This special books episode covers three classic novels:

• The million-selling horror The Rats  (1974) by James Herbert
• The aerial thriller Flight into Fear (1972) by Duncan Kyle
• The lunar science fiction suspense of A Fall of Moondust (1961) by Arthur C. Clarke

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May’s instalment of “what I played” is a relatively brief one, simply because - well, I didn’t play that many games during the month. What I did unexpectedly get the chance to do is to review the excellent Sniper Elite 5, which is easily one of my favourite games of 2022 so far. I can admit to a surge of local pride, as developers Rebellion are based just down the road from me in Oxford. My full thoughts on the game are available for your reading pleasure at Entertainium.

I of course also found a bit of time to tackle some older games. Thanks to the generous folks at Epic, I was able to play hyper-fast futuristic racer Redout (2016). I took a bloody trip into the distant past with Raven’s badly dated shooter Soldier of Fortune (2000). Finally, I have a few thoughts on the remaster of the end-of-the-world action-adventure Darksiders (2010).

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The second standalone novel in Alan Dean Foster's sprawling "Humanx Commonwealth" series, Cachalot is an intriguing sci-fi mystery story set on an ocean planet and starring three scientists, a cop, and two friendly killer whales.

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One is a Lonely Number (1952) by Bruce Elliott is a real obscurity, a dark and nihilistic escaped-convict story set mostly in Ohio. Black Wings Has My Angel (1953) by Elliott Chaze is one of the most praised crime noir books of its era, and for many years was a very desirable rarity in paperback.

These are both excellent books, terse and powerful and as lively today as they were in the early ‘50s. If you like the sound of them, then I can recommend Paperback Warrior and Stark House Press, who I’m sure will guide you and I alike to many more engaging reads from back in the glory days of paperback fiction.

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For me, April was another bumper month of games. In this month’s instalment of “What I played”, I cover seven games including two brand new ones which I’ve reviewed, and even one unreleased one, all of which I covered for Entertainium. In boomer shooter Forgive Me Father I confronted eldritch abominations, cosmic horrors and a sometimes severe lack of ammunition. B.I.O.T.A., meanwhile, is a very entertaining 8-bit style side-scroller set on an asteroid plagued by ravenous mutants. Both of these games have largely flown under the radar, but I do recommend them.

The four older games I tackled in April were the impressive remake Black Mesa (2020), underrated open-world shooter Rage 2 (2019), baffling Japanese adventure Yakuza 0 (2015) and the excellent sequel Rise of the Tomb Raider (2015). 

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Alan Dean Foster has a very extensive catalogue of SF works under his belt, most notably in his “Humanx Commonwealth” universe, which centres on an alliance between humans and the intelligent insectoid species the Thranx. Midworld, published in 1975, is a superb standalone novel in this setting - albeit one which doesn’t feature the Thranx. Instead, it is set on a nameless, verdant, and hostile jungle planet which is home to the descendants of humans left stranded by a starship crash many decades earlier. In the book, Foster tells an enthralling story within a brilliantly realised and convincing setting - and very likely inspired Avatar.

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On release, Rage 2 got the dreaded “mixed reviews”. It got a lot of 7 out of 10 scores, which in the demented world of video game scoring is generally taken to mean “this game sucks”. Three years on, though, I’ve played Rage 2 for the first time and have been very pleasantly surprised. In fact, there’s a plausible case to be made that this broadly unwanted and unloved sequel is one of the more worthy shooters of recent years. It may have hilariously convoluted upgrade menus, and a thin story, but its core features are very entertaining indeed and it really gets a lot right. This, then, is my case in support of Rage 2 in six easy steps.

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Appropriately enough given the state of the world, I start this month's games roundup with the post-apocalyptic tactics game Mutant Year Zero: Road to Eden (2018). Later in March I tapped into the cultural zeitgeist - as I always do! - by going full goblin mode in the excellent stealth game Styx: Master of Shadows (2014).

Strap in, because this month's roundup is, happily, a particularly long one. There are a total of seven games to cover, even if one is technically "just" a DLC. On Entertainium duties, I also got the chance to cover a new game I'd been looking forward to. Sadly, Weird West didn't live up to my personal expectations, but I'm aware that I'm in the minority on that front. 

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Of all the asteroid disaster novels, one of the most notable is the book The Hammer of God, written by Arthur C. Clarke and published in 1993. Taking into account the latest science of the time, the book was the second-to-last novel that Clarke wrote alone and the last one he wrote alone outside of the Odyssey series. Incorporating elements and styles from his better known earlier books, The Hammer of God partly inspired Deep Impact and could be a good entry point for newcomers to Clarke’s body of work.

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The Telling is a fairly short novel which revisits several of the themes which Le Guin had previously explored in the earlier Hainish books. In this sense, it makes for a fitting conclusion to the loose series. Opinions are divided on where to start with the Hainish stories, but I would certainly caution against starting with The Telling; while its setting and characters are entirely new, it leans heavily on previous depictions of the Hainish people and of the Ekumen. While this is generally felt to be one of the more minor entries in the series, The Telling has all the deep engagement with ideas that Le Guin fans will expect by this point.

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