Creative Disturbance

Enregistré par Annick Bureaud & Jean-Luc Soret, le 11 septembre 2014 à Paris, jingles et habillage sonore Jean-Yves Leloup, musiques Sergey Lopoukha "Lull" (Universal Production Music Publishing) - Référence complémentaire / Further reading [http://www.diatrope.com/rfm/docs/Malina_Space_1991.pdf]

In this section of his interview on "Art-Science : Emergence et ruptures", Roger Malina addresses the topic of bio art and synthetic biology.

Enregistré par Annick Bureaud & Jean-Luc Soret, le 11 septembre 2014 à Paris, jingles et habillage sonore Jean-Yves Leloup, musiques Carl Harms, David James Elliott "The Wire", Sergey Lopoukha "Lull" (Universal Production Music Publishing)

Enregistré par Annick Bureaud & Jean-Luc Soret, le 11 septembre 2014 à Paris, jingles et habillage sonore Jean-Yves Leloup, musiques Carl Harms, David James Elliott "The Wire", Sergey Lopoukha "Lull" (Universal Production Music Publishing)

In this section of his interview on "Art-Science : Emergence et ruptures", Roger Malina addresses the topic of big data and art.Enregistré par Annick Bureaud & Jean-Luc Soret, le 11 septembre 2014 à Paris, jingles et habillage sonore Jean-Yves Leloup, musiques Carl Harms, David James Elliott "The Wire", Sergey Lopoukha "Lull" (Universal Production Music Publishing)

Bernard Stiegler and Colette Tron expand on the ideas of the development of an art of hypercontrol, where artists could develop systems of 'retro-action' on the whole earth system to avoid the disasters of the anthropocene. The art of hypercontrol is a political question, which reflects on the technological condition and converts concern into action. Steigler expands on Deleuze's ideas of converting the wound into a remedy. All technologies are inherently both solutions and causes of problems. Stiegler and Tron discuss their the idea of developing 'coops of disciplines" to invent new instruments of cooperation for an economy of negentropie. Steigler refers to his MOOC systemhttp://pharmakon.fr/wordpress/ .

Art Historian Fabrice Lapelletrie and Artist and Curator Ewen Chardronnet discuss Frank Malina's art philosophy and how artists must appropriate the scientific landscapes and technologies of their time to create truly contemporary art forms. Chardronnet discusses his interest in artistic experimentation in the context of space exploration. He details his mounting of an exhibition around the work of Theremin and other engineers in Russia who created the first sound and image synthesisers as exemple of this movement before the war, and how the work of Frank Malina as an artist and engineers ties to this tradition. They discuss the artists who have filed patents as part of a long art and technology tradition.

(In french) French philosopher Bernard Stiegler and art critic Colette Tron discuss the emergence of a society of hypercontrol as an evolution from Deleuze's development of the society of control and Foucault's concept of the society of surveillance. New algorithms using user profiling anticipate user needs and actions and thus channel their behavior in the desired directions of the internet companies.He draws on Chris Anderson that language translation algorithms no longer draws for instance on the expertise of linguists but just on pattern recognition ( the end of theory). Stiegler speculates as to whether in the anthropocene era the conditions can be created so that groups of internauts can develop an 'art of hypercontrol' and an economy of negative entropy to counteract climate change and other impacts.

Artist and Curator Ewen Chardronnet discusses with art historian Fabrice Lapelletrie their ongoing research around Frank Malina and his circles of friends and collaborators both in Pasadena around the work of the 'suicide club" headed by Malina with Jack Parsons, Ed Foreman. Hu Hse Tsien whose work led to the first successful American high altitude rockets, the founding of NASA JPL and Aerojet Gen Corporation. Malina then became known as a pioneer of kinetic art in Paris in the 1950s and 60s. Chardronnet discusses his ongoing research which has included visiting many of the foundational sites of American rocketry. Lapelletrie discusses the context of the birth of kinetic art in Paris in the 195os.

Dr Ellen Wagner joins vTapestry to continue the conversation from Online Educa Berlin 2014 about whether or not big data is corrupting education. Learn how big data can be used (in context) to drive evidence-based decisions at home, at play, and at work. You might be surprised at who is rating/grading you - and why!

Bronac Ferran and Reg Gadney discuss the latter's decision to first begin writing about kinetic art, the cross-pollination of art influences during the 1950s and 1960s, and kinetic art's (and Frank Malina's) critical and economic status among the visual and literary arts.