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Chris Akin and Neeley are back for another uncensored, no-holds-barred edition of THE CLASSIC METAL SHOW, where nothing is off limits and nobody is safe from their opinions!
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Chris barely makes it back in time for the show after spending the evening seeing comedian Jim Florentine with Seth Williams. What follows is a brutally honest conversation about comedy, obnoxious audience members, internet trolls, the music business, and the ridiculous things people do that make everyone else want to lose their minds.
It’s another episode full of blunt opinions, personal stories, comedy, music talk, and the kind of unpredictable conversation that has kept THE CLASSIC METAL SHOW going for decades.
If you agree, disagree, or think the guys are completely out of their minds, join the conversation and let them know what you think.
Subscribe for more Classic Metal Show discussions, interviews, music opinions, and uncensored entertainment.
Get commercial free versions of our episodes, advance releases and exclusive content by subscribing to Rumble Premium! https://rumble.com/premium
NOTE: Everything said here, and on every episode of all of our shows, are 100% the opinions of the hosts. Nothing is stated as fact. Do your own research to see if their opinions are true or not.
Neeley and Chris Akin are back with another unpredictable night of classic metal, outrageous opinions, and unfiltered comedy! This week, comedian Jim Florentine joins the show for a hilarious conversation about hecklers, comedy-club etiquette, awkward audiences, and what happens when people think they’re part of the act. Jim also shares stories from his career, rock-star encounters, and the unpredictable world of live entertainment.
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The guys tackle a bizarre story about a Virginia man accused of taping his wife to a chair so he could watch football in peace. Is this the most ridiculous football-fan story ever? The guys have plenty to say about it! Plus, they discuss online reviews, annoying fans, controversial rock stars, AI-generated imagery, and why some people take their opinions way too seriously.
Of course, there’s plenty of music talk, too! Hear the guys discuss Down’s new song “The Myth,” revisit classic hard-rock favorites, and deliver the kind of irreverent commentary that keeps The Classic Metal Show different from every other music show.
Support The Classic Metal Show!
Become a Locals VIP member for just $5 per month to help support the show and get special bonus features, exclusive content, and early access!
https://classicmetalshow.locals.com
WARNING: This show contains explicit language, adult humor, and potentially offensive opinions intended for a mature audience.
DISCLAIMER: Everything said here, and on every episode of all of our shows, represents the opinions of the hosts. Nothing is stated as fact. Do your own research to determine whether their opinions are true or not.
What happens when a legendary thrash metal band loses its original singer, finds an unexpected replacement, and decides to make a record that sounds nothing like a nostalgia exercise?
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FORBIDDEN guitarist Craig Locicero joins Chris Akin on CHRIS AKIN PRESENTS to explain how a reunion he never wanted turned into an entirely new chapter for one of the Bay Area’s most respected thrash metal bands.
Craig admits he wasn’t interested in bringing FORBIDDEN back after Russ Anderson stepped away from music. But a series of unexpected performances involving Norman Skinner, an opportunity to play a major European festival, and a new creative spark changed everything.
Now FORBIDDEN is preparing to release its first studio album since 2010.
And Craig makes one thing clear: he isn’t interested in making the same record twice.
In this revealing conversation, Locicero discusses the pressure to recapture the band’s classic sound, why Skinner’s songwriting surprised him, and how the new album combines old-school thrash with progressive arrangements, heavy metal influences, and ambitious lyrical concepts.
He also opens up about his reputation as FORBIDDEN’s creative leader, explains why the new lineup works differently, and addresses an uncomfortable reality facing veteran metal musicians: fans may love the music, but streaming doesn’t pay the bills necessary to keep a band on the road.
Can FORBIDDEN establish a new identity while honoring the records that made them legendary?
Watch the full interview and decide for yourself.
FORBIDDEN music and merchandise:
https://ForbiddenReborn.com
Get commercial free versions of our episodes, advance releases and exclusive content by subscribing to Rumble Premium! https://rumble.com/premium
NOTE: Everything said here, and on every episode of all of our shows, are 100% the opinions of the hosts. Nothing is stated as fact. Do your own research to see if their opinions are true or not.
#Forbidden #CraigLocicero #NormanSkinner #ThrashMetal #ChrisAkinPresents
On this episode of The Classic Metal Show, Neeley and Chris Akin examine Roger Waters calling Metallica’s James Hetfield a “nobody” after Hetfield declared Metallica keeps politics off their stage. The hosts also react to horrifying concert clips of Beach Boys legend Mike Love looking like a living corpse being propped up on stage.
