Consequence UNCUT

It’s more difficult than ever to call Tribulation simply a metal band. In their new record, "Down Below" their sound is much more subtle and daring, reaching out into the worlds of psychedelia, shoegaze and post-rock.

An album review by Robert Ham.

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Migos follows up their breakthrough smash, Culture, with a blockbuster sequel, a 105-minute epic, overloading the game with glossy anthems about shiny new jewelry. A review by Dan Weiss.

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Nils Frahm's new record, "All Melody", is his clearest example of how a musical space can serve an artist and makes a hell of a case for why musicians should seek out the perfect studio to record their work. By making a space that fits for his creative style, Frahm found a way to give complex compositions even more room to weave themselves into the world while you listen. A review by Nina Corcoran.

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On Ty Segall's new record, "Freedom's Goblin", the indefatigable rock-god-in-waiting beefs up his sound with a brass section while giving himself over to a bout of anything-goes creativity that hits way more than it misses. CoS' Tyler Clark gives you the low-down.

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