Communication and Media Studies (Audio)

Screaming girls, overwhelmed security, and segregated auditoriums all arise in musicology Professor David Novak (UC Santa Barbara) and rock journalist Ivor Davis’ discussion about Richard Lester’s A Hard Day’s Night (1964) and the Beatles’ American audience reception. Part of a small cadre of British journalists invited, Davis accompanied the Beatles for the entirety of their astonishing first US tour. The two discuss the Beatles’ connections to earlier musicians and the unprecedented passion they were showered with by young American fans. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34473]

A Q&A session with Writer/Director/Producer Miguel Coyula and Actor/Co-Producer Lynn Cruz of the documentary Nadie (2017). Coyula and Cruz discuss the production of the film and their work with the subject of the documentary, the reclusive Cuban poet, Rafael Alcides. The Q&A session, moderated by UCSB FIlm and Media Studies Professor, Cristina Venegas, covers the banning of the film in Cuba, the effect that making an “Anti-Revolutionary Film” has had on Coyula and Cruz, and the reception of the film in light of the deaths of both Fidel Castro and Alcides. This is Coyula’s first documentary feature, he was previously awarded a Guggenheim Fellowship for the production of Memories of Overdevelopment (2010). Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34472]

As a music supervisor and executive on such films as The Big Lebowski, Sweet Home Alabama and Dead Man Walking, Dawn Solér joined ABC Studios in 2006 to bring her extensive film experience to the world of television. Once there, she established a full-service music department that manages every musical component on all of its shows -- the hiring of music supervisors and composers, budgets and integrating music from programming into marketing. Series: "Innovator Stories: Creating Something from Nothing" [Humanities] [Business] [Show ID: 34368]

Should your art send you to prison? Rap lyrics are increasingly turning up as evidence in courtrooms across the country. The fictional characters portrayed in violent gansta rap songs are often a far cry from the true personalities of the artists behind them, yet uninitiated audiences easily conflate artist with character and fiction with fact. On a broader scale, using rap lyrics as evidence in criminal cases also raises questions about artistic freedom, freedom of speech and the rights of all citizens to receive a fair trial. UC Irvines Charis E. Kubrin, Ph.D and Adam Dunbar explore these issues. Series: "Zot Talks" [Humanities] [Arts and Music] [Show ID: 31368]

Communicating through the Internet is different than face-to-face interaction. No matter how familiar people are with email, chat, and the web, differences in the availability of nonverbal cues lead people to underestimate the interpersonal and emotional impact of online interaction. Joe Walther (UCSB Communication) explores the hyperpersonal model of communication and explains how people actually create more intense impressions and relationships as they influence each other online, often more positive than those occurring face-to-face. The results of studies from several online settings show how we and our communication partners sometimes unwittingly affect our perceptions of others and ourselves through computer-mediated interaction. Series: "GRIT Talks" [Humanities] [Show ID: 34027]

Deborah Tannen discusses how interacting via text messaging services challenges relationships. Tannen is on the faculty of Georgetown Universitys Department of Linguistics. Series: "UC Berkeley Graduate Lectures" [Humanities] [Show ID: 34069]

Deborah Tannen discusses how interacting via text messaging services challenges relationships. Tannen is on the faculty of Georgetown University’s Department of Linguistics. Series: "UC Berkeley Graduate Lectures" [Show ID: 34069]

UCSB Pollock Theater Director Matt Ryan and crew meet Comic-Con 2018 participants in San Diego. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 33951]

Novelist Sinaan Antoon and journalist Leila Fadel join UCSB’s Mona Damluji for a post-screening discussion of Kasim Abid’s 2008 film Life After the Fall. They discuss the difficulties of living and working in U.S.-occupied Iraq after the fall of Saddam Hussein, the decline of security and safety, loyalties-of-necessity to one’s particular neighborhood in the power vacuum that ensued, and the complications and sometimes harrowing difficulties of everyday life. At issue in particular is each guest’s struggle to tell stories about Iraq that felt honest, empathetic, and adequate when most narrativization of Iraq at the time tended to feel too superficial (U.S. media coverage), too insular (stories from inside the Green Zone), too nostalgic (for a functional Iraq, if one under dictatorship), or too limited in scale (to the scope of whatever groups, such as families or friends, that were intimate enough to permit trust).

Series: "Carsey-Wolf Center" [Humanities] [Show ID: 33760]

Hari Kondabolu, comedian and star of The Problem With Apu (2017), joins UCSB’s Kum-Kum Bhavnani for a conversation about the film. Kondabolu reflects on what it means to retrospectively reexamine offensive stereotypes about race, culture, and forms of work, as well as the power of humor to disarm and dismantle them. Kondabolu and Bhavnani discuss at length how, rather than creatively being intended as hurtful or offensive, stereotypes can enter the cultural lexicon as struggling/tokenized forms of representation in cultures where there is otherwise none, or as a form of insensitive marketing of foreignness in and for a dominant culture, as well as the eventual dilemmas this can cause for the creators and the legacy of their works.

Series: "Carsey-Wolf Center" [Humanities] [Show ID: 33754]