After making seven seasons of the CBBC series, Malory Towers, it’s already abundantly clear that Ella Bright is brimming with talent and experience, but Prime Video’s Off Campus is bound to send her star soaring in a significant way. Based on the hugely popular book series by Elle Kennedy, Off Campus Season 1 puts the spotlight on the main characters of the first novel, The Deal. Garrett Graham (Belmont Cameli) is Briar University’s impossibly popular star hockey player who can get just about any girl he wants. Bright’s Hannah Wells, on the other hand, is a quiet songwriter who tends to keep clear of the college party scene. Not a likely pair. Plus, Hannah has a crush on someone else.

When Garrett struggles with his philosophy class, he opts to turn to a top student for help, Hannah, and the two strike up a deal; she’ll help him with his classwork and he’ll help her get who she thinks is the guy of her dreams, Josh Heuston’s Justin. However, the longer they fake date in an effort to make Justin jealous, the more evident it becomes that they’re actually the perfect fit for one another. In the end, Garrett and Hannah fall for each other, and the viewer falls for them as a couple.

The trouble is, Season 2 of Off Campus is based on the second book of Kennedy’s series, and that book, The Mistake, has different main characters. Does that mean we’ll get a lot less Hannah and Garrett in Off Campus Season 2?

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Adeline Rudolph just made quite the leap as far as video game adaptations go. While things didn’t pan out well for Netflix’s Resident Evil series, which was canceled after just one season in 2022, Mortal Kombat II is cruising at the box office.

In 2021, director Simon McQuoid kicked off a new iteration of Mortal Kombat feature films with a movie focused on Cole Young (Lewis Tan) that also included a slew of other fan-favorite characters like Sonya Blade (Jessica McNamee), Kano (Josh Lawson), Jax (Mehcad Brooks), Liu Kang (Ludi Lin), Kung Lao (Max Huang), and many more. Rudolph didn’t just join that ensemble via 2026’s Mortal Kombat II. She headlines the film opposite Karl Urban’s Johnny Cage. While Johnny Cage’s evolution is the focal point of the Earth Realm storyline, Kitana’s experience is the heart and soul of the Outworld material and, ultimately, it’s Kitana who brings the two sides together.

In celebration of Mortal Kombat II’s wide release, Rudolph swung by the Collider Ladies Night studio to discuss her journey as an actor thus far, including making her screen debut via The Chilling Adventures of Sabrina and lessons learned from Netflix's Resident Evil that she was able to apply to Mortal Kombat II. She also offered up some behind-the-scenes insight into all of Kitana’s biggest moments in the movie, which included the film’s final shot — all the main characters joining forces to bring back fallen champions.

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[Editor's Note: The following contains spoilers for The Boys, Season 5, Episode 5, “One-Shots."]

Between Homelander’s (Antony Starr) wildly impulsive behavior and the frequent extreme violence across the board in The Boys, we were bound to lose a number of key characters in the show’s final season. Season 5 kicked off with an especially surprising one, forcing fans to say goodbye to someone who’s been part of the Prime Video series since day one, Jessie T. Usher as A-Train. Now, Season 5, Episode 5, “One-Shots,” removes yet another major character from the equation. At the end of the episode, Homelander kills Valorie Curry’s Firecracker.

With her run on The Boys wrapping up in spectacular fashion, with quite a few exceptional performance beats, Curry took the time to swing by the Collider Ladies Night studio for an in-depth interview about her journey to The Boys, and her experience digging into the “sad, racist, homophobic piece of shit” that is Firecracker. In addition to discussing Homelander’s declaration that he is God and how that changes everything for her, we also talked about the only moment we get a peek at Misty Tucker Gray at the beginning of Episode 5, and, of course, her demise at the hands of Homelander.

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The Pitt enjoyed an outstanding first season run. It was critically acclaimed, scooped up a number of significant accolades, and also amassed a passionate fan base that came to care deeply for the characters. It’s an undeniably wonderful opportunity to get the chance to join the cast of a proven hit, but it also comes with a significant amount of pressure. Not only are you jumping aboard a fast-moving train on set, but you’re also challenged to craft a character that fans will come to love just as much as their Season 1 favorites. Laëtitia Hollard managed to do just that as nurse Emma in The Pitt Season 2.

The Pitt enjoyed an outstanding first season run. It was critically acclaimed, scooped up a number of significant accolades, and also amassed a passionate fan base that came to care deeply for the characters. It’s an undeniably wonderful opportunity to get the chance to join the cast of a proven hit, but it also comes with a significant amount of pressure. Not only are you jumping aboard a fast-moving train on set, but you’re also challenged to craft a character that fans will come to love just as much as their Season 1 favorites. Laëtitia Hollard managed to do just that as nurse Emma in The Pitt Season 2.

