On this week's episode, we find ourselves in profound disagreement with a Western icon over an iconic Western film. Join us in proving John Wayne's bitch ass wrong as we discuss the "un-American" classic High Noon, and its iconic score by the legendary Dimitri Tiomkin.

Today we discuss a Schwarzenegger fantasy-action-adventure-comedy-film-within-a-film that studio execs were so convinced would sell, they released it up against Jurassic Park in theatres. Spoiler: it lost. Michael Kamen's hard rock score, however, just might win us over.

On this week's episode, we bid farewell to a genuinely terrible year with a bizarre film everyone hated (but we kind of liked). Join us in raising a hearty middle finger to 2020 as we discuss Four Rooms, a New Years movie scored by lounge revival act Combustible Edison, with a little help from Juan Garcia ESQUIVEL!

On this week's episode we celebrate what's left of Christmas with everyone's favourite jolly old bearded man: John Williams. Join us as we unwrap the present that is St. John's wonderful and unforgettable score for Home Alone.

This week, the boys try to recover from the Star Wars Holiday Special by enjoying a very 80s Christmas with returning guest Amanda Factor! Join us as we get into the holiday spirit with Scrooged, featuring the Danny Elfman-est of Danny Elfman scores.

May 25, 2001, a date which will live in infamy. The world was suddenly and deliberately attacked by Michael Bay and Jerry Bruckheimer with the release of the film Pearl Harbor. Join us as we torpedo the film and discuss its very romantic score by Hans Zimmer.

This week, the boys journey to Klendathu with our old friends Paul Verhoeven and Basil Poledouris to prove once and for all that the best cure for a bug infestation is fascism! Join us as we cheer on Casper Van Dien and friends in the bizarre film reimagining of Robert Heinlein's Starship Troopers.

Join us this week as we listen to Alan Silvestri go FULL Silvestri in his score for the black comedy film Death Becomes Her.

On this week's episode we return to the 90s to watch a shiny new James Bond save the world to the tune of spy-themed elevator music. Join us as we discuss GoldenEye and its mind-boggling, indefensible score by French synthesist Eric Serra.