The dreaded clashfinder, followed by the tsunami of complaints. A bleak annual onslaught every festival promoter dreads.

But what actually goes into putting that particular puzzle together?

Well there's the contractual obligations, and then the obvious genre concerns, followed by logistics you do know about and then those you don't know about.

And where in that tangled web of restrictions do you place bands on the same record label?

Gav and James attempt to explain why it's not as simple as doing as they please, no matter how much they'd like to.

www.seetickets.com/tour/2-promoters-1-pod

We go again, every Thursday morning.