Emma Nolan (Hollard) is fresh out of nursing school and is assigned to shadow the nurses at Pittsburgh Trauma Medical Center’s Emergency Department. Emma is essentially thrown into the deep end on July 4. Her first day on the job throws a vast array of challenges her way, including the task of preparing Louie (Ernest Harden Jr.) to be laid to rest, caring for a sexual assault victim, being attacked by a patient herself, and then some, and Emma navigates it all with a staggering amount of grace and kindness. Hollard turned Emma into an impossibly lovable character, leaving many with fingers crossed tight that she’ll return for Season 3.

While attending the 2026 Overlook Film Festival in New Orleans for her feature film debut, Larry Fessenden’s Trauma or, Monsters All, she took the time to sit down for a Collider Ladies Night interview to discuss the remarkable things she accomplished a mere year after graduating from the Juilliard School, Emma’s biggest moments in The Pitt Season 2, and her hopes for the character’s Season 3 storyline.

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The Pitt Season 2 has come to a close and Sepideh Moafi has delivered a downright brilliant first-season arc as Dr. Baran Al-Hashimi. She kicked off her run in the series by swooping into the Pittsburgh Trauma Medical Center Emergency Department to cover for Dr. Robby (Noah Wyle) during his upcoming sabbatical. Rather than wait for Robby to give her the lay of the land, Dr. Al-Hashimi jumps in feet first, immediately inserting herself into the goings-on at the hospital. As Moafi herself put it, “It was set up for her to disrupt the rhythm of this established hospital. Dr. Robby is America's golden boy, or the world's, really, golden boy, so anyone who comes in his path is going to be scrutinized to a certain degree.”

In the early episodes of Season 2, she was indeed scrutinized — by Dr. Robby and the colleagues that would eventually have to work under her on the show, and also by The Pitt fans concerned about Dr. Al-Hashimi upending the ED foundation and group dynamic established during the events of Season 1. Over the course of the day, strengths and weaknesses are unearthed, but perhaps more important than anything, so is her purpose: “Delivering and finding ways within this broken system to find creative solutions to deliver the best quality care for patients.” Moafi added another concept inspired by Toni Morrison that she held especially tight to; “If you are free, your job is to free somebody else. If you have some power, then you need to empower somebody else.” Dr. Al-Hashimi abides by those principles every step of the way in The Pitt Season 2, and at the end of the season, it’s revealed that while working toward those goals, she’s also trying to figure out how to live her life and do her work with a seizure disorder.

With all of The Pitt Season 2 now available to watch on HBO Max, Moafi carved out the time for a Collider Ladies Night conversation to revisit her journey to the hit medical drama and also her experience making Dr. Al-Hashimi’s Season 2 arc feel especially full. On top of that, Moafi also took a moment to look to the future. While we still don’t know if Moafi will continue on with the show, she certainly has some powerful ideas for where the writers could take her character in Season 3.

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Bridgerton is the gift that keeps on giving. With each new season of the show, we’re introduced to more wildly talented rising stars, many of whom have now used their Bridgerton fame as a launchpad for building extensive filmographies, and one of the first to do it was Phoebe Dynevor. The moment Bridgerton kicked off its run on Netflix in December 2020, Dynevor became a household name. When her time on the show came to a close in 2022, she pivoted to feature filmmaking and since, has dished out quite a few winners across a variety of genres.

In 2023, Fair Play debuted at the Sundance Film Festival and ultimately helped Dynevor secure a BAFTA Rising Star Award nomination. Soon after that came Anniversary, which features Dynevor in the midst of a stellar ensemble that includes Diane Lane, Kyle Chandler, Zoey Deutch, Dylan O’Brien and more. Now, not only does she have a shark movie, Thrash, hitting Netflix, but she’s also got a number of highly anticipated projects on the horizon, including the Beach Read film adaption and the M. Night Shyamalan and Nicholas Sparks collaboration, Remain.

ith Thrash now available to stream on Netflix and hype building for Dynevor’s upcoming films and shows, she took the time to visit the Collider Ladies Night studio to discuss how she’s whipped up such a diverse resume, and how she hopes to expand it even further in the future.

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Barbie Ferreira saw her star skyrocket as an actor in extraordinary fashion in 2019 with the debut of the HBO series Euphoria. It quickly became one of the most talked-about shows on the air and, in turn, put an especially intense spotlight on the entire main ensemble, which also included Zendaya, Sydney Sweeney and Jacob Elordi, just to name a few. It was a game-changer for just about everyone involved. About two and a half years later, the second season finally arrived. In most cases, that kind of wait between seasons could extinguish a show’s momentum. Not Euphoria. Yet again, it closed the season as one of the most popular shows on television, and ultimately became an Outstanding Drama Series nominee at the 2022 Emmys. It remained at peak popularity. But, that’s when Ferreira opted to exit.

