance of impartiality and balance, in the sanctified pursuit of fair, unbiased reporting. In theory, this can be a healthy idea. Distinguishing between so-called opinion or editorial versus neutral, down-the-middle reporting –"objectivity" or "impartiality" can give the reader a sense that a series of facts are being reported rather than some guy's opinion. The fundamental problem is when this vaguely aspirational genre morphs into an unchecked ideology––an ideology that requires one to think we live in a world where said facts are curated and created outside of long-existing power structures; that those who produce, on an institutional scale, knowledge products via think tanks and academic institutions are without bias. That journalistic institutions, funded by large corporations and billionaires themselves, don't decide which neutral facts are important and which aren't. "Objectivity" that doesn't calibrate power asymmetries or attempt to account for its own institutional ideology isn't a mode of reporting, it's conservative conditioning that––if not in intent, in effect––does little more than advance prevailing ruling class ideology. Indeed, anyone who's ever studied marketing or PR or propaganda will tell you the most effective messaging is that which appears unbiased and impartial. On today's show, we'll examine how objectivity came to be a defining principle of Western journalism and how U.S. media's understanding of impartiality provides an urbane veneer for racism, homophobia, anti-poor policies and other reactionary currents. We are joined this week by journalist Lewis Raven Wallace, author of The View from Somewhere: Undoing the Myth of Journalistic Objectivity.

"145 CEOs Call On Senate To Pass 'Common-sense, Bipartisan' Gun Laws," NPR states. "Local Democrat pushes back on NY bail reform law: It's about 'common sense,' not politics," a Fox News headline reads. "The Only Thing More Dangerous Than Trump's Appeal to Common Sense Is His Dismissal of It," The Nation warns. Everywhere we turn we are told by pundits and politicians that "common sense" demands we support their preferred policy prescription. It's a common appeal: a political issue—whether health-insurance, immigration, foreign policy, or gun violence—reaches a real or perceived extreme, and, in reaction, media pundits and political figures claim the most appropriate response must be ostensibly neutral, reasonable "common sense" reforms. But these claims are insidious. While "common sense" may appear to be a constructive guiding principle, there is no meaningful definition of the concept and when it is evoked, it's almost always an appeal to status quo ideology. What's sensible to a member of the Tea Party isn't the same as what's sensible to an activist seeking to end police violence. So, whose "common sense" is really being promoted when we hear these calls to action? On this week's episode, we explore how appeals to "common sense" present politics as a matter of rationality rather than of morality; how these demands reinforce centrist and right-wing ideologies and how the Left can work to build an alternative common sense. We are joined by cultural anthropologist Dr. Kate Crehan, Professor Emerita at College of Staten Island and the CUNY Graduate Center.

Since the rise of Black Lives Matter and a broader cultural awakening in the United States of just how wildly out of whack, cruel and hyper-punitive our criminal legal system is, modest reforms began to emerge across the United States. The lowest hanging fruit for reforms was to get rid of or radically reduce pretrial cash bail: a system that simply exists to punish the poor for being poor.

20 percent of people in the United States currently incarcerated––76 percent of those in local jails––have not been found guilty of any crime, they are simply awaiting their trial and cannot pay their bail because they cannot afford it. One 2015 study found that people in jail had a net median income of less than $5,000 a year, and are overwhelmingly Black and Latino. Put simply: bail exists not to protect the public, it exists to punish the poor for being poor. In response to this jarring injustice, some states began instituting modest reforms, reserving bail for so-called "violent crimes," but requiring judges to consider people's income when setting bail for other offenses. A number of cities across the country began to see reductions in the number of people in jail pretrial.

Unsurprisingly, reform has been met with swift and vicious reaction from pro-carceral forces. Police unions, sleazy politicians, rightwing think tanks, and conservative and liberal media alike prey on propagandized public fears to attack reforms as ushering in a new dystopian era of Escape from New York lawlessness. To do this, among other disingenuous tricks of emotional blackmail, they've reanimated one of the oldest in the book, Willie Hortonism: seeking out anecdotal cases of a formerly jailed person who goes on to commit a crime, demagoguing this one example often using racist tropes, and exploiting the media feedback loop to pushback and curtail movements for reform.

On this episode, we're joined by Color Of Change's Clarise McCants and Brooklyn Defender Service's Scott Hechinger to highlight various tropes the media use to push back against prison reform and how to fight back against their playbook of fear and racism.

