Conversations in Atlantic Theory

Dr. Marisa Solomon is an Assistant Professor of Women’s, Gender and Sexuality Studies at Barnard College, Columbia University, where she teaches courses in feminist intersectional science studies, environmental humanities, Black geographies, feminist theory and queer of color critique. She is currently the director of Barnard’s Interdisciplinary Race and Ethnic Studies Minor (ICORE/MORE), an editorial board member of Women’s Studies Quarterly (WSQ) and Scholar and Feminist Online.

She has written a number of articles on the relationship between waste and Black life in the U.S., including, “The Ghetto is a Gold Mine” for the Journal of Labor and Working-Class History and “Ecologies Elsewhere” for GLQ: A Journal of Gay and Lesbian Studies. Her work also appears in a number of edited volumes such as, Waste as Critique (Oxford University Press), Black Environmentalisms (forthcoming with Duke University Press) and The Politics of Disposability (Duke University Press). One of her essays, “The Edge of the Usual,” also appears in a compilation of essays for the 2023 Venice Biennial on Everlasting Plastics. 

In today’s conversation, we discuss her new book, The Elsewhere is Black: Ecological Violence and Improvised Life (Duke University Press 2025), which received Duke University Press’s Scholar of Color First Book Award, considers ecological politics from the position of Black dispossession. In so doing, The Elsewhere Is Black points us to the durability of racism and its many material forms: toxicity’s movement through soil and bodies, the placement of landfills, waste infrastructure, and the technocratic planning and management of Black life and death.

Dr.  Kathleen "Kat" Cruz Gutierrez (Ph.D. Southeast Asian Studies, Berkeley) is Assistant Professor of Southeast Asian history and the history of science at the University of California, Santa Cruz. She writes on the history of botany, botanical taxonomies, and the recent scholarly "plant turn." Her research has been generously supported by the Social Science Research Council, the Henry Luce Foundation, the Mellon Foundation, and the National Endowment for the Humanities. Her previous affiliations include De La Salle University, Manila, the Humanities Institute of the New York Botanical Garden, and the Oak Spring Garden Foundation. She presently serves as co-Principal Investigator for a community-engaged research initiative on Filipino agrarian labor and migration titled "Watsonville is in the Heart." For her work, she was awarded in 2024 the Richard E. Cone Award for Emerging Leaders in Community Engagement by LEAD California, a biannual honor that recognizes a single individual in higher education evidencing steadfast commitment to community engagement in their early careers. 

In today’s conversation we discuss her latest monograph Unmaking Botany: Science and Vernacular Knowledge in the Colonial Philippines where she traces a history of botany in the Philippines during the last decades of Spanish rule and the first decades of US colonization.  Through this history, she redefines the vernacular, expanding it to include embodied, cosmological, artistic, and varied taxonomic practices.

Dr.  Joseph M. Pierce (Cherokee Nation citizen) is an Associate Professor in the Department of Hispanic Languages and Literature and the Founding Director of the Native American and Indigenous Studies Initiative at Stony Brook University. 

In today’s conversation, we discuss Dr. Pierce’s latest monograph, Speculative Relations: Indigenous Worlding and Repair (2025, Duke University Press) where he analyzes a range of materials—from photography, literature, and sculpture to film and ethnography—revealing how speculation, as a form of situated knowledge production, can repair and reimagine the worlds that colonialism sought to destroy.

Dr. Deborah A. Thomas is Chair and the R. Jean Brownlee Professor of Anthropology, and the Director of the Center for Experimental Ethnography at the University of Pennsylvania.  She is also core faculty in Gender, Sexuality and Women’s Studies, holds secondary appointments with the Graduate School of Education and the Department of Africana Studies, and is a member of the graduate groups in English, Comparative Literature, and the School of Social Policy and Practice.  She is also a Research Associate with the Johannesburg Institute for Advanced Study at the University of Johannesburg.  Prior to her appointment at Penn, she spent two years as a Mellon Post-Doctoral Fellow at the Center for the Americas at Wesleyan University, and four years teaching in the Department of Cultural Anthropology at Duke University. 

In today’s conversation, we discuss Dr. Thomas’ latest monograph, Exorbitance:  A Speculative Ethnography of Inheritance, where she calls for new approaches to political sovereignty grounded in the embodied forms of autonomy and relation created in daily life.

Dr. Bimbola Akinbola is an artist and scholar currently based in Chicago. Working at the intersection of African diapora studies, performance, and visual art, her scholarly and artistic work is concerned with the complicated and nagging nature of belonging, queerness, and the concept of family.

