Hear interviews with members of the cast and creative team behind the Indianapolis Repertory Theatre’s production of Marie and Rosetta —including actors Cherish Love, Jaela Cheeks-Lomax, and music director Morgan E. Stevenson. 

Marie and Rosetta, written by George Brant, explores the powerful artistic partnership between gospel music legends Sister Rosetta Tharpe and Marie Knight. The production runs at the Indianapolis Repertory Theatre from October 28 through November 23. 

Born in Arkansas in 1915, Sister Rosetta Tharpe was a trailblazing guitarist and vocalist whose music fused the ecstatic spirit of gospel with the rhythmic drive of rhythm and blues — paving the way for rock and roll pioneers like Chuck Berry and Little Richard. Inducted into the Rock and Roll Hall of Fame in 2018, Tharpe is now widely celebrated as the Godmother of Rock and Roll. Known for her powerful voice, magnetic stage presence, and groundbreaking mastery of the electric guitar, Tharpe broke barriers as one of the first gospel artists to cross into secular music — achieving mainstream success throughout the 1930s and 1940s.

Recently, Terre Haute, Indiana welcomed two of the nation’s most prominent political figures — Senator Bernie Sanders and Representative Alexandria Ocasio-Cortez. Sanders visited the city to receive the Eugene V. Debs Award. WFYI’s Kyle Long was on hand to capture the sounds, music, and speeches that defined the evening. Listen to Long’s interview with Sanders, along with music from the Local Honeys; the Kentucky-based duo opened the ceremony with a set of old-time folk music. 

Born in 1855, Eugene Debs was raised in Terre Haute, Indiana. Debs was a political activist, trade unionist, founding member of the Industrial Workers of the World, and a five-time Socialist Party presidential candidate. In 1962, the Debs Foundation was established in Terre Haute to preserve Debs' legacy. Since 1965, the foundation has presented the annual Eugene V. Debs Award to individuals and organizations whose work advances the causes of labor rights, peace, and human equality. Past recipients include Kurt Vonnegut, Coretta Scott King, Dolores Huerta, Howard Zinn, Pete Seeger, and Ralph Nader.

Listen to an interview with the keyboardist, composer, and computer music pioneer Brad Garton. He’s best known for his work with the legendary West Lafayette, Indiana punk band Dow Jones and The Industrials, but Garton’s work in music spans from progressive rock to experimental composition. 

Brad Garton was raised in Columbus, Indiana, in a family with strong local ties. His father, Robert D. Garton, served for decades in the Indiana State Senate. Garton joined Dow Jones and The Industrials while studying pharmacology at Purdue University, earning the nickname “Mr. Science” for his innovative use of synthesizers and electronic sound effects. 

Following his work in punk rock, Garton moved into the world of computer-assisted composition. He earned a Ph.D. in music composition from Princeton University in 1989, and later joined the faculty at Columbia University, where he served as Director of the Computer Music Center, formerly known as the Columbia-Princeton Electronic Music Center.

In 1983, four Bloomington musicians — Chrissie Dickinson, Cynthia Hammond, Jenny Davis, and Emily Jackson — bonded over their shared love for the music of Patti Smith, X, and The Clash. Together they formed Sally’s Dream, a post-punk band that went on to perform across the Midwest and later in Boston.

Sally’s Dream earned strong reviews from the Indiana music press and shared stages with national acts like Fishbone, Romeo Void, and 10,000 Maniacs. The group wrote and recorded striking, original music, but aside from a few compilation appearances and homemade cassette releases, their work remained largely unheard. That changed last month with the release of Breaking Through — an anthology that brings together the band’s best recordings and marks the first full-length album ever released by Sally’s Dream. 

The collection was assembled in memory of Chrissie Dickinson, the band’s guitarist and primary songwriter, who died in 2022. Outside of her work as a musician, Dickinson was an accomplished journalist, writing for the Chicago Reader, the St. Louis Post-Dispatch, and the Country Music Hall of Fame’s Journal of Country Music. This week on Cultural Manifesto, Cynthia Hammond, Jenny Davis, and Emily Jackson of Sally’s Dream will join host Kyle Long to talk about the band’s history.

