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Tulsa (1921) and Wilmington (1898) weren’t just episodes of racial violence. They were case studies in how power protects itself after the damage is done.
Tulsa shows what happens when destruction is too large to deny — so it gets renamed.
Wilmington shows what happens when a coup d’état is reframed as a “race riot” and institutionalized as order.
This episode breaks down the mechanism: language, media alignment, paperwork, and policy — and how erasure becomes normalized across generations.
They didn’t just burn it.
They erased it.
History. Accountability. Human behavior.
They didn’t just burn towns.They erased the evidence.Episode 2 of Committed To Misunderstanding looks at how erasure works — not as an accident, but as a system.Through a therapeutic lens, we unpack how denial, shame, and narrative control turn real harm into “confusion” and make accountability, history, and towns disappear.Tulsa.Wilmington.Rosewood.Full episode drops Friday the 13th.
Before the first episode begins, this trailer introduces the story that sets the tone for the entire season. In 1923, the Black town of Rosewood, Florida was destroyed and then deliberately erased from public memory. This trailer outlines what Committed to Misunderstanding is about: how violence continues through silence, how history is rewritten to protect comfort, and why calling harm a “misunderstanding” is part of the damage. This season opens with Rosewood because disappearance is never neutral—and forgetting is never accidental.
Rosewood, Florida did not disappear because time passed.It disappeared because violence was followed by silence — and silence was allowed to stand in for truth.In January 1923, a prosperous Black town was destroyed after an unproven accusation was weaponized into racial terror. Homes were burned, people were hunted, men were lynched, and families fled into swamps to survive. What followed was not justice, accountability, or repair — it was erasure.This episode examines the Rosewood Massacre not only as an act of racial violence, but as a case study in how history gets distorted, minimized, and eventually buried. We look at what happened, how it was reported, what was ignored, and why the absence of accountability became part of the harm itself.Using survivor testimony, archival records, state investigations, historical reporting, and Michael D’Orso’s, "Like Judgment Day," this episode traces the full arc of violence, silence, and disappearance and asks why we continue to struggle with telling the truth about events like Rosewood.This is not a story about the past being “messy.”It’s a story about systems working exactly as designed.CONTENT WARNING:This video contains historical images and discussion of racial violence, lynching, and mass killing. Viewer discretion is advised.HISTORICAL SOURCES:– Remembering Rosewood Project, “History of Rosewood”(compiled archival and survivor-based historical record)– Remembering Rosewood, “History of Rosewood” (community historical archive)– Florida State Archives– Library of Congress– Contemporary survivor accounts and state investigationsIMAGE SOURCES:– Moni3 via Wikimedia Commons– Library of Congress, Prints & Photographs Division– Florida State Archives– Remembering Rosewood Project– Verité News– Bettmann Archive via Getty Images– George Lansing Taylor, Jr., via Digital Commons @ UNF (University of North Florida).– Virtual Rosewood, “Rosewood Cemetery Records.”– Digital Heritage (digital-heritage.net/port/raih), via Search for Yesterday– The Birth of a Nation theatrical poster (1915) — Unknown; distributed by Epoch Film Co. (via wagthefilm.com)– Image courtesy Everett Collection, via The New Yorker– The New Yorker (image uncredited)– Dunn History, “Rosewood Before the Massacre”– Indiana University Libraries, Land, Wealth, Liberation collection (Item ID: 21870)– © katyspichal / 123RF– The News & Observer (Sept. 27, 1898), via Wikimedia Commons– Lynching photograph (early 20th century), reproduced in FIU Faculty Spotlight Presentation on Rosewood; original source uncredited– Tampa Tribune, “Rosewood Grand Jury Findings,” Feb. 16, 1923BOOK SOURCES:– Michael D’Orso, Like Judgment Day: The Ruin and Redemption of a Town Called Rosewood (1996)– Michael D’Orso, Like Judgment Day: The Ruin and Redemption of a Town Called Rosewood (G.P. Putnam’s Sons, 1996)
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