Creative Disturbance

Ruth Jarman, from the duo Semiconductor, talks about how she and Joe Gerhardt are, in their art, looking for the language of science and man signature in nature. This journey is then built into their animation films and sound works. She presents and discusses their approach to art and to art and science collaborations and details their specific project in relation to the FEAT residency.

Recorded by Annick Bureaud on September 9th 2016 in Linz during Ars Electronica, in the framework of the EU H2020 co-funded FEAT / Future Emerging Art and Technology project [http://featart.eu/index.php?id=5].

Jingles and sound design Jean-Yves Leloup, musics Carl Harms, David James Elliott "The Wire", Sergey Lopoukha "Lull" (Universal Production Music Publishing), Stefanski "Last Light Lament" (Atmos Production Music/UNIPPM) and "Nouvelles Machines" by Pete Namlook & Geir Jenssen.

Jamie Broadnax joins Poe Johnson to discuss how growing up as comic book and video game fan while being a black girl led to the creation of the website and podcast: Black Girl Nerds. Additionally, they discuss the need for more inclusive voices and spaces within digital communities, and the relationship between fandom and social justice.

Saulo FA Barretto speaks to Roger Malina about his life and his initiative for deploying a model for human development in vulnerable regions based on art, science and technology. http://www.ipti.org.br/en/projects/the-human-project/

He founded a research institute(http://www.ipti.org.br/) to develop solutions for social needs through various technologies and close interaction with the communities. 

This podcast is a conversation with Peter Pirhosseinlou Iranian musician, sound artist ,and music organizer. My dialogue with him revolves around issues such as the relationship between music and meaning, the nature of meaning in music, and the audience’s musical experience. In his music, his main priority is to build a mutual bound with his audience as every other possible influence is conditioned to this bound. One of the main interests of the artist is the moments in music that he calls “happenings”,occurring in the process of  creating a musical piece and go beyond planned technical considerations and control-based techniques of making music.

On this episode, their final publisher spotlight of the year, Andy and Derek discuss the 2016 releases from Kilgore Books and Comics.

Jepchumba in conversation with South African filmmaker Lebogang Rasethaba on his latest film Future Sounds of Mzansi. He discusses his discovery of storytelling through Film through his projects and studies in China.

A continued conversation between Gryphon Rue on the experience of abstract things and everyday life. Gryphon Rue's installations are focused around sensory perception and sound. They speak briefly about Alexander Calder, an American Sculptor who invented the 'mobile', a type of moving sculpture. Gryphon Rue reinvents these into interactive sound mobiles in his present exhibition which will open to public on March 10th.  Read more about the exhibition below:

https://ballroommarfa.org/archive/event/strange-attractor

Evelina Domnitch and Dmitry Gelfand talk about their fascination for light that led them into quantum physics to create art installations and performances. They present and discuss their approach to art and to art and science collaborations and detail their specific project in relation to the FEAT residency.

 Recorded by Annick Bureaud on September 10th 2016 in Linz during Ars Electronica, in the framework of the EU H2020 co-funded FEAT / Future Emerging Art and Technology project [http://featart.eu/index.php?id=5].

 Jingles and sound design Jean-Yves Leloup, musics Carl Harms, David James Elliott "The Wire", Sergey Lopoukha "Lull" (Universal Production Music Publishing), Stefanski "Last Light Lament" (Atmos Production Music/UNIPPM) and "Nouvelles Machines" by Pete Namlook & Geir Jenssen.

Anna Dumitriu talks about her creation with bacteria and contemporary biomedicine and bioresearch, explaining how she combines high end bioresearch with craft techniques in her work. She presents and discusses her approach to art and to art and science collaborations and detail her specific project in relation to the FEAT residency.

Recorded by Annick Bureaud on September 9th 2016 in Linz during Ars Electronica, in the framework of the EU H2020 co-funded FEAT / Future Emerging Art and Technology project [http://featart.eu/index.php?id=5].

Jingles and sound design Jean-Yves Leloup, musics Carl Harms, David James Elliott "The Wire", Sergey Lopoukha "Lull" (Universal Production Music Publishing), Stefanski "Last Light Lament" (Atmos Production Music/UNIPPM) and "Nouvelles Machines" by Pete Namlook & Geir Jenssen.

Andy and Derek discuss six new titles in the second of their two-episode series on recent crime comics.