Closing Night

In this bonus episode of Closing Night, we dive into more of the stories and backstage drama that surrounded the ill-fated Lone Star Love. This is the full interview with dance captain Jeremy Benton, where he reveals further details of what really happened behind the scenes. From the involvement of Randy Quaid and his wife Evi, whose erratic behavior grew in unexpected ways, to the memorable Cheesecake Factory meeting that became a pivotal moment in the show's history, Jeremy shares candid anecdotes that shed light on the chaos and creativity that brewed during rehearsals and performances. You’ll also learn more about Evi’s tumultuous past, and how the havoc she brought to Lone Star Love was just one example in a long history of troublemaking for this tempestuous individual.

Closing Night Theme Music created by Blake Stadnik. “Lazy Day” by Jason Shaw is licensed under a Attribution 3.0 United States License. “Sunday Morning” by Maarten Schellekens is licensed under a Attribution 4.0 International License.

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In this bonus episode of Closing Night, we revisit a compelling conversation with Broadway star Lauren Kennedy. While exploring the tricky politics and pressures of theater careers, Lauren candidly shares her experiences after Sunset Boulevard and Side Show that led into Lone Star Love.

You heard only a couple of quotes from her in the main episode, but here you’ll get the full discussion of the intriguing yet chaotic behind-the-scenes story of a production that was derailed by unexpected challenges and the whims of a high-profile star. Lauren gives an insider's view on how creative visions can clash and projects can unravel despite the promise of a Broadway opening.

The episode also touches on her connection with composer Jason Robert Brown and The Last Five Years, and how it prompted her transition into directing and producing, leading to her current role as the Executive Director of Theatre Raleigh.

Listen to Lauren's full episode (and bonus episode) on Why I’ll Never Make It.

Closing Night Theme Music created by Blake Stadnik. “Mountain Sun" by Jason Shaw is licensed under a Attribution 3.0 United States License.

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What happens when Shakespeare meets Texas, bluegrass, and a Broadway-bound disaster? Lone Star Love had all the makings of a crowd-pleasing hit—an inventive twist on The Merry Wives of Windsor, music by The Red Clay Ramblers, and a history of successful regional productions. But when the show set its sights on Broadway, everything started to unravel. From an A-list comedian dropping out to Randy Quaid coming in with an oversized codpiece (and even bigger demands), this is a backstage saga filled with twists, turmoil, and a production that never made it to the Great White Way.

In this episode, we’re diving deep into the wild journey of Lone Star Love, exploring its promising start, the chaotic Seattle tryout, and the fallout that left Broadway dreams in the dust. With behind-the-scenes drama, big personalities, and a show that spiraled into theatrical infamy, this is a cautionary tale of how even the best-laid plans can go hilariously—and disastrously—off track.

Theme Music created by Blake Stadnik. Click here to find a transcript for this episode and a full list of materials and resources used.

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The idea of an Annie Part II had actually been floating around since 1982, while the original Annie was still on Broadway, and rather than a traditional sequel, the production was framed as a continuation of the original story, beginning six weeks after the events of Annie, with Miss Hannigan devising her revenge from prison. This continuing story was initially set to open on Broadway in 1983, just months after the original closed. However, it would take until June of 1989 before the show would finally announce an opening date, first in Washington, DC then on Broadway.

However, what started out as Miss Hannigan’s Revenge became a revenge of a different kind altogether. And the events that followed underscore a broader truth about Broadway (one that resonates throughout the episodes of this podcast): that even the most seasoned and award-winning of creators can still produce a flop. So was the tumultuous journey and hard-knocked life of Annie 2.

Click here to find a transcript for this episode and a full list of materials and resources used.

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Season 2 of Closing Night is finally here—the theater history podcast that takes you behind the curtain to uncover stories about famous and forgotten Broadway show that closed too soon. While season 1 focused on musicals that came and went from the Marquis Theatre, this season I’m tackling a whole new kind of theatrical heartbreak: shows that never actually opened on Broadway. 

These are the productions that fizzled out during out-of-town tryouts or preview performances, including Lone Star Love, The Little Prince and the Aviator, Lolita, My Love, Let My People Come, and Breakfast at Tiffany’s, among others. Episodes start at the end of January and will drop once a month throughout the year, with the first episode being all about Annie 2: Miss Hannigan’s Revenge, which was actually slated to open at the Marquis Theatre but was canceled after a disastrous run in Washington, DC.

Make sure to follow Closing Night on your favorite podcast app and stay connected on Instagram at @closingnightpodcast.

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There’s a unique category of musicals that only come around once a year. And it is this annual tradition that makes Christmas musicals so special. They're not just a way to celebrate the holiday season—they tap into that universal feeling of nostalgia, warmth, and tradition. These shows bring people together in a way that few others can, offering an escape into a world of joy, wonder, and yes, a little bit of holiday magic. Whether it’s through music, story, or the sheer spectacle, Christmas on Broadway has a way of making the season feel even more magical.

From the big, iconic productions that have defined the Christmas season like White Christmas and Elf to lesser-known gems like Here's Love and Flahooley that still manage to capture the spirit of the holidays, we’re going to look at the shows that not only helped define what Christmas can mean on Broadway but also why they remain so beloved long after the final curtain falls.

