We went and saw Crimes of the Future and witnessed David Cronenberg‘s return to body horror in one of the most upsetting films of the year.

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Crimes of the Future is a story about the far flung future, where the earth has succumb to environmental havoc wreaked on it by the human race. Humanity has been treated with pain-killers for so long that the concept of physical pain is novel. 

Our protagonists are Saul Tensor (Viggo Mortensen) and Caprice (Léa Seydoux), who’s art is performative surgery that seems to be extremely sexual in nature. 

Saul Tensor is like a portion of humanity who finds himself growing auxiliary organs that make his life extremely uncomfortable. From eating to sleeping, Saul never finds himself far from discomfort, which is strange, given how much of humanity seems to experience so little in terms of feeling that they intentionally mutilate themselves to feel anything at all.

A young child named Brecken is murdered by his mother for eating a plastic trash can in the opening scene of this movie. A complicated game of cat and mouse between a shady government agency and a splinter cell of candybar aficionados takes place surrounding Brecken’s death.

Does art imitate life? Will humanity embrace their inevitable evolution? 

Crimes of the Future is the result of 50 years of doom and gloom reporting on humanities shaping of our environment. This future is one that you’ve had visions of every time you hear a news report of the trash island in the Pacific. A humanity made perverse by its own inability to react to itself.

More than that, this is a return to intense body horror for renowned writer, director David Cronenburg. 

I have to admit, Crimes of the Future hones in on my most intense personal terror – surgical imagery. I first found this personal weakness in the fourth grade when my teacher went into vivid detail in describing how doctors removed her brain tumor. I felt sweaty and weak, and soon passed out on my desk.

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Since then, I’ve come a long way in my ability to deal with thoughts and descriptions of surgery. Crimes of the Future cracked me by fusing surgery with sexuality and kink. There is something so perverse in the concept of sexualizing voluntary surgery that i found myself sweating and my vision blurring like I was back in the fourth grade.

The world that Crimes of the Future takes place in is so bleak and sad, I found myself wishing that the movie would end.

The concepts within are terribly interesting and well-presented. Questions like, “What is natural?” and “How do you deal with admiration if the thing that people admire about you is what you most hate about yourself?” crop up all over this masterpiece. There is no shortage of thought-provoking concepts and questions to keep your head busy for ages.

I can honestly say that I’ve never felt this uncomfortable watching a movie that Horror Movie Talk has reviewed. I can say that the most uncomfortable parts for me were within the first and second act. I contemplated leaving the theater after a particular scene, but I’m glad I didn’t because the end had less revolting content and more interesting questions.

A worthwhile movie that is sure to make you feel uncomfortable on a variety of levels. While it’s not as universally relatable as the performance given by Jeff Goldblum in The Fly, it’s very close to it.

9/10