Creative Assembly announced Medieval 3 and Total War Warhammer 40K within two weeks. We break down what we know, what's missing, and whether the new Warcore engine can handle what these games need to deliver.

Medieval 3 won't arrive until 2027 at the earliest, possibly 2028. The game promises more than just map painting with systems borrowed from Crusader Kings territory, but the challenge is finding the middle ground between Medieval 2 Definitive Edition and overcomplicated mechanics that alienate the core audience.

Total War Warhammer 40K launches in 2026 with four factions at release. The excitement is real, but so are the concerns. The lack of confirmed player-controlled space combat is a problem when Battlefleet Gothic Armada managed proper naval warfare a decade ago. Creative Assembly has talked about fleets moving between planets, but they haven't said the words that matter: you will control ships in battle.

The simultaneous PC and console release raises questions about complexity being sacrificed for accessibility. The DLC model from Warhammer Fantasy could get expensive fast when you're dealing with a galaxy worth of factions. Chaos Space Marines missing at launch signals what's coming.

We cover the new Warcore engine, whether Creative Assembly learned from the Rome 2 disaster, and what needs to happen for these games to work. The potential is there. The execution remains to be seen.

City builders split into subgenres that barely resemble each other. Cities Skylines focuses on traffic optimization and aesthetic building. Anno centres on island logistics and production chains. Banished and Frostpunk push survival mechanics. Tropico simulates dictatorships. Soviet Republic recreates command economy management. Each game builds around different core systems despite sharing the city builder label.

SimCity created the genre in 1989 and dominated until SimCity 4. The series died when it failed to evolve. Cities Skylines launched in 2015 and replaced it by combining Sim City's zoning systems with granular detail and robust modding support through Steam Workshop. Traffic Manager Presidential Edition and thousands of custom assets transformed the base game. Players spent 8,000+ hours building and optimizing cities. Nothing has matched this combination since.

Cities Skylines 2 launched broken in 2023. Paradox removed Colossal Order from development in November 2025 and moved the game to Iceflake Studios, an internal team with no franchise experience. The problems started before launch. Paradox forced the game onto their mod platform instead of Steam Workshop, rushed development, and expected Colossal Order to recreate a heavily modded ecosystem from scratch. The game ran poorly and offered less than the original. After three years of fixes failed to salvage it, Paradox blamed the developer. This decision looks like scapegoating and positions Iceflake to focus on DLC revenue recovery.

Anno succeeds across six entries because each game iterates on proven systems. The island mechanics, production chains, and optimization loops remain consistent while graphics and features improve. Paradox achieved this with Europa Universalis and Victoria but failed with Cities Skylines 2 by attempting replication instead of innovation.

The episode covers Pharaoh, the Settlers series crossing into RTS territory, Dwarf Fortress difficulty scaling, and Citystate Metropolis attempting gridless zoning as a solo development project.

In this episode of Critical Moves, we sit down with Ben Angel, narrative lead and designer on the Age of Empires 2: Chronicles DLC campaigns. Ben shares fascinating insights into creating compelling narratives within the constraints of RTS gameplay, where players experience stories from a distant, zoomed-out perspective.

We discuss how Chronicles tackles the inherent challenges of storytelling in strategy games—turning abstract barracks and identical units into specific, memorable moments through careful writing and design. Ben explains how dialogue can function like a "radio play" running in the background while players manage their armies, and how writers must give specificity to generic gameplay elements.

The conversation explores how the team designed varied campaign scenarios that break away from the repetitive "build base, create army, destroy enemy" formula. We learn about their approach to difficulty scaling, historical authenticity versus accuracy, and why the silent majority of RTS players—those who prefer single-player campaigns—deserve more attention from the industry.

Ben also reflects on the state of narrative-driven RTS games, the lessons from classics like Rise and Fall: Civilizations at War, and what the future might hold for story-focused strategy content. Whether you're an Age of Empires veteran or simply interested in game narrative design, this episode offers a rare behind-the-scenes look at creating meaningful stories in the strategy genre.

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Does Anno 117: Pax Romana live up to the hype? Err... No. In this episode, Al (the Anno noob) got a chance to quiz Anno veteran Timothy on what the latest instalment of the franchise does right and what it does terribly wrong.

Join us as we pull apart Ubisoft Mainz' latest city builder title and discuss if the Roman setting fits the Anno brand, if it adds anything to the series and why diagonal roads are such a big deal.

We go through the core problems with Anno 117. The Roman setting sounds good on paper but doesn't translate to compelling gameplay. This feels like a step backward for the franchise.

We compare it to previous Anno games and talk about why this entry falls short. The issues aren't small fixes - they're fundamental design choices that undermine what the series does best. If you've been on the fence about buying it, this discussion will help you decide.

Join hosts Jack and Adam as they sit down with Thomas Vandenberg, the visionary creator behind Kingdom Classic and Kingdom New Lands, for a deep dive into the evolution of minimal strategy design. Thomas shares the fascinating journey of turning a Flash game prototype into a beloved franchise that pioneered the "aesthetic strategy" genre, where atmosphere and accessibility take precedence over complex mechanics.