Listen to an interview with NPR’s Ailsa Chang; she recently spoke with WFYI’s Kyle Long to discuss the importance of supporting public media. You hear her every weekday as co-host of All Things Considered, NPR’s flagship evening news program. Chang grew up in Northern California, the daughter of parents who emigrated from Taiwan. She began her professional life in law, earning a J.D. from Stanford University in 2001 and completing a Fulbright Scholarship at the University of Oxford. But at 30, she made an unexpected pivot — leaving behind a legal career to pursue journalism. Her reporting quickly gained national attention, earning her an Edward R. Murrow Award and the Daniel Schorr Journalism Prize. In 2018, Chang made history as the first Asian American woman to host an NPR news program when she joined All Things Considered as co-host.

Lee Fields is a legendary funk and soul singer whose powerful voice and remarkable career longevity have earned him comparisons to James Brown and Wilson Pickett. Born in North Carolina in 1951, Fields began recording in the late 1960s, cutting raw funk singles that later became prized by record collectors. After experimenting with electronic music and blues during the 1980s and early ’90s, Fields returned to deep funk and soul in the late ’90s—a sound he has remained faithful to ever since. Known for his electrifying live performances and deeply emotional delivery, Lee Fields stands as one of the last great soul artists still touring and recording at the height of his powers. Fields will be performing in Indianapolis on October 15.

Jude Noel is a music journalist and critic whose work has appeared in Pitchfork, The Fader, and Bandcamp Daily. In his recent Bandcamp feature, “Indy Is Next,” Jude shines a spotlight on Indianapolis’s growing independent music scene, tracing the city’s creative energy through its artists, venues, and DIY communities. He writes that Indianapolis’s “best artists braid genres and influences in bizarre yet satisfying ways, chasing creative whims rather than trends. Bands share members and ideas, generating sounds that feel out of time and tough to categorize.” WFYI’s Kyle Long recently spoke with Noel to learn more about his work as a music journalist.

Aida Cuevas is an iconic Mexican singer celebrated as The Queen of Ranchera Music. Born in Mexico City in 1963, Cuevas began her career as a teenager performing on radio before rising to national fame in the late 1970s with her powerful, classically trained voice and commanding stage presence. She has released more than 40 albums and sold over 11 million records. Cuevas is renowned for her masterful interpretations of traditional Mexican music. In 2018, she made history as the first female mariachi singer to win a Grammy Award for Best Regional Mexican Music Album. Recognized as a cultural ambassador of Mexico, she continues to preserve the country’s rich musical heritage through recordings and performances that celebrate the artistry of ranchera music. Aida Cuevas will be performing in Central Indiana on October 10.

Listen to interviews with the cast, producers and musicians behind “Cabaret Latino - Songs of the Americas”, including Tom Alvarez, Eva Luna Espay, Eric Salazar, Pablo Gonzalez, Alexis Faviel and Dustin Klein.

“Cabaret Latino” is a bilingual revue of songs celebrating the music of Latin America, from boleros to reggaeton. The show was created and directed by Tom Alvarez, a trailblazing figure in Indiana media and arts. His multifaceted career includes work in television, theatre, journalism, podcasting, and community arts advocacy. Born in Fort Wayne, Alvarez first made waves in the 1970s, when he became the first Latino broadcaster on Indianapolis television. In recent years, Alvarez has gained notoriety as a producer of musical theatre and cabaret.

Listen to an interview with Brazilian musicians Magary Lord, Juliana Ribeiro, Márcio Pereira, and Indianapolis’ Lasana Kazembe. They recently performed at Indy Jazz Fest as part of “Jazz Meets Samba : An Afro Brazilian Journey.”

Magary Lord is a Brazilian singer-songwriter and percussionist from Salvador, Bahia, known for blending Afro-Brazilian rhythms with broader global influences.Magary Lord has performed internationally and won top honors in Salvador’s Carnaval and collaborated with artists including Seu Jorge. 

Juliana Ribeiro is a Brazilian singer, composer and historian from Bahia whose work draws deeply from Afro-Brazilian musical traditions. Ribeiro has performed on major stages across Brazil, released critically-acclaimed albums like “Preta Brasileira.”

Márcio Pereira is a guitarist, composer, arranger, and music professor from Salvador, Bahia. Trained both in his hometown and in New Orleans, Pereira developed a distinctive style that fuses Afro-Bahian rhythms with blues and jazz influences.

Lasana D. Kazembe, Ph.D., is an award-winning educator, poet, spoken-word artist, and scholar based in Indianapolis. Kazembe has produced multimedia works including “The Voodoo of Hell’s Half-Acre”, and "Paul Robeson: Man Of The People”, which merge poetry, music, and performance.