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Contour | S2 Episode 42
My guest this week is South Carolina-born producer, vocalist, and composer Contour. We took a critical look at Black Panther: Wakanda Forever and the MCU and spoke about The Brave Little Toaster, the 2001 Japanese film Pulse, the pros and cons of Letterboxd, the art of film scoring, combining sample-based beats and traditional instruments to find his sound, and the creative process behind his latest album Onwards!
Onwards! is available wherever music is sold, streamed, or stolen. Consider copping directly from his Bandcamp page here.
The three films Contour has scored--Half Day, directed by Morgan Matthews, One Magenta Afternoon, directed by Vernon Jordan III, and Deprivation, directed by Katie Arthur--will be available in various forms at some point in the future.
Follow Contour on Instagram (@ccontourr) and Twitter (@khariayo_)
Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), TikTok (@cinemasai), and Letterboxd (@CineMasai)
Support the show
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By Dylan ”CineMasai” Green
5
1919 ratings
My guest this week is South Carolina-born producer, vocalist, and composer Contour. We took a critical look at Black Panther: Wakanda Forever and the MCU and spoke about The Brave Little Toaster, the 2001 Japanese film Pulse, the pros and cons of Letterboxd, the art of film scoring, combining sample-based beats and traditional instruments to find his sound, and the creative process behind his latest album Onwards!
Onwards! is available wherever music is sold, streamed, or stolen. Consider copping directly from his Bandcamp page here.
The three films Contour has scored--Half Day, directed by Morgan Matthews, One Magenta Afternoon, directed by Vernon Jordan III, and Deprivation, directed by Katie Arthur--will be available in various forms at some point in the future.
Follow Contour on Instagram (@ccontourr) and Twitter (@khariayo_)
Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), TikTok (@cinemasai), and Letterboxd (@CineMasai)
Support the show
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