This week, the boys drag themselves (especially Alex) over the finish line of romcomPOSERS month. Join us as we learn how men and women really can't be friends, and how this movie really didn't need what little score Marc Shaiman actually wrote, in When Harry Met Sally.

One hundred god damned episodes — from The Wrath of Khan to, strangely, Serendipity. We've seen highs, lows, and a lot of in between, and what have we learned? It's time to SELL OUT, FRIENDS!

Enjoy a look back on the best and worst of a hundred movie scores, and maybe drop by our brand-spanking new Patreon page.

This week we celebrate our 100th episode in true comPOSERS fashion: by covering a film and soundtrack that nobody cares about. Not even us. Join us anyway, as romcomPOSERS month continues, for Alan Silvestri's Serendipity. And as promised, here's the dumb video Alex made to commemorate this arbitrary milestone (original music by Aaron deGroot). Tune in Thursday for our 100th episode extravaganza!

This week, the boys continue RomcomPOSERS month as we travel to Singapore to watch a bunch of rich people be just terrible to one another. Join us as we delve into Brian "Bry-Ty" Tyler's jazzy score to the groundbreaking but controversial "Crazy Rich Asians".

To kick off RomcomPOSERS month, we're starting in a very "us" fashion with an anti-romcom (sort of). Join us as we discuss this movie made for...someone...and its serviceable score by James Newton Howard.

This week, we delve into the "not-too-distant-future" of 1997 where deGENErates like us face non-stop discrimination, even when they look like Ethan Hawke and not Alex! Join us as we discuss Gattaca and its minimalist score by Michael "I'd rather be doing opera" Nyman.

Who says nobody listens to our podcast? Following our episode on Four Rooms, we were contacted by percussionist Aaron Oppenheimer, formerly of Combustible Edison, who heard and reportedly enjoyed what we had to say! This week, Aaron joins us to talk scoring the movie, the lounge revival, working with DEVO, and meeting Pee Wee Herman, among many other things. Check out Aaron's quarantine music project Four-Eyed Moe right damn here!

To start Series 7 off with a bang, the boys return to a galaxy far, far away and finally do away with the nonsensical pretense of the scorecard. Join us as we talk at length about one of the finest film scores of all time, courtesy of Saint John Williams. You love us; we know.

To bid farewell to a very...eclectic season, the boys elected to do a nice quick retrospective: no trivia, no games, no infuriating Southern accents. But tune in for some very important comPOSERS news that directly addresses our listeners' biggest complaint about the show! (No, we're not firing Alex. Yet.)

This week, the boys revisit the days of social media's infancy, when men rowed boats and women were objects to be rated on a website. Join us as we discuss 2010's The Social Network and its unique score by Trent "Nine Inch Nails" Reznor and Atticus "Works With Trent A Lot" Ross.