Creative Disturbance

Janeil Engelstad talks with Sarah Koehler currently a graduate student in Statistics at Colorado State University (CSU) about how artistic training shapes one’s work in the social and physical sciences and the impact of a social science education on a career in the arts. Koehler also talks about a software package that she is writing at CSU, which will measure carbon in the atmosphere.

 On this week's show, Andy and Derek discuss Santiago García and David Rubín's Beowulf, Karine Bernadou's Canopy, and the first two issues of Richard Corben's Shadows on the Grave.

Artist Pinar Yoldas presents and discusses her approach to art and to art and science collaborations and details her specific project in relation to the FEAT residency working with the DIACAT consortium that is developing a way to clean CO2 based on artificial diamond technologies.

Recorded by Annick Bureaud on December 21st, 2016 by skype, in the framework of the EU H2020 co-funded FEAT / Future Emerging Art and Technology project [http://featart.eu/index.php?id=5].

Jingles and sound design Jean-Yves Leloup, music Carl Harms, David James Elliott "The Wire", Sergey Lopoukha "Lull" (Universal Production Music Publishing), Stefanski "Last Light Lament" (Atmos Production Music/UNIPPM) and "Nouvelles Machines" by Pete Namlook & Geir Jenssen.

Jeremiah Gassensmith speaks to Roger Malina and Ritwik Kaikini about the mechanisms and application of proteins, bacteria and bioluminescence in the present world. If bacteria sing what would it sound like? How do we hear them?    

Artist Kerstin Ergenzinger and scientist Simon Stellmer discuss the perception of time from their respective backgrounds and how they converge on the deep philosophical issues that are raised.

They present and discuss their approach to art and to art and science collaborations and detail their specific project in relation to the FEAT residency.

Recorded by Annick Bureaud on September 8th 2016 in Linz during Ars Electronica, in the framework of the EU H2020 co-funded FEAT / Future Emerging Art and Technology project [http://featart.eu/index.php?id=5].

Jingles and sound design Jean-Yves Leloup, musics Carl Harms, David James Elliott "The Wire", Sergey Lopoukha "Lull" (Universal Production Music Publishing), Stefanski "Last Light Lament" (Atmos Production Music/UNIPPM) and "Nouvelles Machines" by Pete Namlook & Geir Jenssen.

Quantum physicist Tommaso Calarco discusses his relation to contemporary art and shares his experience of collaborating with the artist duo Evelina Domnitch and Dmitry Gelfand in the art-science FEAT residency programme.

Recorded by Annick Bureaud on October 21st 2016 at Le Lieu Unique in Nantes at the exhibition of Evelina Domnitch and Dmitry Gelfand "Le vide et la lumière", in the framework of the EU H2020 co-funded FEAT / Future Emerging Art and Technology project [http://featart.eu/index.php?id=5].

Jingles and sound design Jean-Yves Leloup, musics Carl Harms, David James Elliott "The Wire", Sergey Lopoukha "Lull" (Universal Production Music Publishing), Stefanski "Last Light Lament" (Atmos Production Music/UNIPPM) and "Nouvelles Machines" by Pete Namlook & Geir Jenssen.

Artists Špela Petrič and MihaTuršič and scientist George Beckett talk about their approach to supercomputer and supercomputing in relation to the FEAT residency. They focus and agree on the place of collaboration between art and science and put human at the center of the priorities.

Recorded by Annick Bureaud on September 9th 2016 in Linz during Ars Electronica, in the framework of the EU H2020 co-funded FEAT / Future Emerging Art and Technology project [http://featart.eu/index.php?id=5].

Jingles and sound design Jean-Yves Leloup, musics Carl Harms, David James Elliott "The Wire", Sergey Lopoukha "Lull" (Universal Production Music Publishing), Stefanski "Last Light Lament" (Atmos Production Music/UNIPPM) and "Nouvelles Machines" by Pete Namlook & Geir Jenssen.

The Two Guys with PhDs are back for their final Previews show of 2016, checking out the many solicits in the December catalog.

Vicky Isley and Paul Smith forming the artist duo Boredom Research and Thomas Schmickl, the project leader of the scientific research project subCULTron talk about their respective approach of artificial life, both "in vitro" (artificial virtual creatures in a computer environment) and "in vivo" (robots and more precisely swarm of robots in natural environments). They present and discuss their common ground and questions in relation to the FEAT residency.

Recorded by Annick Bureaud on September 10th 2016 in Linz during Ars Electronica, in the framework of the EU H2020 co-funded FEAT / Future Emerging Art and Technology project [http://featart.eu/index.php?id=5].

Jingles and sound design Jean-Yves Leloup, musics Carl Harms, David James Elliott "The Wire", Sergey Lopoukha "Lull" (Universal Production Music Publishing), Stefanski "Last Light Lament" (Atmos Production Music/UNIPPM), "Nouvelles Machines" by Pete Namlook & Geir Jenssen and the sound pieces "After Glows" and "Shake Flake" by Boredom Research.