The conversation explores the golden age of Flash gaming, the creative constraints that shaped Kingdom's innovative sidescrolling strategy mechanics, and the philosophy behind keeping games minimalist while resisting feature creep. Thomas opens up about the challenges of following up a successful indie hit, his collaboration with composer Amos Roddy, and his upcoming projects including the tower defense game Garbage Country. From diegetic UI design to the appeal of multiplayer "friend slop" games, this episode examines what makes strategy games truly engaging beyond their mechanical depth.

This conversation offers rare insights into creating games that prioritize vibes and player experience over conventional complexity, perfect for Kingdom fans and anyone interested in thoughtful game design philosophy.

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Joe and Big Sid talk Football Manager from Championship Manager 01/02 to the FM26 disaster. Big Sid has been playing for 25 years. Joe started with FM12 and the San Marino Challenge, spending a year building a lower Italian league team into Champions League contenders. Both have lost relationships and jobs to this game.

FM26 launched in early access and immediately got review bombed on Steam. The new Unity engine brought performance problems. Menus take five minutes to open. Big Sid has a 4090 and still had problems. The UI overhaul moved everything around, breaking muscle memory from years of previous versions. Sports Interactive told people to give it 20 hours to adjust, which is absurd when most people quit games in 10 minutes if they don't like the feel.

FM25 got cancelled months before release. Miles Jacobson said it wasn't good enough and he wasn't having fun. The community questioned whether FM26 would also get delayed, but Sega's release schedule meant it had to ship. Maybe they should have delayed it anyway.

The transfer system improved with a recruitment hub for planning squad building. Women's football is in the game now with 14 playable leagues across 11 nations. The men's game has 100 fully playable leagues and around 800,000 players including coaches and scouts. The match engine got better with more natural player movement, but the trade-off was PowerPoint transitions between menus.

We talk favorite saves and legendary players. Big Sid runs journeyman saves, starting unemployed with Sunday league experience. His go-to tactic is the 4-2-3-1 Gegenpress. Joe gives himself one coaching badge and prefers building from nothing. Freddy Adu dominated FM05 saves. Lorenzo Kryzite bossed midfields as a lone defensive midfielder in FM12. Shane Long had one year where he was inexplicably the best player in the game. Joe once reloaded his youth intake 100 times to get his own kid as a regen and turned them into a national team player.

Big Sid says let them cook. FM26 needs time and iterations to fix the performance and UI problems. Or just play FM24, which got delisted from Steam. You can download it if you already own it but can't buy it anymore.

Tell us what your first save is in a new FM or which wonderkid you remember best.

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Welcome back to Critical Moves! In this episode, hosts Jack and Adam welcome newest team member Sid to break down the Sudden Strike series - the World War II real-time tactics franchise that's been quietly serving a dedicated fanbase for over two decades. With Sudden Strike 5 recently announced at Gamescom and promising ambitious features like 300+ units, co-op PvE gameplay, and massive 25-hour campaigns, we dive deep into why this arcade-style strategy game occupies such a unique space in the genre. Sid walks us through his experience with the series from the original game through Sudden Strike 4, explaining the core gameplay loop that focuses on tactical resource management, fuel and ammo conservation, and scripted reinforcements rather than traditional RTS base-building. We explore why Sudden Strike has struggled to gain mainstream recognition despite four previous entries, discussing how it sits awkwardly between hardcore military simulations like Men of War and more accessible titles like Company of Heroes, making it too arcade for wargaming purists but potentially too tactical for casual RTS fans.

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To celebrate the new year of Critical Moves Podcast, Al, Tim and Adam sat down to recommend a new game for the others to try. These were games that the others had never played before but that each hoped their co-hosts would enjoy. Games recommended were:

Tim: https://store.steampowered.com/app/1207650/Suzerain (for Al) https://store.steampowered.com/app/1434950/HighFleet (for Adam)

Al: https://store.steampowered.com/app/2088550/Dying_Breed (for Adam) https://store.steampowered.com/app/3556750/Warhammer_40000_Dawn_of_War__Definitive_Edition (for Tim)

Adam: https://store.steampowered.com/app/457140/Oxygen_Not_Included (for Al) https://store.steampowered.com/app/25900/Kings_Bounty_The_Legend (for Tim)

We will come back in a few months and let you know what we thought of them.

Jack and Adam compare two modern revivals of strategy design: Heroes of Might and Magic: Olden Era and Endless Legend 2. We cover how HOMM OE modernises the classic loop, the daily and weekly map rhythm, city growth, unit upgrade forks, and where it stumbles with a cluttered spell UI and questions about handcrafted maps.

We dig into Endless Legend 2’s Civ-style shell with heroes anchoring armies, event chains that create real attachment, and the tides mechanic that reshapes the map, plus the tutorial build crashing on our end and why it still kept us playing. The thread through both is a character-led 4X style that looks like Civ but plays closer to HOMM and Age of Wonders, with smaller tactical scopes and more authored micro-stories.

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Adam, Jack, and Tim dig into the October 2025 Steam Next Fest lineup. They highlight the most promising strategy titles, the ones to skip, and talk about how Steam’s visibility system shapes the fortunes of indie developers. The discussion covers what works, what doesn’t, and why the algorithm can make or break smaller strategy games.

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