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Beach Boys’ GOOD VIBRATIONS: THIRTY YEARS OF THE BEACH BOYS is all you’ll ever need! https://amzn.to/4BcCDcp
WARNING: The views, thoughts, and opinions expressed in this video belong solely to the speakers and do not necessarily reflect the official policy or position of any other agency, organization, employer, or company. This content is presented strictly for entertainment purposes and represents the subjective opinions of the hosts and guests, not factual assertions.
Is the live concert industry completely dead? David Reece (Bangalore Choir, ex-Accept) joins Neeley and Chris Akin to dissect $7,000 Metallica tickets, corporate venue takeovers, and why the music industry is systematically screwing both artists and fans.
• Check out Bangalore Choir - Payload: https://amzn.to/4hTjHb6
• Grab Accept - Eat The Heat: https://amzn.to/4i0SwK5
• Check this one out - Bangalore Choir’s ON TARGET: https://amzn.to/4jtyri8
DWARNING: The views, thoughts, and opinions expressed in this video belong solely to the speakers and do not necessarily reflect the official policy or position of any other agency, organization, employer, or company. This content is presented strictly for entertainment purposes and represents the subjective opinions of the hosts and guests, not factual assertions.
A content creator with half a million followers gets wiped out over a tiny video from three years ago! Neeley and Chris Akin break down how YouTube’s bot algorithm nukes entire livelihoods overnight and why you’re an idiot if you don’t back up your content elsewhere. Subscribe now so you never miss an uncensored moment!
KILLER DEAL ON RATT’S DANCIN’ UNDERCOVER (40TH ANNIVERSARY EDITION) Here! https://amzn.to/4k3BXji
DEF LEPPARD’S PYROMANIA (40TH ANNIVERSARY) on Vinyl Is Amazing! They won’t last long! https://amzn.to/4shIObe
80s fun is encapsulated in this one release - WARRANT’S CHERRY PIE! Revisit it again here! https://amzn.to/3UtvQKR
WARNING: The views, thoughts, and opinions expressed in this video belong solely to the speakers and do not necessarily reflect the official policy or position of any other agency, organization, employer, or company. This content is presented strictly for entertainment purposes and represents the subjective opinions of the hosts and guests, not factual assertions.
Has modern recording technology taken something essential away from rock music? THE PINEAPPLE THIEF frontman Bruce Soord thinks there’s something irreplaceable about musicians creating together in the same room.
Get FAR AND WIDE from The Pineapple Thief Here: https://amzn.to/4ygui4x
In this exclusive CHRIS AKIN PRESENTS interview, Chris Akin sits down with Soord to discuss the band’s new album, *Far and Wide*, their move from longtime label Kscope to InsideOut, and why the group deliberately returned to a more traditional approach to writing and recording.
Soord explains how working together as a band helped capture the energy of their live performances, why drummer Gavin Harrison pushed everyone to become better musicians, and why this new creative direction isn’t just a temporary experiment.
The conversation also gets personal. Soord reveals the heartbreaking experience involving his father’s final days that inspired “Still Living,” discusses his changing approach to vocals and songwriting, and explains why the band’s musical complexity must serve the emotion of a song.
PLUS:
- Why THE PINEAPPLE THIEF left Kscope after approximately 20 years.
- How Gavin Harrison helped elevate the band’s musicianship.
- Why recording together can accomplish things remote collaboration cannot.
- The emotional story behind “Still Living.”
- Why “No Exceptions” represents the band’s collaborative approach.
- How Bruce Soord’s singing voice has evolved.
- Why touring America is becoming increasingly expensive.
- Why Soord wants fans supporting independent record stores.
Is the future of rock music actually hiding in the way bands made records 50 years ago?
Watch the full interview and decide for yourself.
Watch commercial free and without delayed publishing by becoming a CMS VIP at https://classicmetalshow.locals.com
All comments are merely the opinions of the people speaking them, are for comical performance, and are in no way stated as factual.
#ThePineappleThief #BruceSoord #GavinHarrison #ChrisAkinPresents #FarAndWide #ProgressiveRock
Sebastian Bach showed up in our comments again throwing a full-blown temper tantrum! He claims our channel is complete garbage and dares us to call him a liar to his face. Neeley and Chris Akin break down Bach’s online meltdown, why KK’s Priest completely crushed it live, and Chris’s experience at the brand new Killbox comedy club in Akron. Hit subscribe and join the debate!