Just as Euphoria Season 3 kicks off, about four years after the Season 2 finale aired, Ferreira is in the midst of a one-two punch in the feature film realm. This weekend she celebrates the big debut of one of the most hotly anticipated genre sequels in recent years, a brand-new Faces of Death. Following in the footsteps of the infamous 1978 original, an especially nasty exploitation film that claimed to be made of far more real footage than it was, Ferreira headlines the 2026 edition as Margot. She works as a content moderator, pinpointing videos that cross the line and demand removal from a platform called Kino. That’s where she comes across a video of a murder. But it has to be staged, right? That’s what Margot suspects, but doubt creeps in when more videos from this particular user start to pour in.

On top of that, Ferreira also has a wholly different movie hitting theaters on April 17, Mile End Kicks. In that one, she headlines as a music critic who moves to Montreal to focus on writing a book on Alanis Morissette’s Jagged Little Pill. However, after falling for a member of a local indie rock band, she overlooks the book in favor of getting closer to the band, in particular, its lead singer, Chevy (Stanley Simons).

With her especially big month on the big screen now underway, Ferreira took the time to visit the Collider Ladies Night studio to discuss her early success as a model, scoring her role on Euphoria, and what it’s been like carving a path in Hollywood that feels true to her since.

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Everyone’s juggling a lot in The Pitt Season 2, but Isa Briones’ storyline as Trinity Santos feels especially full. Not only is being a second-year resident at Pittsburgh Trauma Medical Center's Emergency Department especially taxing, but on this particular day, she also faces the return of Dr. Langdon (Patrick Ball), Dr. Robby’s (Noah Wyle) pending exit for his sabbatical, and the realization that she might not get precisely what she wants out of her relationship with Dr. Garcia (Alexandra Metz). As is very often the case with The Pitt, the writers do an exceptional job of blending workplace challenges with personal concerns to craft stories about fully realized people giving everything they’ve got to others, while trying to figure out how to care for themselves in the process.

With The Pitt closing in on its Season 2 finale, Briones carved out the time to swing by the Collider Ladies Night studio to discuss everything that’s happened through Episode 13, “7:00 PM,” before jetting off to New York City for her run in Just in Time on Broadway. We covered lessons learned from her father, Jon Jon Briones, takeaways from Star Trek: Picard, what it was like joining the cast of The Pitt, and, of course, everything Santos is trying to power through on July 4th.

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2018’s The Haunting of Hill House was a game changer for Netflix, Mike Flanagan, and for genre storytelling. Flanagan already had success in the feature film realm with Oculus, Hush, and Ouija: Origin of Evil, just to name a few, but Hill House was the type of hit that sent his career soaring, and paved the way to four more series with Netflix. Every single one of those shows was a feat in genre storytelling. They made Netflix a go-to destination for high-quality horror, and also amplified the fact that horror is a genre with range and significant substance. Yes, there are jump scares, blood and gore, but you can also tell a deeply human horror story that can be both bone chilling and soulful.

After 2023’s The Fall of the House of Usher, Flanagan’s run with Netflix came to an end and off he went to Amazon MGM Studios where he signed an exclusive multi-year TV pact. Three years later, Netflix found a creator capable of filling the Flanagan void. It’s Something Very Bad Is Going to Happen’s Haley Z. Boston. And the success of her eight-episode limited series isn’t only sending her star soaring. It also confirms that star Camila Morrone is and should continue to be a genre star.

With Something Very Bad Is Going to Happen currently enjoying a position in Netflix’s Top 10 TV Shows in the US, Morrone sat down for a Collider Ladies Night interview to discuss her collaboration with Boston, and also to talk about her first go-around in the horror genre.

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Collider Ladies Night continues to highlight one of the best ensembles on television right now, the cast of HBO Max's The Pitt. In recent weeks, we’ve had conversations with Shabana Azeez and Katherine LaNasa, and now it’s time to turn to Fiona Dourif to cover what’s happening in Season 2 through Episode 12, “6:00 PM.”

During her full Ladies Night chat, we discussed Dourif’s experience deciding to become a professional actor and first starting to make a living pursuing that dream at 34. She also delved into her journey with the Child’s Play franchise (and her potential future in it), before turning to her work playing Dr. McKay in The Pitt. Dourif revealed some of her own personal backstory for the character, spoke about McKay’s Episode 12 conversation with Dr. Robby (Noah Wyle) when she senses something’s off with him, and also took a moment to address the show’s ICE storyline.

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