Get ready for an exclusive peek inside the most famous recording space on the planet! In this episode of Curious Vocalists, Grace Hancock sits down with Erika Brett—lead singer, keyboardist, Hammond organist, and harmony arranger for Chicago’s fiercely independent roots-rock band The Empty Pockets. Erika takes us behind the heavy doors of Abbey Road Studio 2 to break down the raw, thrilling process of tracking their new record live to tape in the very room where musical history was written.
Erika lifts the curtain on what it’s really like to make music surrounded by history—from playing the legendary Hammond RT3 organ (complete with cigarette burns left on the woodwork by John Lennon and Paul McCartney!) to rescuing the famous Challen "Time Out" upright piano from the corner of the studio to unlock an impromptu, groove-heavy take.
Beyond the gear magic, Erika tackles the intense pressure cooker of high-stakes recording. She shares how independent artists can conquer studio overwhelm, quiet the inner perfectionist, and capture peak vocal takes when every second counts. Packed with nervous-system warm-up secrets, microphone proximity tricks inspired by Rubber Soul, and stories from the Abbey Road floor, this conversation is an inspiring masterclass in bringing playfulness, courage, and authenticity to any recording session.
Settle Your Nervous System Before Your Voice: Erika begins her studio vocal warmup with a vocal mist nebuliser, laryngeal and jaw massage, back-mobility breathing exercises, and SOVT straw routines to calm anxiety before singing a note.Beat Studio Perfectionism in 2 to 3 Takes: While first takes can feel stiff and late takes overthought, the second or third take usually captures the optimal balance of vocal control and emotional freedom.Try Tracking Vocals While Seated: If standing at a studio microphone creates physical rigidity or performance anxiety, sitting down can lower body tension and produce a noticeably more relaxed vocal delivery.Experiment with Microphone Proximity: Taking inspiration from Beatles sessions on Rubber Soul, moving closer or farther from the mic creates distinct tonal colours and dynamic intimacy.Let the Instrument Drive the Arrangement: Swapping between instruments—like moving from a grand piano to Abbey Road's vintage Challen upright—can instantly alter hand phrasing, groove, and vocal space.Protect Vocal Health with Keyboards: Playing keys on extended tours gives singers a practical way to manage vocal fatigue and offload pressure when performing night after night.00:50 Abbey Road Studios Experiences
04:52 The Empty Pocket's Ethos
08:44 How They Got Into Abbey Road
11:15 Erika's Vocal Prep for Recording Day
13:53 One-Take Wonder or Warm Into It?
15:34 Dealing With Perfectionism in The Studio
17:52 The Effects of Play & Exploration in The Studio
22:27 Challenges in Accompanying Yourself in the Studio
25:16 Journeys from Singer to Singer Pianists
29:00 Where to Find The Empty Pockets Music
29:37 QuickFire Questions
The Empty Pockets: theemptypockets.comAbbey Road Mini-Documentary: Watch on YouTubeAbbey Road Studios (Studio 2, Studio 3, Studio 1) — London, UKHammond RT3 & B-2 Organs (Featuring vintage cigarette burns from John Lennon & Paul McCartney)Challen Upright Piano (Rubber Soul era)Mrs. Mills Piano & MellotronVocal Tools: Vocal Mist Nebuliser, SOVT (Semi-Occluded Vocal Tract) Warmup StrawsFeatured Artists & Tracks
Al Stewart & Alan Parsons (Key industry mentors and collaborators)The Empty Pockets Tracks: "I Never Get Sick of You"Grace is a seasoned singer-pianist, vocal coach and composer. Over the past decade she has dedicated her life to music and creativity, performing aboard luxury cruise ships across the world and composing for theatre and short films. Her original compositions have been recognised by festivals such as the Paris Film Awards and Only the Best International Film Awards. She strives now to determine how to cultivate authentic expression in music and the importance of it for mental health and human connection.
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