Check out my episode on Patrick Stewart and and his one-man version of A Christmas Carol.

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Click here for a transcript and full list of the resources and materials used in this episode. Closing Night is a production of WINMI Media. I'm Patrick Oliver Jones, host and executive producer. Dan Delgado is editor and producer, not only for this podcast but also for his own movie podcast called The Industry. Theme music for Closing Night composed and created by Blake Stadnik. I’ll be back in the new year with season 2 of Closing Night. I know, it’s taken awhile, but I think you’ll find its been worth the wait when we talk about more shows as they head toward Closing Night.

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In this special video podcast combo between Why I’ll Never Make It and Closing Night, I’m joined by theater historian and author Jennifer Ashley Tepper, who has written a truly remarkable book - Women Writing Musicals: The Legacy That the History Books Left Out. 

Jennifer’s work is the first comprehensive exploration of women who have shaped Broadway and Off-Broadway musicals over the last century and beyond. From Tin Pan Alley composers to protest writers of the 1970s, and the voices shaping today’s theater landscape, this book is a treasure trove of history and inspiration. Together, we explore the hurdles these women faced, their remarkable stories, and the profound ways they’ve shaped the art form. And Jennifer’s book resonates deeply with both podcasts:

In our conversation, we highlight trailblazers like Pauline Elizabeth Hopkins, a Black playwright and novelist whose multi-hyphenate career began in the late 1800s; then there’s Gretchen Cryer and Nancy Ford, the longest-running female duo in musical theater history that began in 1955 and continues today; and then Shaina Taub, the Tony Award-winning force behind the Broadway musical Suffs. These are just a few of the extraordinary women we discuss—names that, thanks to Jennifer's book, are finally getting their due.

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Why I’ll Never Make It and Closing Night are independent productions of WINMI Media and Patrick Oliver Jones. To support the ongoing efforts of these podcasts please subscribe or donate. Thank you! 

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Tickets are available for in-person attendance and via livestream on The Green Room 42 website.

Next month marks the 50th anniversary of The Little Prince, a musical film based on the classic children’s story and the final collaboration of Broadway writing duo Alan Jay Lerner and Frederick Loewe. To celebrate this milestone The Green Room 42 presents “Lights, Camera, Lerner and Loewe” on November 5th at 9:30pm. And the special guest of the evening is Steven Warner, who was the child actor in the title role alongside Broadway luminaries like Richard Kiley, Bob Fosse, Donna McKechnie, and Gene Wilder.

Two other movie musicals also celebrating anniversaries this fall are Brigadoon, which has enchanted audiences for 70 years with its tale of love and a mystical village, as well as My Fair Lady, the timeless classic reaching its 60th anniversary. And each of these three musicals will be brought to life with some of the finest voices on and off Broadway.

This one-night-only concert features Grammy Award nominee Mykal Kilgore (Motown, Hair), Tony Award nominee Jane Summerhays (Me and My Girl, A Chorus Line), Tony Award Honoree Ben Davis (Once Upon a Mattress, La Boheme), E. Clayton Cornelious (Ain’t Too Proud), and Ellis Gage (White Rose, James & the Giant Peach).

Warner will reprise songs he sang in The Little Prince. Performers from recent Broadway revivals of Lerner & Loewe musicals are among the singers as well, including Rachel Fairbanks (Camelot), Michael Halling (My Fair Lady), and Valerie Torres-Rosario (Camelot). The associate conductor for both Camelot and My Fair Lady, Will Curry, will provide music direction and violin along with Megan Smythe (The Great Gatsby) on piano.

Relive the magic of Lerner and Loewe’s cinematic masterpieces through an evening of soaring melodies, romance, and nostalgia. The Green Room 42 is located at 570 Tenth Avenue inside YOTEL in New York City.

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Few musicals have captured the hearts of audiences quite like Disney's ALADDIN. But did you know the beloved stage adaptation of the classic animation almost never came to be? This podcast pulls back the curtain on the untold story of ALADDIN's journey from conception to Broadway triumph.

Join 11-time Emmy Award winning entertainment journalist for NY1 and NY1OnStage host Frank DiLella on an in-depth exploration that begins with the initial spark of a stage adaptation. We'll delve into the challenges faced during out-of-town tryouts, the unwavering determination to overcome them, and the celebration of reaching over a decade on Broadway – a remarkable feat in the world of musical theatre.

This captivating series features exclusive conversations with the original cast and creative team behind ALADDIN including Alan Menken, Casey Nicholaw, James Monroe Iglehart, Adam Jacobs, Courtney Reed, Sonya Balsara, Adi Roy and more as they recount their experiences with the show.

Whether you're a lifelong Disney fan, a theatre enthusiast, or simply captivated by the magic of storytelling, this series is a must-listen. Unveil the untold story of ALADDIN and discover the passion, resilience, and drive that created a Broadway sensation.

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Last month, Closing Night went live at 54 Below here in New York City, exploring the songs and stories of the Marquis Theatre with Broadway performers and singers—many of whom have performed in shows at the Marquis and some of them even joined us this past podcast season.

And so I wanted to let you hear these stories and songs for yourself. You can also watch the concert on YouTube.

Follow Closing Night on Instagram @closingnightpodcast

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