Dr. Akinbola's newly published book, Transatlantic Disbelonging: Unruliness, Pleasure and Play in Nigerian Diasporic Women's Art examines anti-respectability, queer kinship, and diasporic homemaking in the creative work of contemporary Nigerian diasporic women artists. Her essays have also been published in Text and Performance Quarterly and Women Studies Quarterly.

Dr. drea brown is a queer Black feminist poet-scholar whose writing has appeared in journals and anthologies such as Stand Our Ground: Poems for Marissa Alexander and Trayvon Martin, the Smithsonian Magazine, Southern Indiana Review, Bellingham Review and About Place Journal. drea is the author of dear girl: a reckoning, winner of the Gold Line Press 2014 chapbook prize, and co-editor of Teaching Black: The Craft of Teaching on Black Life and Literature (U Pittsburgh 2021). 

In today’s conversation, we discuss her latest monograph Conjuring the Haint: The Haunting Poetics of Black Women where she argues that for Black women, haunting is both a condition and a strategy in lived experiences and literary productions.

Dr. Atiya Husain is Associate Professor of Africana Studies and a faculty affiliate in Anthropology/Sociology at Williams College. Her work has been published in scholarly journals such as Ethnic and Racial Studies, Sociology of Race and Ethnicity, as well as popular outlets including Boston Review, Slate, and Adi Magazine. She is a founding co-editor of the University of Toronto Press series “Dimensions: Islam, Muslims, and Critical Thought,” a founding board member of Communication and Race, and has also served as Associate Editor of Sociology of Race and Ethnicity. She has a PhD from the University of North Carolina at Chapel Hill, and a BA from the University of Michigan - Ann Arbor.

In today’s conversation, we discuss her latest monograph No God but Man: On Race, Knowledge, and Terrorism, where she traces the origins and logics of the FBI wanted poster and argues how this logic continues to structure wanted posters, as well as much contemporary social scientific thinking about race.

Dr. Celina de Sá is an Assistant Professor of Anthropology at the University of Texas at Austin. Originally from the SF Bay Area, she received her PhD with distinction at the University of Pennsylvania in Africana Studies and Anthropology. Outside of her professional life, she is also a capoeirista and training to be a flamenco dancer.

In today’s conversation, we discuss her latest monograph Diaspora Without Displacement: The Coloniality and Promise of Capoeira in Senegal, (published by Duke University Press July 2025) where she analyzes  a capoeira network across West Africa, de Sá shows how urban West Africans use capoeira to explore the relationship between Blackness, diaspora, and African heritage.

Dr. Julia Elyachar is an author, anthropologist, and political economist.  She was trained in anthropology, economics, history of political and economic thought, political economy, social theory, Middle Eastern Studies, and Arabic language. At Princeton, she is an associate professor of anthropology, and associate professor at the Princeton Institute for International and Regional Studies. She received her BA in Economics from Barnard College, Columbia University and her MA and PhD in Anthropology and Middle East Studies from Harvard University.

In today’s conversation, we discuss her latest monograph On the Semicivilized: Coloniality, Finance, and Embodied Sovereignty in Cairo. Drawing on thirty years of ethnographic research in Cairo, family archives from Palestine and Egypt, and research on Ottoman debt and finance to rethink catastrophe and potentiality in Cairo and the world today, Elyachar theorizes a global condition of the “semicivilized” marked by nonsovereign futures, crippling debts, and the constant specter of violence exercised by those who call themselves civilized. Looking at the world from the perspective of the semicivilized, Dr. Elyachar argues, allows us to shift attention to embodied infrastructures, collective lives, and practices of moving and acting in common that bypass lingering assumptions of territorialism and unitary sovereign rule.

Dr. Élika Ortega is assistant professor in the Department of Spanish and Portuguese at the University of Colorado, Boulder. Dr. Ortega writes about the intersection of digital and print publishing, digital literature, cultural hybridity, digital humanities, and multilingualism in academia. Her work on these topics has been published in venues like ASAP Journal, PMLA, Hispanic Review, Debates in the Digital Humanities, EBR, and others. She is currently one of the editors for the Electronic Literature Collection Vol. 5. 

Today we discuss Dr.Ortega’s monograph Binding Media. Hybrid Print-Digital Literature from across the Americas , published by Stanford University Press in March 2025, where she proposes the notion of “binding media” and provides us with an essential account of contemporary book history and highlights the way binding media help illuminate processes of cultural hybridization that have been instigated by the expediency of globalized digital technologies and transnational dynamics.