Over the last 20 years, the topics of substance use and treatment have become the stuff of televised entertainment: heart-wrenching stories of desperation and redemption, of suffering and survival. Shows like A&E's Intervention and VH1's Celebrity Rehab with Dr. Drew, which depict people with substance use disorders and their experiences navigating recovery in rehab, have gone a long way to shape our common narratives about what addiction is and how it should be addressed. The central conceit of these shows is that anyone struggling with addiction must follow the same road to recovery: stay at a for-profit treatment facility for approximately one to three months, requiring, among other things, complete abstinence from drugs and/or alcohol, no matter how excruciating or dangerous. While these methods are effective for some, they're profoundly harmful for others. In promoting this one-size-fits-all approach to treatment—which can be accompanied by punitive and often humiliating experiences—these shows reinforce techniques and philosophies that are not only scientifically debunked, but also have the potential to endanger people's lives. Meanwhile, they serve as an advertising platform for these for-profit rehab centers themselves, many of which have been shown to be prohibitively expensive, ineffective, and, in some cases, deadly. On this episode, we examine the pseudoscience, myths, and fundamentally quasi-christian self-help ideology promulgated by this genre of television; the ways in which these shows exploit addiction for the sake of story; and the relationship between rehab television and the multibillion-dollar for-profit treatment industry. Our guest is journalist and author Maia Szalavitz.

From its inception as agriculture trade paper in 1843 to the present day, The Economist has provided a gateway into the mind of the banking class. Something of an anomaly in the publishing industry, The Economist is not quite a magazine, not quite a newspaper; aspirational in its branding but bleakly limited in political ambitions; brazenly transparent in its capitalist ideology, yet inscrutable in its favorably spinning for American and British imperialism and racism.

It is publication owned by the wealthy for the wealthy and advertises itself as such. Its only moral pretense: a long history of championing what it calls "liberalism, "a notoriously slippery term that, in The Economist's world, views freedom to profit and exploit labor as interchangeable with the freedom of religion, press and speech.

As such, examining The Economist's history, its connection to British and American banking interests and intelligence services, can tell us a great deal about the narrow focus of Western, and specifically British notions of "liberalism." The promotion of capital flows over justice, enlightened imperialism over self-determination, abhors overt racism while promoting more subtle forms of race science and colonialism, all along easing the conscience of wealthy white readers that want to feign concern about human suffering but who have everything to gain by doing absolutely nothing about it.

On this episode, we are joined by Alexander Zevin, author of Liberalism at Large: The World According to The Economist.

Everywhere we turn, local media — TV, digital, radio — is constantly telling us about the scourge of crime lurking around every corner. This, of course, is not new. It's been the basis of the local news business model since the 1970s.

But what is new is the rise of surveillance and snitch apps like Amazon's Ring doorbell systems and geo-local social media like Nextdoor. They are funded by real estate and other gentrifying interests working hand in glove with police to provide a grossly distorted, inflated and hyped-up vision of crime.

One of the major factors fueling this misconception is the feedback loop where media — both traditional and social — provide the ideological content for the forces of gentrification. Police focus their "law enforcement" in low income areas, local news reports on scourges of crime based on police sources, then both pressure and reinforce over-policing of communities of color, namely those getting in the way of real estate interests' designs––All animated by an increase in police-backed surveillance tech like Amazon's Ring.

On this episode we will break down these pro-carceral interests, how they create a self-reinforcing cycle of racist paranoia and how local "crime" reporting plays a role in creating this wildly distorted perception of "crime."

We are joined by two guests: Sarah Lustbader, senior legal counsel at The Justice Collaborative, and Steven Renderos, co-director of MediaJustice.

The last two decades have seen the release of a number of explicitly Christian movies which tell stories of believers navigating the trials and tribulations - both literal and figurative - of a perceived non-Christian world. In this universe, followers of Christ are constantly under siege by secularists, swarthy Muslims, gay and trans agenda-pushers, feminists and a hostile, out-of control federal government.

While the media usually lumps these movies into a generalized "faith" category they are best viewed not as earnest meditations on religion and "faith," but a political project on behalf of the Republican party, with a distinct protestant flavor.

Today, we are going to focus on the biggest and most influential players in the "Christian cinema" space: production company and distributor PureFlix and Affirm, a subsidiary of Sony Pictures Worldwide. Pureflix and Affirm embody the core ideological tropes of the U.S. conservative base: a promotion of US militarism, anti-Muslim racism, pro-capitalist messaging, hostility to LGBTQ populations, anti-Semitic Zionism and a runaway contempt for women.

On this episode, we'll discuss how the Christian cinema industry is not just low-budget schlocky propaganda that's fun to dunk on (though it certainly is), but something more deliberate, sinister, and corrosive––a state-subsidized, far-right messaging machine for American reactionaries and imperial interests.

We are joined by author, artist and filmmaker Frank Schaeffer.