DAVE LANDAU’S PARTY OF ONE: A FUZZY MEMOIR is available now for a limited time! Get yours today! https://amzn.to/4i5KQGz
W.A.S.P.’s THE 7 SAVAGE 1982-1994 (SECOND EDITION) is a killer box set! Get it before it sells out! https://amzn.to/4zIcukc
KK’s PRIEST’S THE SINNER RIDES AGAIN is an amazing vinyl that you need! https://amzn.to/4yX1v6w
WARNING: The views, thoughts, and opinions expressed in this video belong solely to the speakers and do not necessarily reflect the official policy or position of any other agency, organization, employer, or company. This content is presented strictly for entertainment purposes and represents the subjective opinions of the hosts and guests, not factual assertions.
WHY’S EVERYONE SO SENSITIVE?
Roger Waters is taking shots at Metallica’s James Hetfield, Shane Gillis is catching heat over his comedy, and KK’s Priest is revisiting Judas Priest history. Apparently, everybody has something to be pissed off about!
Tonight on THE CLASSIC METAL SHOW, Neeley and Chris Akin dig into three controversies that have rock and comedy fans talking!
🔥 **ROGER WATERS vs. JAMES HETFIELD:** Waters unloaded on the Metallica frontman over his approach to politics at concerts. Does Waters have a legitimate argument, or did he completely undermine his own message by personally attacking Hetfield?
🔥 **SHANE GILLIS CONTROVERSY:** The comedian is facing backlash over his SNL material. Has comedy become too sensitive, or should comedians expect criticism when they push boundaries? We’ll get into it on THE CUT!
🔥 **KK’S PRIEST / JUDAS PRIEST:** Chris was at the Cleveland Agora to see W.A.S.P. and KK’s Priest! He’s bringing his firsthand concert review, plus a discussion about K.K. Downing and Tim “Ripper” Owens revisiting classic Judas Priest material.
No corporate-approved opinions. No carefully rehearsed talking points. Just Neeley, Chris, the stories, and whatever arguments break out along the way!
**JOIN THE LIVE CHAT!** Agree with us? Think we’re completely full of shit? Get in the conversation while we’re LIVE!
📺 SATURDAY, OCTOBER 17
⏰ 9:00 PM EASTERN
📍 LIVE ON RUMBLE
Get commercial free versions of our episodes, advance releases and exclusive content by subscribing to Rumble Premium! https://rumble.com/premium
NOTE: Everything said here, and on every episode of all of our shows, are 100% the opinions of the hosts. Nothing is stated as fact. Do your own research to see if their opinions are true or not.
Imagine spending decades listening to Def Leppard, waiting for another opportunity to see them live, and then discovering that the big arena tour pairs them with the Goo Goo Dolls.
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Would you still buy a ticket?
On THE CLASSIC METAL SHOW, Chris Akin and Neeley ask the question that apparently nobody involved in putting this tour together bothered to answer: WHAT THE HELL DO THESE BANDS HAVE IN COMMON?
Def Leppard built its reputation with massive guitars, arena-rock anthems and albums like Pyromania and Hysteria. The Goo Goo Dolls became known for an entirely different brand of radio-friendly rock. Now they’re sharing an arena-tour bill with The Struts also involved.
Chris isn’t buying it.
After initially considering using his recent interview connection with Def Leppard guitarist Phil Collen to attend the Ohio show, Chris completely changes his mind when he discovers the lineup.
But the bigger question isn’t simply whether these bands belong together.
Could Def Leppard actually change its performance to fit the audience?
Chris wonders whether songs like “Love Bites,” “Two Steps Behind” and “Miss You in a Heartbeat” might become more important to a setlist designed for fans who came to hear “Iris.”
Neeley brings another possibility into the discussion: maybe the teenagers who loved Def Leppard in the 1980s became Goo Goo Dolls fans in the 1990s. Maybe the pairing makes more sense commercially than it does musically.
The hosts also revisit the days when Pyromania was selling so quickly that record stores couldn’t keep it stocked, question whether this unusual lineup can fill major arenas, and take another shot at the modern ticketing business for making concert prices unnecessarily difficult to determine.
And Chris reveals why he’s willing to pass on a potentially valuable concert opportunity rather than waste a favor on a show that doesn’t interest him.
Are Def Leppard and the Goo Goo Dolls a surprisingly smart combination, or has arena-rock touring officially become a game of throwing unrelated bands together and hoping people buy tickets?
Hear the argument, then tell us whether you’d pay to see this tour.
Get commercial free versions of our episodes, advance releases and exclusive content by subscribing to Rumble Premium! https://rumble.com/premium
NOTE: Everything said here, and on every episode of all of our shows, are 100% the opinions of the hosts. Nothing is stated as fact. Do your own research to form your own opinions.
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